loua pierre (29 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: New. In shrink wrap.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. Binding and pages are intact. All pages are free from any markings. Light scuffing and bumping visible to boards. Secure packaging for safe delivery.

hardcover. Zustand: Good.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fair. Approx. 1909.; Some moisture damage first pages; foxed.

Paperback. Zustand: Brand New. 128 pages. 8.66x5.91x0.29 inches. In Stock.

Relié. Zustand: Etat satisfaisant. in-8 Description :. Langue : Français.

Zustand: New.

Relié. Zustand: Bon état. in-8 Description :Rhodoïd. Langue : Français.

Softcover/Paperback. Zustand: Very Good. In zeer goede staat. Paperback. Pocket. Iets vergeeld. Geen leesvouwen rug.

Softcover/Paperback. Zustand: Good. In prima staat. Paperback. Pocket. Vergeeld. Leesvouwen.

Taschenbuch. Zustand: Neu. Living Covenant and Palaver for Tribal Conflict Resolution in Guinea | The case of Tribal Conflicts Between the KPELLE and the KONIANKE in the Forest Region of Republic of Guinea | Pierre Loua | Taschenbuch | 128 S. | Englisch | 2016 | Blessed Hope Publishing | EAN 9783330702004 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Softcover/Paperback. Zustand: Good. In prima staat. Paperback. Leesvouwen. Shelfwear. Verouderd.

Softcover/Paperback. Zustand: Good. In goede staat. Paperback. Pocket. Vergeeld.

hardcover. Zustand: Very Good. 1927 printing. The pages are lightly tanned at the edges. The copy shows minor external wear, but is in otherwise clean condition.

Zustand: 2. PHOTOS SUR DEMANDE.

Zustand: 2. PHOTOS SUR DEMANDE.

Zustand: 4. plis de la couverture.

Softcover/Paperback. Zustand: Good. In prima staat. Paperback. Leesvouwen. Vergeeld. Rug iets beschadigd.

One of 500 copies on velin d'Arches. 75 colour collotype illustrations by Calbet. Folio, in a special signed binding by Rene Kieffer (binder's label on flyleaf), full red leather with gilt blocking, onlays on both sides depicting Aphrodite looking into a mirror in purple, teal, citron, tan, orange and flesh pink morocco, stamped in gilt and with the monogram of the artist Antoine Calbet who designed the image, turn-ins with a single gilt fillet and gilt floral tooling in the corners, decorated red and silver endpapers, original wrappers bound in. Housed in the original marbled paper covered slipcase. Front joint a little rubbed, otherwise very good.

Deluxe limited Ibis edition of the works of Pierre Louÿs. Quartos, 6 volumes, bound in full red pebbled morocco with gilt titles and tooling to the spine in six compartments within raised bands, elaborate gilt ruling to the panels, top edges gilt, pictorial endpapers, with 12 original colored lithographs per volume by Brenot and others. Limited edition, one of 1572 sets produced. In near fine condition. Exquisitely illustrated. Through his writings, Louÿs sought to "express pagan sensuality with stylistic perfection." Perhaps his best-known work, Les Chansons de Bilitis, is a collection of erotic, essentially lesbian, poetry first published in 1894. The work is considered a pseudotranslation, as Louÿs claimed it to be his translation of the original poems of Bilitis, a courtesan of Sappho in Ancient Greece. The work was eventually exposed as a literary fraud, this did little, however, to taint its literary value as an open celebration of lesbian sexuality.

Small folio ( 29 x 26 cm), 39 pages of manuscript interleaved with blank pages, decorated endpapers, binders label, dated '1927' on endpapers; bound in later full red morocco gilt. Manuscript copy of Louÿs' work, first published in 1899. Pierre Louÿs (1870-1925) was born in Ghent in 1870 into a Champagne family, who had taken refuge in Belgium because of the German advance. He studied at the Ãcole Alsacienne where he was a classmate of Andrà Gide. He was a close friend of Debussy and Oscar Wilde and he became a very well-known French poet and writer. He was made first a Chevalier and then an Officer of the Là gion d'honneur for his contributions to French literature. In this work the author playfully imagines the reawakening of an ancient nymph after hundreds of years to discover what new pleasures and vices are now no longer banned. A fine example of Louÿs' use of classical themes in his erotic works.

280 x 200 mm. (11 x 8"). 3 p.l., ix, [1], 181, [3] pp. LUXURIOUS RED CRUSHED MOROCCO BY H. ZUCKER OF PHILADELPHIA (stamp-signed on front turn-in), covers framed by gilt fillets, raised bands, spine compartments with inlaid green morocco concave frame with gilt embellishment, PICTORIAL VIOLET MOROCCO DOUBLURES with dentelle gilt frame, front doublure with the onlaid figure of a nude nymph within an onlaid green morocco lobed frame, rear doublure with an onlaid and gilt lyre centerpiece similarly framed, marbled free endpapers, top edge gilt, others edges untrimmed. Original illustrated paper wrappers bound in. Housed in a red buckram chemise and matching slipcase (these somewhat worn). WITH 33 ETCHED ILLUSTRATIONS BY RAPHÄEL COLLIN, eight full-page, all in three states, and with an ORIGINAL WATERCOLOR ON (somewhat wrinkled) VELLUM. Prospectus bound in at rear. Front free endpaper with bookplate of Benjamin Abraham. âIsolated small spots of foxing to margins, one state of one plate rather foxed, but still a lovely copy in fine condition--clean, fresh, and bright with virtually no signs of wear. This is bibliophile's edition of one of the most widely believed and successful of all literary hoaxes, in an American binding that could easily be mistaken for the work of a Parisian atelier. Before opening his Sansom Street workshop, binder Hyman Zucker trained and worked with the eminent Philadelphia bindery of Pawson & Nicholson, co-founded by James B. Nicholson (1820-1901), author of the first practical manual on bookbinding written in the United States ("A Manual of the Art of Bookbinding," 1856). Zucker issued a pamphlet introducing his new business, which would "Attend to All Orders for the Binding of Books in Every Style of the Art from Plain Half-binding to Elaborate Tooling Upon Full Bound Volumes." The present volume is clearly one of his high-end productions, with especially striking doublures. Fin-de-siècle Paris saw the emergence of a new type of book collector, as documented by Willa Silverman in "The New Bibliopolis." The scholarly bookworm who searched the stalls of the bouquinistes for 17th century volumes was replaced by the wealthy, educated man (and it was almost always a man) of refined taste, who disdained dull, calf-covered volumes in favor of new, exquisitely produced books. The leader of these new bibliophiles was collector and taste-maker Octave Uzanne, whose "aesthetic manifesto" promised, in Silverman's words, to require "illustrations, typography, paper, and bindings such as had never been seen before, produced with the most modern techniques." Publishers and bibliographic societies vied to offer exclusive limited editions with such distinguishing characteristics. This volume is a perfect example: not only does it feature illustrations in two additional states that demonstrate the stages of production, but it also contains an original, signed watercolor by Raphäel Collin (1850-1916), a successful painter and sought-after illustrator. The text--which is printed on paper with the sheen and feel of fine silk--could be considered the ideal content for a bibliophile's edition, as it combines two favored genres: Greek or Roman classics and Symbolist poetry. Containing 143 erotic prose poems with lesbian themes, "Songs of Bilitis" was represented to comprise translations from the Greek of a supposed contemporary of Sappho, when it was, in fact, penned by novelist and Symbolist poet Pierre Louÿs. Born in Belgium, Louÿs (1870-1925) relocated to France where, though an apparent heterosexual, he became familiar in homosexual circles and was known for close friendships with André Gide and Oscar Wilde. In 1891, along with Gide, Henri de Régnier, and Paul Valéry, Louÿs founded the literary review, "La Conque," where he published "Astarte," an early collection of erotic verse; his first great success, the present "Les Chansons de Bilitis," followed in 1894. Former owner Benjamin Abraham seems to have been an American col.