levine saul (31 Ergebnisse)

Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Softcover. Zustand: VERY GOOD. Light spine crease. Otherwise like new. 23 cm. 189 pages. Additional info or photos on request. Ships in sturdy cardboard packaging, with tracking and insurance.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Good. No Jacket. Saul Levine (cover) (illustrator). First Thus. A 1st thus of a mid 1950s mystery. Graphic Mystery 125, GGA cover. "Murder anyone? When playboy Clive Barton passed out at a party, it wasn't news. But this time he was out for good - murdered!" Light edge wear with rubbing to the spine hinges. Diagonal crease along the middle of the front cover. .75" x .75" chip to the top corner of the FFEP and title page. Mild spine lean. Browning to the pages. A good copy.

softcover. Zustand: VG. saul Levine (illustrator).

Zustand: Good. Signed Copy First edition copy. . Inscribed by author on half title page. [ISBN 0156757990].

Soft cover. Zustand: Very Good. No Jacket. Saul Levine (cover) (illustrator). PBO - Paperback Original. A PBO of a mid 1950s mystery. Graphic Mystery 117, GGA cover. "Sure I'll kill her - if the price is right!" Light edge wear. Moderate spine lean. Very light browning to the pages. Clean and crisp with good color to the covers. A very good or better copy.

Zustand: Fine.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: good. First Edition. Octavo, [xvi], 280 pages, cloth; dj chipped, archival repairs "Unfamiliar and startling ideas appear here in familiar and humorous form. And the humor of the cartoonists gains a new depth and meaning. In the first part, the psychiatric spyglass is turned on the average human being. The middle part accurately shows what is known, and what is not, about mental health and illness. And in the last part the spyglass is reversed, and turned on the psychiatrists themselves. Here is the book explaining psychiatry for which you have been waiting - clear, amusing, short, easy to read." Illustrated with 100 cartoons by these masters and more: Charles Addams, Peter Arno, George Baker, Berenstain, Cobean, Abner Dean, Sydney Hoff, Hank Ketcham, Kovarsky, Ed Nofziger, Virgil Partch, O. Soglow, Saul Steinberg, James Thurber. Note: This book opens with an Rx from Fritz Redlich, M.D. who advises, " 1. Look at the cartoons and enjoy them as much as you can. 2. Read the text when you feel like it, allowing it to combine with the cartoons in arousing your own memories and feelings. 3. Let some time pass. 4. Look at the cartoons again. You may know more about them and yourself and enjoy them even more. 5. For anyone interested in human problems." Note: The Layman's Preface discusses for pages the whys and wherefores of the inclusion of cartoons in this humorously serious book. Chapter I is "The Key to Laughter: Repression".

Zustand: New. pp. 520.

Zustand: New. In.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. pp. 272.

Paperback. Zustand: Brand New. 536 pages. 6.14x1.08x9.21 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Broschiert. Zustand: Gut. 520 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 850.

Zustand: New. pp. 216.

Hardcover. Zustand: Brand New. 198 pages. 8.50x5.50x0.50 inches. In Stock.

Zustand: New. How has 9/11 and the declaration of the 'global war on terror' changed our conceptions of politics? How has it affected our understanding of democracy, personal freedom and government accountability? In answering these and other questions, the authors engage in a comprehensive and critical analysis of politics in the age of terrorism. Num Pages: 212 pages, biography. BIC Classification: HPS; JPA; JPWL. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 140 x 14. Weight in Grams: 400. . 2008. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. How has 9/11 and the declaration of the 'global war on terror' changed our conceptions of politics? How has it affected our understanding of democracy, personal freedom and government accountability?In answering these and otherquestions, the authors engage in a comprehensive and critical analysis of politics in the age of terrorism." Num Pages: 212 pages, biography. BIC Classification: HPS; JPA; JPHV. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2009. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorWILLIAM MICHELSON is a member of the Department of Sociology and Director of The Child in the City Programme at the University of Toronto. He is author of Man and his Urban Environment, and Environmental Choice, Human .

Zustand: New. &Uumlber den AutorBy William Michelson, Saul Levine, and Ellen Michelson.

Zustand: very good. New York : Grune & Stratton, 1949. Orig. cloth binding. xii, 380 pp. Condition : very good copy. Keywords : Psychology,

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

[52] pp.; 53 x 28.5 cm.; loose leaves; black-and-white; edition size 2000; unsigned and unnumbered; offset-printed A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. When the entire edition has been sold, presumably to 50 different 'owners', the net proceeds resulting from its sale will be used to structure and execute its final destiny." Text from first interior page: "After a period of months had passed no collector had purchased PART I of this work so it was re-designed in the following way: fifty people, not necessarily artists, were asked to accept the statement that constituted PART I in exchange for 'something of yours that you value as being worth $150.' As no 'net proceeds' resulted from the exchanges the 'final destiny' of the piece takes the form of the publication 'of all documents that accumulate as a result of its completion.' An edition of 2,000 newspaper type publications has been printed in order to bring the information concerning this work to a more general and larger audience at a very low cost." Incorporates the works of Eleanor Antin, Cazolari, Salvo, Alighiero Boetti, Hanne Darboven, Tim Zuck, David Askevold, John Goodyear, Lawrence Weiner, Roger Mazurquil, Charles Harper, Saul Ostrow, David Blume, Les Levine, Jack Burnham, Robert MacDonald, Carolyn Kite, Braco Dimitrijevic, John Pearson, Lucy Lippard, Tadashi Maeyama, Knimsa Kuriyama, Shyoji Kaneko, Kodo Tanaqua, Toshiyuki Sunohara, Hideharu Sato, Jum Mizukami, Hiroshi Kawatsu, Yutaka Matsuzawa, Gerald Ferguson, Boezem, Stanley Brouwn, Jan Dibbets, Adriaan Van Ravesteijn, Donald Burgy, Robert Barry, Christopher Cook, Edward Ruscha, Robert Cumming, Agnes Denes, Adrian Piper, Hans Haacke, John Baldessari, Sol LeWitt, Konrad Fischer, Daniel Buren, Gilbert & George, Bernd & Hilla Becher, Jaroslaw Kozlowski, Richards Jarden. Reference : No. A1973.03 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 133. Fine. As issued, clean and unmarked.