Dunkel mario (41 Ergebnisse)

paperback. Zustand: Very Good. Cover and edges may have some wear.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Wie Neu. Zustandsbeschreibung: ungelesen, leicht bestoßen/unused, slightly bumped. Transnational and Transdisciplinary Perspectives. Edited by Mario Dunkel & Sina A. Nitzsche. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. With contributions by Klaus Nathaus, Alessandro Mazzola, Nevin Sahin, Rüdiger Ritter, Maristella Feustle, Ádám Ignácz, Martha Bayles, Nicholas Alexander Brown, Sven Kube, Carlos Sanz Diaz and José Manuel Morales Tamaral, Kendra Salois, James R. Ball III, Gesa zur Nieden, Dean Vuletic, Mario Dunkel & Sina A. Nitzsche. 328 Seiten mit 12 Abb., broschiert (Studien zur Popularmusik/transcript Verlag 2018). Statt EUR 44,99. Gewicht: 523 g - Softcover/Taschenbuch.…

Zustand: Sehr gut. 328 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 510.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Originalhardcover. Zustand: Wie neu. 234 S., graph. Darst., Noten. Ein tadelloses Exemplar. - Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and music. This intermedial experimentation may serve to adopt the spatio-temporal attributes of the other medium or to comment on a forms own mediality. It has much to say about processes of literary and musical composition and reception, the role of tradition and intertextuality, and the medial constellation in which these works situate themselves. The articles here collected testify to the success of the first conference of the Word and Music Association Forum, founded in 2009 to offer graduate students and post-docs a forum for presenting and discussing work in word and music studies. - Content: Adrian Paterson: Worded or Sung? The Thirteen Teeth of Joyce's Pomes Penyeach -- John McGrath: Musical Repetition in Samuel Beckett's Ill Seen Ill Said -- Isabel Wagner: Aeolian Harps and Creators of Acoustic Spaces: Gert Jonke's Self-Reflexive Soundscapes -- Emily Petermann: The Concept of Time Implied by the Theme and Variations Form: Novels Based on Bach's Goldberg Variations -- Markus Huss: The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works -- Christin Hoene: Sounding Through Time and Space: Music in Postcolonial South-Asian Literature -- Sarah Fekadu: Ezra Pound's Spatial Aesthetics of Music -- Beate Schirrmacher: The Use of Musical Intermediality in Creating Spatial Temporality: Gunter Grass's Novel Ein weites Feld (1995) -- Hannah Ianniello: Violence in Narratives about Jazz Musicians: Performance in Michael Ondaatje's Coming Through Slaughter -- Helen Abbott: Poetic Time and Space, or What Faure Leams from Baudelaire -- Burkhard Sauerwald: A Song and Its Checkered History of Reception and Effect: "Der gute Kamerad" by Ludwig Uhland and Friedrich Silcher -- Diana Kupfer: A Cycle of Songs, Sorrow and Citations: Earl Kim's Now and Then (1981) -- Maria Ristani: Carving Time in Rhythm: Samuel Beckett and Minimalist Music -- Judith Crispin: The Transcendence of Musical Time: Text and Temporality in Busoni's Doktor Faust and Messiaen's Saint Francois d'Assise -- Tyler Cassidy-Heacock: Poetry Traced in the Air: Electronic Mediation, Musicalized Language, and Embodiment in Leroux's Voi(rex). ISBN 9783631606988 Sprache: Englisch Gewicht in Gramm: 405. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 350.

Zustand: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Zustand: New. In English.

gr-8°. 234 S. OPp. Mit Widmung., sonst neuwertig.

Zustand: New.

Paperback. Zustand: Brand New. 328 pages. 9.00x6.00x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and music. This intermedial experimentation may serve to adopt the spatio-temporal attributes of the other medium or to comment on a form's own mediality. It has much to say about processes of literary and musical composition and reception, the role of tradition and intertextuality, and the medial constellation in which these works situate themselves. The articles here collected testify to the success of the first conference of the Word and Music Association Forum, founded in 2009 to offer graduate students and post-docs a forum for presenting and discussing work in word and music studies.…

Paperback. Zustand: Brand New. 210 pages. 9.19x6.13x9.21 inches. In Stock.

Zustand: NEW.

gr-8°. 102 S. Sehr gut, ungelesen. MasteRResearch, 4.

Taschenbuch. Zustand: Neu. Neuware - New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a 'tradition' consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge What were the alternative perspectives And why did the narrative of a fixed tradition catch on In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.…

Zustand: New. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw .

Taschenbuch. Zustand: Neu. Neuware - In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.…

Zustand: New. Mario Dunkel is Professor for Music Education with a focus on transcultural music mediation at the Carl von Ossietzky University of Oldenburg.Melanie Schiller is Professor of Contemporary Media Cultures at Radboud.

Kartoniert / Broschiert. Zustand: New. New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a tradition consisting of fixed components including a succession of jazz styles. How did this construction of musi.

Taschenbuch. Zustand: Neu. Popular Music and the Rise of Populism in Europe | Mario Dunkel (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9781032275239 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu. …

Taschenbuch. Zustand: Neu. The Stories of Jazz | Narrating a Musical Tradition, Jazzforschung / Jazz Research 48 | Mario Dunkel | Taschenbuch | 404 S. | Englisch | 2021 | Hollitzer Verlag | EAN 9783990128947 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu.…

Broschur. Zustand: Gut. [1. Auflage]. 308 Seiten : Illustrationen ; 23 cm, 486 g Gebraucht, guter Zustand 30c ISBN: 9783837650587 Sprache: Deutsch Gewicht in Gramm: 482.

Taschenbuch. Zustand: Neu. Neuware - Populäre Musik macht Angebote zur soziokulturellen Orientierung und Positionierung ihrer Hörer\*innen. Damit verbunden sind Machtstrukturen - etwa im Verhältnis der Geschlechter, der Generationen, Ethnien oder sozialen Milieus -, die populäre Musik reproduzieren, aber auch aufbrechen kann, sodass Des- oder Neuorientierungen entstehen können. Die Beiträge dieses Bandes analysieren solche Prozesse kritisch und auf mehreren Ebenen: vom Neosexismus in Indie Rock und feministischen Gegenstrategien, über sexualisierte Afrika-Bilder und osteuropäische Hardbass-Szenen bis zum Entwurf posthumaner Welten in Videoclips. Darüber hinaus werden Leitvorstellungen der Musikpädagogik hinterfragt und Vorschläge für methodologische Neuorientierungen der wissenschaftlichen Auseinandersetzung mit populärer Musik formuliert. …

Zustand: New.