Bent margaret (39 Ergebnisse)

Zustand: Very Good. Minor shelf wear, dust jacket has a few minor scratches, otherwise book content is in very good condition.

Paperback. Zustand: Very Good. Copyright 1979. Spine creased, bottom l.h. corner bumped, contents VG+.

Publisher's red cloth. Musical Sources, 26. Size: Folio. x pp., [14] ff.

Zustand: New. pp. 232.

Paperback. Zustand: Very Good. First Paperback Edition. 8vo. Large format paperback. ISBN: 0852495447 Pages: xii, 179 Slight creasing at spine otherwise very good.

Zustand: New. pp. 348.

Paperback. Zustand: Brand New. 232 pages. 9.06x6.10x0.59 inches. In Stock.

Zustand: New. In English.

Zustand: New. Margaret Bent CBE FBA is an Emeritus Fellow of All Souls College, Oxford. Before returning to England, she taught at Brandeis and Princeton universities and served as President of the American Musicological Society. She has published widely on English, Fren.

Taschenbuch. Zustand: Neu. Neuware - The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of scholastic philosophy, theology and mathematics. For nearly a century, its author has been known as Jacques de Liège or Jacobus Leodiensis. 'Jacobus' is certain, fixed by an acrostic declared within the text; Liège is hypothetical, based on evidence shown here to be less than secure. The one complete manuscript, Paris BnF lat. 7207, thought by its editor to be Florentine, can now be shown on the basis of its miniatures by Cristoforo Cortese to be from the Veneto, datable c. 1434-40. New documentary evidence in an Italian inventory, also from the Veneto, describes a lost copy of the treatise dating from before 1419, older than the surviving manuscript, and identifies its author as 'Magister Jacobus de Ispania'. If this had been known eighty years ago, the Liège hypothesis would never have taken root. It invites a new look at the geography and influences that played into this central document of medieval music theory. The two new attributes of 'Magister' and 'de Ispania' (i.e. a foreigner) prompted an extensive search in published indexes for possible identities. Surprisingly few candidates of this name emerged, and only one in the right date range. It is here suggested that the author of the Speculum is either someone who left no paper trail or James of Spain, a nephew of Eleanor of Castile, wife of King Edward I, whose career is documented mostly in England. He was an illegitimate son of Eleanor's older half-brother, the Infante Enrique of Castile. Documentary evidence shows that he was a wealthy and well-travelled royal prince who was also an Oxford magister. The book traces his career and the likelihood of his authorship of the Speculum musicae.…

Zustand: As New.

Hardcover. Zustand: Brand New. 744 pages. 0.10x0.10x0.10 inches. In Stock.

Paperback. Zustand: Brand New. 348 pages. 9.01x5.98x0.79 inches. In Stock.

Zustand: New. First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company. Series: Criticism & Analysis of Early Music. Num Pages: 348 pages, black & white illustrations. BIC Classification: AVGC2. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 229 x 152 x 19. Weight in Grams: 639. . 2015. Paperback. . . . . Books ship from the US and Ireland. …

fester Einband. 156 Seiten, 297 x 210 mm, 58 farb. Abb., 3 s/w Abb., 28 s/w Tabellen, 5 Diagramme, 4 Musikbeigaben, Faksimileteil mit 64 farbigen Abb. und 8 Notenübertragungen. 4° Kart. *neuwertig* This book results from Robert Klugseder's discovery of new fragments in Vienna (Fragm. 661) and Margaret Bent's recognition that they belonged to the same original manuscript as a set of fragments in Munich (Mus. Ms. 3224, already known). Together they make a torso of 12 leaves with 20 compositions, nearly half of which are unique, an important complement to the already-known Veneto manuscripts of international repertory of the first half of the 15th century. A high-quality colour facsimile of these leaves, together with associated fragmentary survivals, is preceded by an in-depth codicological and repertorial study in German and English. Die vorliegende Edition ist das Ergebnis von Robert Klugseders Entdeckung neuer Mensural-Fragmente in der Nationalbibliothek Wien (Fragm. 661) und Margaret Bents Feststellung der gemeinsamen Herkunft dieser Blätter mit schon bekannten Fragmenten in der Bayerischen Staatsbibliothek München (Mus. ms. 3224). Zusammen ergeben sie einen Torso von 12 Blättern mit 20 Kompositionen, von denen fast die Hälfte Unikate darstellen. Die Sammlung stellt eine wichtige Ergänzung der bereits bekannten Veneto-Quellen mit internationalem Repertoire aus der ersten Hälfte des 15. Jahrhunderts dar. Dieses Farbfaksimile in hoher Qualität enthält Abbildungen der Fragmente und weiterer fragmentarischer Relikte sowie einen wissenschaftlichen Kommentar in deutscher und englischer Sprache, der sowohl den kodikologischen als auch repertoiretechnischen Fragestellungen nachgeht. Sprache: Deutsch.…

Taschenbuch. Zustand: Neu. Counterpoint, Composition and Musica Ficta | Margaret Bent | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | Routledge | EAN 9781138966871 | Verantwortliche Person für die EU: Taylor and Francis, Taylor & Francis Verlag Gmbh, Kaufingerstr 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu. …

Zustand: New. Klugseder, Robert, Koautor|Fragmente in der Bayerischen Staatsbibliothek Muenchen und in der|Oesterreichischen Nationalbibliothek Wien|Die vorliegende Edition ist das Ergebnis von Robert Klugseders Entdeckung|neuer Mensural-Fragmente in der Nationalbibliothek.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: Fine. ~Dustwrapper baggy and slightly faded around spine but unclipped and protected in removable clear plastic sleeve. No ownership marks. ~Robust packaging. All UK orders with tracking, overseas orders on request. Used books are exempt from USA tariffs. Hardback. Size: xix, 666pp. 19.5 x 25cm. With dustwrapper. …

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Neuware - This facsimile edition results from Robert Klugseder's discovery of new fragments in the Vienna National Library (Fragm. 661) and Margaret Bent's recognition that they belonged to the same original manuscript as an existing set of fragments in the Bavarian State Library, Munich (Mus. ms 3224), eight leaves from an Italian manuscript of the second quarter of the 15th century. Together they make a torso of 12 leaves, 24 pages, of a manuscript originally containing at least 107 folios, probably more. Taken together, the leaves in Munich and Vienna are a significant addition to the three main Veneto sources of the first half of the century: the extensive manuscripts Bologna Q15 and Oxford Canon. misc. 213, and the somewhat smaller manuscript Bologna, University Library 2216. Despite the use of expensive parchment, the manuscript does not seem to have been systematically planned. It may be that pieces were added as they became available. The few original folio numbers do not permit firm conclusions, but it may have started with a section of Gloria settings, followed by Credos, with a section mainly devoted to motets and shorter pieces around folio 100, and a group of Magnificats at some unknown position before or after that. Although the Munich and Vienna fragments are no longer bound into their host volumes, it nevertheless proved possible to identify all those volumes. This search for host volumes among the Bavarian State Library's holdings of Weihenstephan incunables brought to light traces of further leaves from the same manuscript, which had left fragmentary offsets on the wooden boards of the bindings. Two of these fragmentary remains were identified with works known from other manuscripts, thus extending the list of compositions to 22, of which nine, nearly half, are unique. Composers are known for all but five of the compositions. Most are local to the Veneto, or, like the northerners Arnold de Lantins and Du Fay, are known to have spent part of their careers in north-east Italy, like many young musicians from cities such as Liège and Cambrai. The Italian composers in the Veneto are Cristoforus de Feltro, Antonius de Civitate, Bartolomeo Bruollo, Johannes de Quadris; transalpine composers with Italian careers or associations are Arnold de Lantins, Beltrame Feragut and above all Guillaume Du Fay; in addition, the music of the northerner Johannes de Sarto and the Englishman John Dunstaple already circulated in the Veneto. Margaret Bent and Robert Klugseder have explored all reasonable possibilities in search of further leaves of this important source. There is good reason to think that it was already dismantled around 1500, and some of it used in Venice for scrap parchment; and that only part of the manuscript found its way to the Bavarian monastery of Weihenstephan (perhaps as packing material for unbound printed books) where it was used in book bindings. Further discoveries in other libraries cannot be ruled out.…

Buch. Zustand: Neu. Ein Liber cantus aus dem Veneto (um 1440). A Veneto Liber cantus (c. 1440) | Fragmente in der Bayerischen Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien / Fragments in the Bayerische Staatsbibliothek Munich and the Österreichische Nationalbibliothek, Vienna | Margaret Bent (u. a.) | Buch | Deutsch | 2012 | Reichert | EAN 9783895007620 | Verantwortliche Person für die EU: Heil, Margaret, Margaret Heil, Reichert, Anne-Frank-Str. 11, 63762 Großostheim, margret-heil[at]gmx[dot]de | Anbieter: preigu. …

Zustand: New.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Brand New. 418 pages. 6.75x9.50x0.98 inches. In Stock.

Zustand: New. 2021. Hardback. . . . . . Books ship from the US and Ireland.

Zustand: very good. Vocal score. Part 22 in the series 'Early English Church Music'. Edited by Margaret Bent. Very good condition, minor wear to book. Binding tight, spine faded. Ex-library, including stamps. Text clean and free from foxing and annotation. 193pp.

Hardcover. Zustand: Brand New. 744 pages. 0.10x0.10x0.10 inches. In Stock.

Zustand: New. pp. 224.