Margaret bent (39 Ergebnisse)

Zustand: Very Good. Minor shelf wear, dust jacket has a few minor scratches, otherwise book content is in very good condition.

Paperback. Zustand: Very Good. Copyright 1979. Spine creased, bottom l.h. corner bumped, contents VG+.

Publisher's red cloth. Musical Sources, 26. Size: Folio. x pp., [14] ff.

Zustand: New. pp. 232.

Paperback. Zustand: Very Good. First Paperback Edition. 8vo. Large format paperback. ISBN: 0852495447 Pages: xii, 179 Slight creasing at spine otherwise very good.

hardcover. Zustand: Very Good.

Zustand: New. pp. 348.

Paperback. Zustand: Brand New. 232 pages. 9.06x6.10x0.59 inches. In Stock.

Zustand: New. In English.

Zustand: New. Margaret Bent CBE FBA is an Emeritus Fellow of All Souls College, Oxford. Before returning to England, she taught at Brandeis and Princeton universities and served as President of the American Musicological Society. She has published widely on English, Fren.

Taschenbuch. Zustand: Neu. Neuware - The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of scholastic philosophy, theology and mathematics. For nearly a century, its author has been known as Jacques de Liège or Jacobus Leodiensis. 'Jacobus' is certain, fixed by an acrostic declared within the text; Liège is hypothetical, based on evidence shown here to be less than secure. The one complete manuscript, Paris BnF lat. 7207, thought by its editor to be Florentine, can now be shown on the basis of its miniatures by Cristoforo Cortese to be from the Veneto, datable c. 1434-40. New documentary evidence in an Italian inventory, also from the Veneto, describes a lost copy of the treatise dating from before 1419, older than the surviving manuscript, and identifies its author as 'Magister Jacobus de Ispania'. If this had been known eighty years ago, the Liège hypothesis would never have taken root. It invites a new look at the geography and influences that played into this central document of medieval music theory. The two new attributes of 'Magister' and 'de Ispania' (i.e. a foreigner) prompted an extensive search in published indexes for possible identities. Surprisingly few candidates of this name emerged, and only one in the right date range. It is here suggested that the author of the Speculum is either someone who left no paper trail or James of Spain, a nephew of Eleanor of Castile, wife of King Edward I, whose career is documented mostly in England. He was an illegitimate son of Eleanor's older half-brother, the Infante Enrique of Castile. Documentary evidence shows that he was a wealthy and well-travelled royal prince who was also an Oxford magister. The book traces his career and the likelihood of his authorship of the Speculum musicae.…

Hardcover. Zustand: Brand New. 744 pages. 0.10x0.10x0.10 inches. In Stock.

Zustand: As New.

Paperback. Zustand: Brand New. 348 pages. 9.01x5.98x0.79 inches. In Stock.

Zustand: New. First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company. Series: Criticism & Analysis of Early Music. Num Pages: 348 pages, black & white illustrations. BIC Classification: AVGC2. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 229 x 152 x 19. Weight in Grams: 639. . 2015. Paperback. . . . . Books ship from the US and Ireland. …

fester Einband. 156 Seiten, 297 x 210 mm, 58 farb. Abb., 3 s/w Abb., 28 s/w Tabellen, 5 Diagramme, 4 Musikbeigaben, Faksimileteil mit 64 farbigen Abb. und 8 Notenübertragungen. 4° Kart. *neuwertig* This book results from Robert Klugseder's discovery of new fragments in Vienna (Fragm. 661) and Margaret Bent's recognition that they belonged to the same original manuscript as a set of fragments in Munich (Mus. Ms. 3224, already known). Together they make a torso of 12 leaves with 20 compositions, nearly half of which are unique, an important complement to the already-known Veneto manuscripts of international repertory of the first half of the 15th century. A high-quality colour facsimile of these leaves, together with associated fragmentary survivals, is preceded by an in-depth codicological and repertorial study in German and English. Die vorliegende Edition ist das Ergebnis von Robert Klugseders Entdeckung neuer Mensural-Fragmente in der Nationalbibliothek Wien (Fragm. 661) und Margaret Bents Feststellung der gemeinsamen Herkunft dieser Blätter mit schon bekannten Fragmenten in der Bayerischen Staatsbibliothek München (Mus. ms. 3224). Zusammen ergeben sie einen Torso von 12 Blättern mit 20 Kompositionen, von denen fast die Hälfte Unikate darstellen. Die Sammlung stellt eine wichtige Ergänzung der bereits bekannten Veneto-Quellen mit internationalem Repertoire aus der ersten Hälfte des 15. Jahrhunderts dar. Dieses Farbfaksimile in hoher Qualität enthält Abbildungen der Fragmente und weiterer fragmentarischer Relikte sowie einen wissenschaftlichen Kommentar in deutscher und englischer Sprache, der sowohl den kodikologischen als auch repertoiretechnischen Fragestellungen nachgeht. Sprache: Deutsch.…

Taschenbuch. Zustand: Neu. Counterpoint, Composition and Musica Ficta | Margaret Bent | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | Routledge | EAN 9781138966871 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Zustand: New. Klugseder, Robert, Koautor|Fragmente in der Bayerischen Staatsbibliothek Muenchen und in der|Oesterreichischen Nationalbibliothek Wien|Die vorliegende Edition ist das Ergebnis von Robert Klugseders Entdeckung|neuer Mensural-Fragmente in der Nationalbibliothek.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Hardback. Zustand: Fine. ~Dustwrapper baggy and slightly faded around spine but unclipped and protected in removable clear plastic sleeve. No ownership marks. ~Robust packaging. All UK orders with tracking, overseas orders on request. Used books are exempt from USA tariffs. Hardback. Size: xix, 666pp. 19.5 x 25cm. With dustwrapper. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Ein Liber cantus aus dem Veneto (um 1440). A Veneto Liber cantus (c. 1440) | Fragmente in der Bayerischen Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien / Fragments in the Bayerische Staatsbibliothek Munich and the Österreichische Nationalbibliothek, Vienna | Margaret Bent (u. a.) | Buch | Deutsch | 2012 | Reichert | EAN 9783895007620 | Verantwortliche Person für die EU: Heil, Margaret, Margaret Heil, Reichert, Anne-Frank-Str. 11, 63762 Großostheim, margret-heil[at]gmx[dot]de | Anbieter: preigu. …

Zustand: New.

Hardcover. Zustand: Brand New. 418 pages. 6.75x9.50x0.98 inches. In Stock.

Zustand: New. 2021. Hardback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 744 pages. 0.10x0.10x0.10 inches. In Stock.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. pp. 224.

Buch. Zustand: Neu. Neuware - A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening.In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.…