Le hay h (6 Ergebnisse)

Hardcover. Zustand: Very Good. 196 pp. ; illustrated ; green cloth with gold lettering and embossed designs ; no dustjacket ; "Produced by the Publications Committee of the National Rose Society of Great Britain" ; numerous articles on various subjects pertaining to the rose and its culture ; Contents: Patrons, Officers And Council -- Arrangements For 1956 -- The President's Page, By Oliver Mee -- Roses At Buckingham Palace And Harewood House -- Roses At Eayfordeury, By Gordon Rowley -- Roses And Rosarians, By Sam Mcgredy -- How Roses Live And Grow, By G. J. Von Abrams -- Multiflora Shock Absorber, By N. P. Harvey -- Two Pennsylvania Rose Gardens, By Catherine E. Meikle -- Miscellany, By A. Norman -- The Parc Dr La Grange Rose Garden At Geneva, By Brie Bois -- Lady Mary Fitzwilliam, By James Alexander Gamble -- Paris-Geneva-Baden-London, By Louise Bechtel -- "Old Garden Roses", By Sacheverell Sitwell And James Russell, Reviewed By W. H. Sumpster -- =Strains Produced In Rose Hybridizing, By E. B. Le Grice -- Roses To Be, By Mr. And Mrs. Walter D. Brownnell -- "Poulsen On The Rose", By Svend Poulsen, Reviewed By W. J. W. Sanday -- Research On Black Spot Disease, By Freeman A. Weiss -- From The Annals Of Penicuik -- "My Masterpiece", By Math. Tantau -- Are We Getting Too Many New Roses1 By N. P. Harvey -- Observations On The Shafter Stock (Dr. Huey), By André Leroy -- A Rose By Any Other Name, By G. D. Rowley -- How I Grow My Roses, By R. F. B. Naylor, C.B., D.S.O., B. R. C. Tizard, B. W. W. Sampson, A. A. Norton, Nigel Raban, Sam Carson -- Rose Notes From Queensland, By Fred Armbrust -- Roses In Regent's Park, By Leonard Hollis -- "The Old Shrub Roses", By C. S. Thomas, Reviewed By A. J. Huxley -- Keeping Cut Flowers Fresh -- Warm Or Cold? By Fred J. Nesbit -- The Summer Rose Show, By A. C. L. Hellyer -- Orthocide And Karathane, By F. Fairbrother -- The Decorative Classes At The Summer Show, By Arbel M. Aldous -- The Bristol Group Of Tile National Rose Society, By A. B. Griffith -- The Prov1ncial Rose Show, Leeds, By J. C. Watson -- The Autumn Show, By Roy Hay -- The Trial Ground In 1955, By H. Edland -- The Rose Analysis, By H. Edland -- Dean Hole Medallists, Accounts And Reports Of Council -- Monochrome Plates -- 'Peace'-- H.R.H. The Princess Royal, C.I., G.C.Y.O., G.E.E., E.E.C., T.D. -- Forms Of The Japanese Rosa Multiflora, Bayfordbury -- Hybrid Musks And Wichueaianas, Bayfordbury -- Rosa Jundzillii, Bayfordbury -- Rose Stock Trials, Bayfordbury -- Moss And French Roses In The Old Rose Garden, Bayfordbury -- Bourbon Roses, Bayfordbury -- View Of The Hershey Rose Garden -- Early Hybrid Tea Roses, Bayfordbury -- The Hershey Rose Garden -- Frau Karl Druschki" Hedge At Breeze Hill -- Central Terrace At Parc La Grange, Geneva -- View From The Upper Terrace At Parc La Grange, Geneva -- Colour Plates -- Sir Winston Churchill -- King Midas -- Red Wonder -- Beaute -- Message -- La Jolla -- Belle Blonde -- Sweet Repose -- Soraya -- Poulsen's Supreme And Salmon Perfection -- Yellowhammer -- Firecracker -- Cleopatra -- Lilac Time -- Sandringham -- People ; foxing, else VG. Book. …

Couverture rigide. Zustand: bon. R200039037: 1956. In-8. Relié. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 157 pages. Augmenté de nombreuses illustrations en couleurs dans le texte. Coins de la couverture frottés. . . . Classification Dewey : 372.6-Livre scolaire : français.

First edition of both parts of this important work which established the standard depiction of peoples of the ottoman empire and the levant. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costume, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Constantinople for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Constantinople with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Constantinople as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. One of the folding plates shows the famed Whirling Dervishes. First edition; 2 vols in one (as intended), large folio (50 x 35 cm); [6 (title, blank, preface, advertisements)], [1]-26pp., copper-engraved music plate, copper-engraved title, 102 copper-engraved costume plates, of which 3 double-page, a touch of foxing to text only, a few marginal paper flaws, small tear and hole repaired to 100th plate; contemporary French mottled calf, gilt spine in eight compartments, gilt red morocco lettering-piece, board-edges gilt rolled, edges speckled green and red, joints and corners professionally restored, a little rubbing to extremities, a very good copy. Atabey 429; Blackmer 591; Cohen de Ricci 619; Colas 1819, 1820; Lipperheide 413, 414.…

Hardcover. Zustand: Good. Folio 19 x 13 1/2 inches, full period calf, spine repaired. 2 parts in one volume. Engraved title, (iv) pages and 102 FINE ENGRAVED PLATES (3 double page) plus one engraved sheet of music. 2nd title page to Explication and 26 pages of descriptive text. One leaf of text repaired in the blank margin. Complete. Fine dark impressions of these iconic costumes plates of the peoples and customs of the Levant in the eighteenth century. The females and males being equally represented. A good copy. Commissioned by Charles de Ferriol French ambassador to the Porte between 1699 and 1709, Le Hay's work was widely appreciated and became the template for future prints of regional costumes of this area. The Levant - a large area of the Eastern Mediterranean including Turkey and the Greek Islands. Reference Atabey 430; Blackmer 591: Colas 1819-1820.…

An exceptional example. Most copies were issued uncoloured. Few were sold with hand-colouring and a smaller number were issued heightened with gold and mica. Very few copies, however, have as many engravings heightened with mica as the present one. This important work forms the 'basic prototype for Levantine costume plates' (Atabey). The most luxurious edition, with hand-coloured plates, many enhanced with gold and mica, arguably the finest colour plate costume book of the Ottoman Empire. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costumes, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French Ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Istanbul for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Istanbul with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Istanbul as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. Folio (49 x 33 cm approx.), engraved throughout, comprising: title with preface by Cars on verso, 'Anecdotes' (pp.I-II), 'Explication des figures' (pp.III-XIV), leaf of music (printed recto only), and 102 engraved plates (3 double-page), all with fine contemporary hand-colouring, 30 plates heightened with gold and mica; full contemporary French red morocco, boards & spine richly tooled in gilt, with superb floriated endpapers; some restoration to extremities of spine; a particularly fine example. Koç 105; Atabey 430 (uncoloured); Brunet 947-48; Blackmer 591; Colas 1819-20.…

[Paris: Le Hay, Duchange, 1714]. In-fol.: 50 x 34.5 cm, 100 pl. grav. chiff. 1 à 99 + 1 pl. double in fine. Recueil de 100 grandes figures orientales principalement par Scottin et Simonneau mais également par Du Bosc, J. Haussard, Cochin, J. du Franssieres, P. Rochefort et B. Baron. Notre exemplaire ne comporte que les planches. Ces estampes représentent principalement des costumes de l'mepire Ottoman. Elles furent exécutées d'après les tableaux du peintre flamandJ.B. Van Mour, qui arriva à Constantinople avec l'entourage deCharles de Ferriolen 1699. On y découvre aussi des costumes de Grecs, Juifs, Albanais, Hongrois, Perses, Arméniens, Bulgares ou Arabes. Reliure moderne en veau brun. Dos à six nerfs avec pièce de titre en maroquin rouge et caissons fleurdelisés, Encadrement à froid des plats. Manque en tête de la pl. 48. Quelques rousseurs. Exceptionnel recueil de figures orientales caractéristiques de la gravure du premier XVIIIe siècle français.…