Lucretius lucrece (19 Ergebnisse)

Softcover. Zustand: Very Good. Third Edition. Spine a bit faded and creased. Scholar's bookplate to inner cover (Robert Brown).; Parallel text in French and Latin.; Collection Des Universités De France. Association Guillaume Budé; 1; 132 pages.

Hardcover. Zustand: Good+. Pages lightly tanned. Book has been rebound in black buckram boards with silver lettering to spine. Else VG.; Parallel text in French and Latin.; Collection Des Universités De France. Association Guillaume Budé; 1; 132 pages.

Softcover. Zustand: Very Good. Very light shelfwear. Pages tanned.; Parallel text in French and Latin.; Collection Des Universités De France. Association Guillaume Budé; 2; 157 pages.

Hardcover. Zustand: Very Good. No Dust Jacket. Pages lightly tanned. Scholar's name to inner cover (Mark Possanza).; Parallel text in French and Latin.; Collection Des Universités De France. Association Guillaume Budé; 1; 127 pages.

Hardcover. Zustand: Good. No Jacket. The first three livres. Parallel text in Latin and French, translated by M. L.G. (Nicolas La Grange). Paris, Chez Bleuet, 1768. 17 x 25 cm, 365 pp. Appears to be missing the title page, but the title engraving is present. Front board loose, as is half the spine (hanging by the back joint). 4 engravings by Hubert Gravelot and Louis Binet, plus an extra engraving that has been inserted in the middle of book 3, all in excellent condition, guarded by tissue paper. Someone has noted the line number in pencil through most of book one, which also has some pencil markings and marginal notes. The other two books are clean. Scattered foxing, some page edges very noticeably more browned. The Book Cellar & Henschel.…

Hachette, Paris, 1976. 94p. ills. Sewn. Series: Classiques Roma.

Hardcover. Zustand: Good+. No Dust Jacket. Pages tanned. Book has been rebound in marbled boards with red spine. Endpapers browned. Stamp to ffep. Possible ex-lib (no markings to text).; Parallel text in French and Latin.; Collection De Commentaires D'Auteurs Anciens; 1; 371 pages.

Garnier, Paris, n.d. 2nd rev.ed. IX,449p. Sewn. Head and tail back bit worn. Partly unopened. Series: Classiques Garnier.

Les Belles Lettres, Paris, 1959/56. 2 vols. XXVII,31-154(x2);150(x2)p. Sewn. Light pencil annotations in Dutch.

Les Belles Lettres, Paris, 1959/60. 2 vols. XXVII,31-154(x2);150(x2)p. Sewn. Name and address on half title. Pages a bit yellowed.

Les Belles Lettres, Paris, 1962/64. 2 vols. XXVII,31-154(x2);150(x2)p. Sewn. Head and tail spine a little bit worn. Spine a bit stained. Name on free endpaper.

Les Belles Lettres, Paris, 1955/56. XXVI,156(x2);150(x2)p. Rebound. Series: Budé.

Leather. Zustand: Very Good Indeed. Illustrated with engraved plates and beautifully bound, this is the vanishingly scarce three volume edition of La Grange's French-Latin edition of Lucretius's 'De Rerum Natura'. A bilingual work, in both French and the original Latin. The French translation is the work of Joseph Lagrange, who first published his edition of this work in 1768. The vanishingly scarce three volume 1793 to 1794 edition of this work, with all three volumes bound together, retaining title pages and half titles. This edition is dated 'l'an deuxieme de la republique' to the title page tails, indicating the years 1793 and 1794. Illustrated with a frontispiece and six further engraved plates, drawn by C. Monnet. Collated, complete. Roman poet and philosopher Lucretius's philosophical didactic poem 'De Rerum Natura'.The poem, divided into six untitled books, explores Epicurean physics through poetic language and metaphors. Rebacked, with back strip laid down, and endpapers renewed. With the bookplate of Vera Frances Salomons to the front pastedown. Salomons was a British collector and philanthropist, best known for founding the L.A. Mayer Museum of Islamic Art, established to foster understanding between Jewish and Arab cultures through art. Rebacked, in a full decorative calf binding with the original back strip laid down. Externally, exceptional. Endpapers renewed. Bookplate to front pastedown. Internally, firmly bound. Pages bright, with spotting throughout, most concentrated to plates and leaves surrounding them. Very Good Indeed. C. Monnet (illustrator). book.…

A MOST UNUSUAL COPY OF THE MOST BEAUTIFUL EDITION OF LUCRETIUS, ONE OF THE MOST BEAUTIFUL LIVRES D'ARTISTE OF THE TWENTIETH CENTURY. Illustrated with 41 original etchings (most with drypoint) by LEOPOLD-LEVY, an Alsatian Jewish artist associated with the School of Paris. From a total edition of 99 numbered copies, all printed on fine wove paper, this is COPY NUMBER 3, WITH A SEPARATE SUITE OF THE 41 ETCHINGS PRINTED HORS TEXTE FROM THE CANCELED PLATES. THE JUSTIFICATION MENTIONS NO SUCH SUITES. Prospectus laid in. Folio. Loose as issued in original wraps. A bit of scattered foxing, else FINE AND BRIGHT, WITH NO DEFECTS. Housed in the original (lightly worn) vellum-packed chemise and board slipcase.…

Couverture rigide. Zustand: Très bon. Patavii (Padoue), excudebat Josephus Cominus, 1751, in-8, XLIV-426pp.-1f.-125pp.-vélin époque, dos lisse orné avec pièce d'auteur, gardes en papier dominoté, tranches rouges, ex-libris armorié au premier feuillet. De la bibliothèque du Marquis de Terzi avec son ex-libris et étiquette. « Édition assez estimée qui reproduisent le texte de Londres (1712), augmentée de deux traités, l'un de Scipion Capece : De Rerum Principiis et l'autre de d'Ant. Palearius : De Animorum Immortalitate » Brunet 1220 Lucrèce (en latin Titus Lucretius Carus) est un poète et philosophe latin du Ier siècle av. J.-C. (peut-être 98-55), auteur d'un seul ouvrage en six parties, le De rerum natura (De la nature des choses, qu'on traduit le plus souvent par De la nature), un long poème en style épique (hexamètre dactylique) qui décrit le monde selon les principes d'Épicure. C'est essentiellement grâce à lui que nous connaissons l'une des plus importantes écoles philosophiques de l'Antiquité, l'épicurisme, car des ouvrages d'Épicure, qui fut beaucoup lu et célébré dans toute l'Antiquité tardive, il ne reste pratiquement rien, sauf trois lettres et quelques sentences. Scipio Capicius, en français Scipion Capece (en italien Scipione Capece), (né à Naples, 1480 - mort v. 1551) était un juriste et poète néolatin du XVIe siècle, il composa, entre autres poésies latines, deux poèmes didactiques, De divo Joanne Baptista, et De principiis rerum. Aonio Paleario dit aussi Aonius Palearius est un humaniste italien du XVIe siècle, né à Veroli (États romains), pendu à Rome en 1570, on a de Palearius un poème sur l'Immortalité de l'âme (Lyon, 1531), d'une grande beauté et qui est un des monuments les plus remarquables de la poésie latine du XVIe siècle. M1-Et2.…

Pancoucke, Paris, 1829/32. 2 vols. Bound. Back worn/gone.

gr. in-8vo, 396 p. + 3 ff. (6 p. n.n.), (texte en latin), ms. en crayon sur garde ?Vom Verfasser erhalten am 4.3.76?, reliure toile de l?éditeur, jaquette. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Amsterdam [Paris], A spese dell'editore T.° P.°, 1754 ; 2 volumes in-8 (226 x 140 mm), 5 ff.n.ch. + 243 + (1) pp.+ 3 ff.n.ch. + 298 pp. (pp.245 à 543) pp., maroquin rouge de l'époque, dos ornés à nerfs, large dentelle aux petits fers dorés sur les plats, filet sur les coupes, dentelle intérieure, tranches dorées (dos très légèrement insolés). Les 2 volumes. Cohen & De Ricci, 665-666.Belle et célèbre édition, imprimée sur papier de Hollande, illustrée en premier tirage de 2 titres identiques, de 2 frontispices d?Eisen, de 6 hors-texte par Cochin et Le Lorrain, de 7 en-têtes par Cochin et Eisen et de 5 culs-de-lampe de Cochin, Eisen et Vassé, gravés par Aliamet, Lemire, Sornique, Baquoy, Chenu, Flipart, Gallimard, Tardieu et Louise Le Doulceur.Éclatante reliure à dentelle de l?époque attribuée à Louis Douceur, sur la base de comparaison à d?autres exemplaires de ce titre reliés par lui, avec des décors différents mais avec l?utilisation de fers similaires. Douceur fut reçu maître le 14 octobre 1721 et exerça les fonctions de garde de la communauté du 11 septembre 1737 au 10 juin 1739. Il est connu pour la réalisation de reliures à décor à la dentelle portant (ou non) son étiquette ; le recensement des reliures sorties de son atelier indique qu'il possédait un très important stock de fers et qu'il comptait parmi ses clients Madame de Pompadour. Il a aussi exécuté quelques reliures à décor mosaïqué. Très bel exemplaire. 1754. …

230 x 144 mm. (9 1/8 x 5 3/4"). Two volumes. Translated from Latin into Italian by Alessandro Marchetti. SPLENDID CRIMSON MOROCCO, GILT, BY DEROME LE JEUNE (his ticket with address of Rue St. Jacques on front pastedown of volume I), covers with border of multiple gilt rules and dotted rolls enclosing an ornate Rococo frame of flowers, acanthus leaves, garlands, catkins, and grape clusters, the cornerpieces semé with floral sprigs, raised bands, spines gilt in compartments with pineapple centerpiece within a lozenge of small tools, volute cornerpieces, two brown morocco labels, gilt-rolled turn-ins, marbled endpapers, all edges gilt. Copper-engraved frontispiece and title page after Eisen in each volume, six engraved plates by Lemire, Aliamet and others after Cochin, Eisen, and Le Lorrain, and seven vignette headpieces and five vignette tailpieces, most after Cochin. Gordon 505; Brunet III, 1222. For the illustrations: Cohen-de Ricci 665-6; Fürstenberg, p. 86; Ray 9. âSlight wear to corners, somewhat broad (but faint) offsetting to flyleaves from turn-in glue, just a hint of offsetting from engravings, but A LOVELY SET IN VERY FINE CONDITION, clean and fresh internally with comfortable margins and excellent impressions of the engravings, and the nearly unworn bindings bright with gilt. This attractively printed Italian translation of "De Rerum Natura" boasts "very beautiful" engravings, in the opinion of Cohen-de Ricci, and opulent bindings by one of the greatest names in the history of French bookbinding. Written in the first century B.C., the text here is considered one of the best expositions on the philosophy of Epicurus. Popular in the Roman Empire, it fell into obscurity before being rediscovered by Italian humanist Poggio Bracciolini in the 15th century. It became one of the most influential humanist texts of the Renaissance and the Enlightenment, inspiring writers and thinkers from Montaigne to Thomas Jefferson, a self-professed Epicurean who owned multiple editions. Translator Alessandro Marchetti (1633-1714) completed the first Italian vernacular version of Lucretius in 1669 but was denied permission to publish; it finally appeared in print in 1717. The present edition was revised by Francisco Gerbault, Italian and Spanish interpreter to Louis XV. The beautiful vignettes, tailpieces, and plates are mostly the work of Charles-Nicolas Cochin (1715-90) and Charles-Dominique-Joseph Eisen (1720-78), and so impressed Gordon Ray that he declared this edition "the model for the sumptuous Rococo volumes of the ensuing twenty-five years." Ray considers this some of Cochin's finest work, noting that the artist was "more at home with Lucretius' philosophical poem than with the amorous classical scenes of Ovid's 'Metamorphoses,'" and that his engravings here "are marked not only by the mastery of outline and firmness of composition which never deserted him, but also by acute observation and unpretentious humor." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th, but by far the most distinguished family member was Nicolas-Denis, called "le jeune" (1731-88). Known for the gracefulness of his bindings, and for being capable of "amazing delicacy" (in Hobson's words), Derome le jeune was, simply, the leading binder of the day, and his work was much in demand. Because he refused to turn away customers, Derome was forced to hire a number of assistants, whose work he could not always supervise closely. However, Thoinan says that the binder's best work is indicated by the presence of his ticket, as here. The excellent condition of our volumes allows the reader to appreciate "ancien régime" French book arts at their zenith, with smooth, well-margined pages, seductive illustrations, and bindings exuberant with gilt.…