leonide massine (26 Ergebnisse)

Hardcover. Zustand: Good. Good condition. 1949 Second printing.

Zustand: Good. Good condition. (ballet, dancers, ballet dancers ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Zustand: Fair. No Jacket. Softcover. Condition: Fair to good, covers have general shelfwear with some loss to the laminate at the edge of the front cover where it meets the spine. Internally contents clean and fresh. Binding sound, no inscriptions. 80 plates, several in colour, the majority in b/w. This spectacular sale of costumes and backdrops from the Diaghilev and de Basil ballets included designs by Leon Bakst, Giorgio di Chirico, Andre Derain and Pablo Picasso.

Paperback. Zustand: Very Good. Ballet Russe de Monte Carlo January 1940 Binding: Trade Paperback.

Zustand: Good. Hurok Attractions New York 1938 staple bound. wraps age toned and creased.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:0571093027.

Hardback. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 4to. Copiously illustrated in colour and black and white throughout. No 44 of 750 copies. ISBN: 0856670006 Pages: 170 Very good indeed in very good indeed dust jacket. Excellent condition.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:0571093027.

Hardcover. Zustand: Good. Boards are clean. Content is clean with light spotting. Good DJ with some spotting.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good+. First Edition; First Printing. B&W Photographs & Color Plates; 4to 11" - 13" tall; 246 pages; 1939 Crown Publishers. Stout oversize HC/DJ. 1st edition. Soundly bound and unmarked in original color pictorial dust jacket. Illustrated with b&w photographs and halftones along with about 30 plates from paintings by Matisse, Picasso, Berard etc. Generally quite neat but with light to moderate doxing to front edge of page block and some foxing to the front edges of the color plates and occasionally to edge of adjacent pages of text. Expected toning in the endpage gutters almost ubiquitous in books printed in the 30's. Just trace shelf evidence to jacket edges, short closed tear to crown of spine panel and mild dulling at spine. Laid in at rear is a 1943 program for the Ballet Russe de Monte Carlo prsentation of Les Sylphides at the Locust Theater in Philadelphia. VG/VG+.

Orig.-Karton. Zustand: Gut. 31 x 24 cm. 34 Bll. mit zahlreichen Abbildungen. *Reich illustriertes Programmheft für die amerikanischen Auftritte der Ballets Russes in der Saison 1938-1939. Die von Léonide Massine und René Blum 1937 gegründete Ballettkompanie "Ballets Russes de Monte-Carlo" tourte in den Jahren bis zum 2. Weltkrieg international mit großem Erfolg und war mit der Kunstwelt ihrer Zeit eng vernetzt. Das Heft enthält Portraitfotos der Tänzer und Tänzerinnen und zahlreiche teils farbige Bühnenbild- und Kostümentwürfe u.a. von Alexandre Benois, Christian Bérard und Étienne de Beaumont. - Kanten mit minimalen Randläsuren. Exlibris auf Seite 2. Insgesamt gut erhalten. Sprache: Englisch Gewicht in Gramm: 501.

Orig.-Karton. Zustand: Gut. 31 x 23 cm. 26 Bll. mit zahlreichen Abbildungen. *Reich illustriertes Programmheft für die amerikanischen Auftritte des Ballet Russe in der Saison 1942-1943. Die von Léonide Massine und René Blum 1937 gegründete Ballettkompanie "Ballets Russes de Monte-Carlo" tourte in den Jahren bis zum 2. Weltkrieg international mit großem Erfolg und war mit der Kunstwelt ihrer Zeit eng vernetzt. Das Heft enthält Portraitfotos der Tänzer und Tänzerinnen und zahlreiche teils farbige Bühnenbild- und Kostümentwürfe u.a. von Boris Aronson und Pablo Picasso. - Es finden sich zwei Versionen dieser Ausgabe. Die frühere enthält auf der dritten Seite noch die Portraitfotografie Léonide Massines. Da dieser die Kompanie 1943 jedoch verließ, entfiel diese Seite in der späteren Auflage des Heftes. Hier liegt die frühere Version mit dem Portrait vor. - Spuren einer Heftklammer und Bleistiftlinien auf dem Vorderdeckel. Letzte Seite mit Klebestreifen als Randverstärkung. Insgesamt gut erhalten. Sprache: Englisch Gewicht in Gramm: 501.

Orig.-Karton. Zustand: Gut. 31 x 23 cm. 24 Bll. mit zahlreichen Abbildungen. *Reich illustriertes Programmheft für die amerikanischen Auftritte des Ballet Russe in der Saison 1942-1943. Die von Léonide Massine und René Blum 1937 gegründete Ballettkompanie "Ballets Russes de Monte-Carlo" tourte in den Jahren bis zum 2. Weltkrieg international mit großem Erfolg und war mit der Kunstwelt ihrer Zeit eng vernetzt. Das Heft enthält Portraitfotos der Tänzer und Tänzerinnen und zahlreiche teils farbige Bühnenbild- und Kostümentwürfe u.a. von Boris Aronson und Pablo Picasso. - Es finden sich zwei Versionen dieser Ausgabe. Die frühere enthält auf der dritten Seite noch die Portraitfotografie Léonide Massines. Da dieser die Kompanie 1943 jedoch verließ, entfiel diese Seite in der späteren Auflage des Heftes. Hier liegt die spätere Version ohne das Portrait vor. - Exlibris auf der Titelseite. Insgesamt gut erhalten. Sprache: Englisch Gewicht in Gramm: 501.

Single sheet folded to small 4to size. Printed on pink paper. Slightly worn at edges and faintly creased from being folded. Cast inludes Leonide Massine and Tamara Toumanova.

Orig.-Karton. Zustand: Gut. 31 x 24 cm. 34 Bll. mit zahlreichen Abbildungen. *Reich illustriertes Programmheft für die amerikanischen Auftritte des Ballet Russe in der Saison 1939-1940. Die von Léonide Massine und René Blum 1937 gegründete Ballettkompanie "Ballets Russes de Monte-Carlo" tourte in den Jahren bis zum 2. Weltkrieg international mit großem Erfolg und war mit der Kunstwelt ihrer Zeit eng vernetzt. Das Heft enthält Portraitfotos der Tänzer und Tänzerinnen und zahlreiche teils farbige Bühnenbild- und Kostümentwürfe u.a. von Salvador Dalí, Pavel Tchelitchew, Eugène Berman und Pablo Picasso. - Vorderdeckel leicht berieben und Kanten mit minimalen Randläsuren. Titelblatt leicht fleckig und mit Exlibris. Insgesamt gut erhalten. Sprache: Englisch Gewicht in Gramm: 501.

Hardback. 318pp, 24 plates London 1968. Very good in very good dust jacket.

50pp full color program for the 1942-1943 season of Ballet Russe de Monte Carlo, presented by S. Hurok. Cover of this version is the less common illustration by Boris Aronson. ~~Slight wear to corners; very good.

Hard board, dj, 8vo, 318 pp, many illustrations on plates; -dj little rubbed, paper slightly browned, very good copy. Diaghilev Ballets Russes.

Softcover. Zustand: Very good+ condition. First printing. Small Folio. [56]pp. Original tan stiff wraps with Salvador Dali illustration and his facsimile signature and date on cover; protected by modern mylar. Cover with Dali motif and facsimile signature. Profusely illustrated with head shots of ballet dancers, incl. b/w photo portraits of Leonide Massine, S. Hurok, Tamara Toumanova, Nathalie Krassovska, many others. In addition the program is illustrated with numerous b/w full page performance scenes. Text in English. Light smudging along top half of back cover near spine. Serge Diaghilev (1872-1929) was the founder of the Ballets Russes, a troupe that revolutionized modern design, fashion and theater and is widely regarded as the most influential ballet company of the 20th Century. It performed first in Paris in 1909 at the Palls Garnier with overwhelming success. Diaghilev himself was skeptical about ballet, at times referring to the dancers as "a herd of cattle." Diaghilev's success, however, was based on his idea to combine dance, music and visual arts, including set design and costumes, with Leon Bakst as the artistic director of the Ballet Russes. Key to the tremendous success of the Ballets Russes was the mix of traditional ballet with show elements, that way making it more appealing to the general public, and influential in contemporary art at the same time. After Diaghilev's death in 1929 his property was claimed by his creditors and in 1931, Wassily de Basil (a Russian émigré) and René Blum, ballet director at the Monte Carlo Opera, founded the Ballets Russes de Monte-Carlo. Its first performance was given in 1932 at the Monte Carlo Opera.

Zustand: Good. Large 4to. [34pp.] 24.5 x 32 cm. Original wraps with fabric ties. Cover time time stained. Small circular orange label on title pages bottom, Interior decorations by Michel Larionow for Stravinsky's Renard and Gonthcharova for Le Mariage de la belle au bois dormant. Photos of dancers and celebrities.

Hard Cover. Zustand: Good. Edited by Phyllis Hartnoll and Robert Rubens. With a catalogue of Ballets by Phyllis Hartnoll. MacMillan, St Martin's Press. London. 1968. De 23x15 cm. Com 318 págs. Encadernação do editor com sobrecapa de protecção. Folhas de guarda ilustradas. Ilustrado em extratexto com fotografias a preto e branco, sobre papel couché. Exemplar com um pedaço de papel colada na folha de anterrosto com dedicatória do autor a Dr. Joaquim Gamboa datada de 1969, e sobrecapa de protecção ligeiramente manuseada. Language: Inglês / English Location/localizacao: SACO RS678-22.

Zustand: Very good. Lux Studios, [1954]., [1954]. Very good. AN ORIGINAL PENCIL, PEN & INK DRAWING BY THE COSTUME DESIGNER MARIA DE MATTEIS FOR THE SOPHIA LOREN MOVIE NEAPOLITAN CAROUSEL WHICH ALSO STARRED THE GREAT BALLET DANCER LEONIDE MASSINE - An approximately 18 inches high by 12 inches wide pen & ink drawing in a 22 inch high by 16 inch wide mat. The drawing depicts a dancer in tights and high boots, a vest over a flowery sleeved blouse, a flowing sash at her waist. A tall large-brimmed straw hat, topped with a flower & veil, over a head scarf adorns the dancer's head. In the background, behind the finished pen & ink drawing, is the penciled outline of another dancer in a long full dress with a tambourine held aloft. Words penciled at right indicate the colors for the garments Maria De Matteis has designed. Boldly identified in blue on the verso as "Carosello Napoletano / 1958 / Regia E. Gianini / Lux Film", with further details identifying the scene penned at the bottom of the verso "Ballerino / Taranbella finale I Zempo" with the artist's name "Maria de Matteis" with her Rome and Firenze addresses centered at the bottom. There are several creases and the drawing is mounted to a brown mat with pieces of brown tape along the edges of the verso. The gallery's label, affixed to the verso of a cardboard backing sheet further attests to the work's provenance. Provenance: From the "Wright / Hepburn / Webster Gallery"; "205 East 60th Street New York, N.Y. 10022", with the gallery's label mounted onto the cardboard backing. The drawing is further identified by them in green ink on their label as "Maria De Matteis, Carosello Napoletano 1958, Regia E. Giannini Lux Film, Baccerino". The drawing is misdated by the gallery as the film was released in 1954. The gallery's mistake is likely due to the the number "3" in the date penned on the verso of the drawing, has been over-written and smudged so that "1953" looks like "1958". Nell Webster, an actress and art dealer, opened her gallery in 1968 with 2 partners. The gallery mounted the first exhibition of contemporary Soviet theater, film, ballet and opera designs to be shown outside the Soviet Union. The Italian costume designer Maria De Matteis, 1898-1988, received numerous nominations and awards for her costume designs including "War and Peace", "The Bible", and "Barabbas". She won the British Academy Film Award for costume design for "Waterloo" and the Nastro d'Argento Award for "The Golden Coach" and "Gastone".

2. London, Sotheby's, 1978, stapled in-8°. With results and buyer's name.

Two vintage reference photographs from the 1948 British film. Printed mimeo snipes and J. Arthur Rank stamps on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen, following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger, a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards, winning two. 9.75 x 7.75 inches. About Near Fine. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41.

Five vintage reference photographs from the 1948 British film, showing the film's famous and impressionistic "ballet sequence." Three with printed mimeo snipes affixed to the versos, and all five with stamps of The Rank Organisation on the versos. Loosely based on the 1845 fairy tale by Hans Christian Andersen, following an up-and-coming prima ballerina whose personal life is strained by her ballet master's obsessive demand that she devote herself entirely to her career. Michael Powell's tenth collaboration with his longtime partner Emeric Pressburger, a critical success and worthy successor to their 1947 Technicolor classic "Black Narcissus." Nominated for five Academy Awards, winning two. 9.5 x 8 inches. Near Fine to Very Good plus, some with light toning. Criterion Collection 44. Ebert III. Rosenbaum 1000. Schrader 41.

Albumblatt (1 S. kl. 8 to), in Tinte mit eigenhändiger Widmung, Empfehlung, Unterschrift eigenhändig signiert - mit Repro-Porträtfoto unter dunkelblaues Passepartout (4 to) gerahmt Pour Marieota souvenir de LEONIDE MASSINE.