lucas sylvia (30 Ergebnisse)

Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by CreateSpace Independent Publishing Platform, 2012. Octavo. Paperback. Book is like new. Great copy of this philosophical book. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Zustand: Brand New. 327 pages. 8.40x5.50x0.90 inches. In Stock.

Soft Cover. Zustand: VG. Reprint. Dated 1966, but later (c. 1990). 8vo. original printed paper wraps (a little rubbed & creased, prev. owner's name to FFE, crossed out with texter); pp. [iv], 258. A very good copy.

Zustand: New. Das leibhafte Moment meldet der Erkenntnis an, dass Leiden nicht sein, dass es anders werden solle - ausgehend von diesem Diktum Theodor W. Adornos fragen die Beitraege dieses Bandes: Wie kann Leiden als somatische Zustandsform, Widerfahrnis, psycho-physi.

Zustand: New. In.

Zustand: New. pp. 256.

Zustand: NEW.

Zustand: New. In this expanded and updated second edition, Lucas provides readers with an accessible and motivating exploration of the theory and practice of nurture groups.Unique in its field, the second edition of this respected book continues to underpin teac.

Paperback. Zustand: Brand New. 2nd revised updated edition. 241 pages. 9.75x7.00x0.75 inches. In Stock.

8°, Brosch., 177 S - gutes Exemplar. Buch.

Hardcover. Zustand: Good. 2nd Edition. "The Bell Jar" by Victoria Lucas (pseud of Sylvia Plath). London: Contemporary Fiction/William Heinemann. 1964 1st Contemporary Fiction edition or second UK edition, Book in good condition, with slight toning to textblock, small contemporary inscription to front pastedown, original green cloth, spine faded to brown, small bumps to corners.

Hardcover. Zustand: Excellent. Zustand des Schutzumschlags: Very Good. First Edition. Scarce First Printing of this iconic novel. First Printing [Heinemann, London, 1963]; octavo; [iv], 258, [2 blank] pages, original black papered boards, previous owner details in pen & dealer prices in pencil, light creasing to some page corners due to being folded over, mark to page edges, an excellent copy; in the very good dustjacket, creased & chipped along edges with some loss of "Victoria" at head & "Heinemann" at foot of spine, front foldover edge creased. Plath's only novel, this First Edition of "The Bell Jar" was published just one month before her death. Published under the pseudonym Victoria Lucas [due to the semi-autobiographical nature of the book & the unfavourable depiction of Esther Greenwood's mother, Plath insisted on a pseudonym & the book not to be published in her native US to avoid upsetting her own mother]. According to Heinemann "we only did a token quantity" of this first print run [Tabor, pp14]. This is said to indicate fewer than 2,000 copies printed. Cover design by Thomas Simmonds [who was also responsible for the iconic cover art on the UK edition of "Jaws"]. From the Melanie Smith collection of Sylvia Plath books.

Softcover. Zustand: Fine. Exhibition catalogs. Thirteen catalogs, with an additional promotional piece for the exhibitions by Bochner and Wegman. Tall octavos. Wrappers in dust jackets. A couple of jackets with a bit of light sunning and one with a tiny red pencil stroke on the front cover, still easily fine. A handsome set of these very nicely produced exhibition catalogs with high-quality reproductions. The shows represented are: Donald Judd: Cadmium Red (2012); Surface / Infinity: Vija Celmins, Brice Marden, Agnes Martin (2012); Lucas Samaras Pastels (2014); Body Double: Jasper Johns / Bruce Nauman (2013); Joel Shapiro: Sculpture and Drawings 1969-1972 (2013); Eureka: William Wegman Photographs 1970-1975 (2013-14); Helen Frankenthaler and David Smith (2014); Joel Shapiro: Iron and Bronze 1973-76 (2014); Robert Rauschenberg: The Fulton Street Studio, 1953-54 (2014); Jasper Johns: Sculptures and Related Paintings 1957-1970 (2014-2015); Mel Bochner: Drawings 1966-1968 (2015); Sylvia Plimack Mangold: Floors and Rulers, 1967-76 (2016); RYB: Mary Heilman Paintings, 1975-78 (2017; in publisher's shrinkwrap).

Hardcover. Octavo, [4], 258 pages. In Very Good condition with a Very Good minus dust jacket. Jacket is purple and white, with black lettering. Volume in full green cloth binding with silver titling to spine; text block with light purple top edge. Dust jacket is housed in a new archival sleeve, and shows moderate scuffing and wear on covers and along edges; light age toning; and soiling to spine. Mild crinkling to jacket at head of spine, and light water damage at tail. Boards show mild shelf wear with corners lightly rubbed. Spine is slightly cocked. Text block shows minimal wear and light toning along edges; top edge lightly sunned. Interior clean. Shelved showcase. The Bell Jar is Sylvia Plath's first and only novel, first published in 1963 under the pseudonym Victoria Lucas. This Contemporary Fiction edition is the last edition of this novel to bear the pseudonym; it would next be published under Plath's real name in 1966. 1408476. Shelved Dupont Bookstore. Contemporary Fiction Edition [Second Edition].

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 2nd Edition. The second edition of Sylvia Plath's first and only novel, published by William Heinemann in their series, Contemporary Literature, a year after they produced the first edition. It was the last to carry her pseudonym, Victoria Lucas.The Faber edition, two years later, was published under her real name. Near fine copy, unmarked. Wrapper very good, unclipped, with mild creases on the rear.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Good. None (illustrator). First edition. The first edition of Sylvia Plath's semi-autobiographical magnum opus, in the desirable publisher's original dust wrapper. The true first edition, first impression. Published under the pseudonym 'Victoria Lucas', as Plath was concerned that her mother would read the novel.Only 2,000 copies of this first impression were produced.In the price-clipped publisher's original dust wrapper, designed by Thomas Simmonds.Set largely in early 1950s New York City and New England, the book follows nineteen-year-old undergraduate Esther Greenwood's descent into mental illness, as she is awarded a summer internship at the fictional 'Ladies' Day' magazine.With the former owner's ink inscriptions of 'K. Finks' and 'NL 37' to the front free endpaper, with also bears paper residue from a removed label. With remnants of a Boots lending library label to front board tail.The first edition of Plath's first and only novel. She committed suicide one month after the book's publication. In the publisher's original cloth binding, with price clipped dust wrapper. Externally, smart. Remnants of Boots lending library label to front board tail. Bumping to back strip head and tail, with joint tails starting, but firmly held. Light spotting to text block fore edge. Two small former owner's ink inscriptions to front free endpaper head. Paper label remnants to front pastedown, with resultant offsetting to front pastedown, half title, and title page. Lightly age toned tape repairs and reinforcements to dust wrapper, running length of fold over front flyleaf, back strip head and tail, and folds over front and rear joints. Light edgewear to head of dust wrapper front wrap, with light handling marks to rear wrap. Regions of amateur restoration to perimeters of rear wrap. Abrasion to dust wrapper reverse at centre of front flyleaf. Internally, generally firmly bound. Pages bright, with instances of light spotting throughout, most concentrated to page perimeters and first and last few leaves. Very Good. book.

First Edition. [Modern Literature] LEATHER-BOUND SECOND EDITION, being the First Book Club Edition. Octavo (19 x 13cm), pp.[6] 258 [4]. Recently re-bound in red half calf, with raised bands, gilt titles to spine, and matching cloth over boards. With the publisher's green cloth spine bound in at rear. A clean copy presented in an attractive new leather binding. First published in January 1963, just a couple of weeks before Plath's death, this is the second edition of her semi-autobiographical novel (far preceding the first American edition published in 1971). This edition is also the last to be published under the pseudonym Victoria Lucas.

Soft cover. Zustand: Very Good. 1st Edition. A very good copy of the highly scarce uncorrected Heinemann proof of Plath's only novel, here published in 1962, the year before publication of the trade hardback. Over 70 textual variations exist between the uncorrected proof and the first trade hardback edition (published in January 1963), including instances in the proof where heroine Esther Greenwood's name remains as Miss Lucas (the surname used by Plath for her pseudonym for the book), such as on p187: 'And how are you feeling this morning, Miss Lucas?'. Less than a dozen copies of The Bell Jar proof are known to have survived, perhaps less than ten. This compares with a print run of 2000 copies for the trade hardback. A very firm and square copy, with spotting to the covers and earlier pages; spotting to top edge of the text block. Some separation at the top and bottom of the front cover hinge; some browning of the spine. Housed in a drop-back silk-covered box, with title to the spine.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. The Bell Jar, Victoria Lucas (Sylvia Plath), Heinemann, 1963. First edition, second print. Signed to the front free endpaper by Ted Hughes and Plath's daughter, Frieda Hughes. A fine copy of the rare second printing of the first Heinemann edition (1963), originally published just four weeks to the day before the death of its author. The book was published under a pseudonym to disguise Plath's identity, to protect various real individuals illustrated in the novel. The Bell Jar was not published under Plath's real name till the Faber publication in 1966 and not published in the United States until 1971. Printed at Kingswood in Surrey. Very rare with the ownership inscription of Plath's husband Ted Hughes and their daughter, Frieda. The first print was published in a token quantity , according to Heinemann (Tabor), generally considered to be 2000 copies. The second print is considered to be an even smaller print run as it is harder to find. The black calico-grain cloth boards are entirely unmarked and unworn, with title, author name and publisher in bright gold on an un-creased spine. No sunning to the cloth. All four corners remain sharp and firm. Spine foot very lightly pushed, spine tip firm. Board edges are sharp, no bumps. Book is straight and firm, with no lean. Heinemann windmill stamped in blind on back cover; internally very clean indeed with lightest of spotting to front free endpaper and to some page edges. Foxing to the top edge of the text block, and light spotting to the other edges of the text block. The rare and unrestored original dust-jacked is not price-clipped, with the price 18s NET on the in-flap. No tears. Some brown splash marks near the spine to the rear panel and spine. Crease along length of in-flap and foxing to the spine of jacket verso and edges. A near fine copy in a near fine jacket of this hard to find landmark novel, the sole novel written by Sylvia Plath, with a direct family association. Provenance: Frieda Hughes.

Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. later edition. Second edition, 1964 issued with her pseudonym Victoria Lucas (as was the first edition). A Fine copy with the author's real name ("Sylvia Plath") added in ink by a previous owner neatly to the title page (see photo). Dust jacket is very close to Fine and is unclipped with just a little fading to spine.

70 vintage black-and-white still photographs from the 1959 UK film. Mimeograph snipes affixed to the versos of 2 stills, with distributor rubber-stamps. Photographer Lucas' rubber-stamp on the verso of 2 stills. Laurence Harvey stars as Johnny Jackson, a sleazy talent agent who discovers teenager Bert Rudge (Cliff Richard) singing in a coffee house. Jackson exploits the young singer, who only wants to play bongos, and their relationship turns sour. Generally considered a classic B-movie, so bad it's good. A story set in New York, shot on location in London and Surrey, England. 8 x 10 inches, some slightly largerr. Slight faint foxing, with a tiny closed tear here and there, else Near Fine.

Second Edition. Second edition. The only other edition (beside the first) published with Plath's pseudonym. Green cloth boards. Silver particulars to spine. Lavender top. Some wear and fading to jacket (see image). Creasing to head of jacket's spine panel and a small tear to tail (see image). Bright pages with no inscriptions or defacements. Overall a nice clean copy.

Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Second Edition. Second edition, part of the Contemporary Fiction Series and the only edition besides the first to bear Sylvia Plath's pseudonym Victoria Lucas. 258 pp. Bound in publisher's green cloth-affect boards with spine lettered in silver; lavender top stain. Near Fine with trivial wear at spine ends and foxing to top edge of textblock. In a Near Fine unclipped dust jacket with rubbing to crown, light toning and light soiling. A scarce imprint of Plath's coming of age novel.

First edition, in excellent condition, of the author's only novel. The Bell Jar was published on 14 January 1963, just five weeks before Plath's death. The pseudonym of Victoria Lucas was used to avoid offending Plath's mother, who appears in the work thinly disguised. It was not until the third edition of 1966 that the work was issued under Plath's name. Tabor A4. Octavo. Original black boards, spine lettered in gilt. With dust jacket by Thomas Simmonds. Housed in a custom blue board slipcase. Ticket of Exclusive Books, Johannesburg, on front pastedown. Spine ends bumped, central creases to spine, contents fresh; jacket bright, edges rubbed and creased, with occasional nick, unclipped: a near-fine copy in like jacket.

First Edition. First edition, first printing. [iv], 258 pp. Bound in publisher's original black cloth-affect boards with spine lettered in gilt. Very Good+, presents well, with former owner's name on paste down and front free endpaper, faint pink mark to bottom edge, front hinge overopened, light occasional foxing along margins, in a Very Good price-clipped dust jacket with no fading, a little wrinkling to rear panel, foxing to verso; tiny tape mends to verso at tips and a single piece of tape extends to the recto along to the top edge of the back panel. Nice shape overall. Plath's semi-autobiographical novel, published in the UK under the pseudonym Victoria Lucas eight years before its first American appearance. Plath committed suicide less a month after its initial publication, cementing the book's reputation as a tragically unheeded cry for help. It is now perhaps the single most iconic female coming-of-age story.

Full Morocco. Zustand: Fine. First Edition. First Edition. [iv], 258 pp. Recently bound in a lovely full black morocco. Gilt borders to boards and raised bands with gilt ruling and lettering to spine; a.e.g. and marbled endpapers. Internally clean. No previous owner's names. A beautiful copy of Sylvia Plath's (Victoria Lucas) semi-autobiographical novel, published shortly before her death. 19cms tall. 16mo.

FIRST BOOK CLUB EDITION, a few faint spots to half-title receding to title-page, pp. [iv], 258, crown 8vo, original green boards, backstrip lettered in silver, top edge purple, dustjacket with very gentle fading to the purple on backstrip panel and merest hint of rubbing at extremities, very good. The second edition of Plath's debut novel, preserving her anonymity with a stark statement on the dustjacket's rear panel: 'we are not in a position to disclose any details of the author's identity'. The latter would be made plain two years later, with the Faber edition issued under the author's own name. Laid in at the front is the 'Contemporary Fiction, Newsletter 24' leaflet from July 1964, with a long description of this book (the September CF Choice). A superb copy. (Tabor A4a2).

Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition. First edition, first printing. Bound in publisher's original black cloth-affect boards with spine lettered in gilt. Very Good+ with light lean to binding, spotting to textblock edge. Light tanning to contents and endsheets lightyl foxed. In a Very Good+ unclipped dust jacket with light wear, tanning and foxing, vertical crease to front flap. Plath's semi-autobiographical novel, published in the UK under the pseudonym Victoria Lucas eight years before its first American appearance. Plath committed suicide less a month after its initial publication, cementing the book's reputation as a tragically unheeded cry for help. It is now perhaps the single most iconic female coming-of-age story.

Second edition, published a year after the first. It was only in 1967 that the author's real name was officially acknowledged. Octavo. 258 pages.Head and tail of spine very slightly pushed, otherwise fine in very good indeed dustwrapper slightly rubbed at top edge and a bit faded at the spine. A bright copy.

Zustand: Good. First Edition. First edition, first printing of Sylvia Plath's best-known work, here published under the pseudonym Victoria Lucas. Bound in publisher's original black cloth-affect boards with spine lettered in gilt; lacking the dust jacket. Good. Lean to spine, covers stained, light foxing to textblock edge with a remainder mark to the bottom edge. Former owner name and date to front paste down, and letter "B" to front free endpaper. Thin line of paper residue to rear paste down. Pages toned and with an occasional crease. A serviceable copy.