Ferriol charles de (20 Ergebnisse)

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Kartoniert / Broschiert. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch. …

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. Facsimile. Istanbul: Yayin-Matbaacilik Ticaret Limited Sirketi, 1980. Facsimile reprint of the 1714 Paris edition. 13 x 9 ½ in. 32pp of text, 1p of music, and 102 color plates (3 folding). Full red leatherette, spine title gilt, gilt title and design on front cover, marbled endpapers. Binding fine, two abrasions to ffep. Pictorial dj edges slightly worn, crease to lower edge of front cover panel. ; 102 color plates; 13 x 9 1/2 inches; 33 pages. …

Zustand: New.

Hardcover. Zustand: Very Good. First Edition. Folio. Engraved Title, [3 preface], [1 avertissement], 26 pp., (Explication des Estampes + Enterrement Turc, [1 engraved leaf of music, title within border slightly soiled, + 102 engraved plates by Simonneau, Scotin, Haussard of Franssières (comprising 100 numbered plates and 2 unnumbered, 3 double-page), full morocco in the spirit of "From the Threshold", backpacks ornate spine, roulette on the fields and inside, gilt edges, Le Hay et Collombat, Paris, 1714-1715. First edition of both parts. Part II containing the explanation of the plates plus two supplementary plates of Turkish ceremonies (the dance of the Derwishes and a Turkish funeral), appeared in 1715. Because the two parts are frequently bound together and the two supplementary plates are bound in with the rest of the plates, this second part, containing the only printed title, is often referred to as a second or even the third edition. This is incorrect; it is the first edition of the text, as its preface clearly states: "Je souhaite que le Public soit aussi content de ce nouveau travail.". A second edition of both parts, with engraved letterpress in which the preface has been changed, and with an added leaf 'Anecdotes de l'Ambassade de M. De Ferriol', appeared with the imprint 'L. Cars À Paris chez Basan Graveur' and the date 1714. This date is puzzling since this edition, which Boppe refers to as the second edition of part I, in facet contains the explication of the plates (part II) which first appeared in 1715. Laurent Cars had bought the plates and it is clear from his preface that the explanation had already appeared: "Il a fait retoucher le discours qui avoit des longueurs et des inutilites, ajoutes des choses importantes". The work was translated into German and printed at Nuremberg in 1719-21 (q.v.). Italian and Spanish piracies exist, and the plates were used by Viero in his Raccolta, Venice, 1783, and in Thomas Jeffery's Collection of the Dresses of Different Nations, 1757. The text either was written either by Charles de Ferriol, French ambassador to the Porte from 1699 to 1710, or he furnished Le Hay with the necessary information. The plates are after drawings by J. B. Van Mour who was established at Constantinople for many years during the first half of the 18th century. It has been suggested that he came to Constantinople in 1699, possibly as part of Ferriol's entourage. He is known to have died there in 1737 at the age of 66. Much of his work was done for Cornelis Calkoen, who was Dutch ambassador to the Porte, and some of these paintings are now to be found in the Amsterdam Rijksmuseum. This publication certainly contained the most popular and influential illustrations of Turkish dress to date. Its use as a source book was wide- spread. Bibliographical References: Brunet III 947-8; Cohen 392; Colas 1819-20; Vinet 2335; Blackmer 591. #33044.…

First edition of both parts of this important work which established the standard depiction of peoples of the ottoman empire and the levant. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costume, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Constantinople for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Constantinople with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Constantinople as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. One of the folding plates shows the famed Whirling Dervishes. First edition; 2 vols in one (as intended), large folio (50 x 35 cm); [6 (title, blank, preface, advertisements)], [1]-26pp., copper-engraved music plate, copper-engraved title, 102 copper-engraved costume plates, of which 3 double-page, a touch of foxing to text only, a few marginal paper flaws, small tear and hole repaired to 100th plate; contemporary French mottled calf, gilt spine in eight compartments, gilt red morocco lettering-piece, board-edges gilt rolled, edges speckled green and red, joints and corners professionally restored, a little rubbing to extremities, a very good copy. Atabey 429; Blackmer 591; Cohen de Ricci 619; Colas 1819, 1820; Lipperheide 413, 414.…

Hardcover. Zustand: Good. Folio 19 x 13 1/2 inches, full period calf, spine repaired. 2 parts in one volume. Engraved title, (iv) pages and 102 FINE ENGRAVED PLATES (3 double page) plus one engraved sheet of music. 2nd title page to Explication and 26 pages of descriptive text. One leaf of text repaired in the blank margin. Complete. Fine dark impressions of these iconic costumes plates of the peoples and customs of the Levant in the eighteenth century. The females and males being equally represented. A good copy. Commissioned by Charles de Ferriol French ambassador to the Porte between 1699 and 1709, Le Hay's work was widely appreciated and became the template for future prints of regional costumes of this area. The Levant - a large area of the Eastern Mediterranean including Turkey and the Greek Islands. Reference Atabey 430; Blackmer 591: Colas 1819-1820.…

An exceptional example. Most copies were issued uncoloured. Few were sold with hand-colouring and a smaller number were issued heightened with gold and mica. Very few copies, however, have as many engravings heightened with mica as the present one. This important work forms the 'basic prototype for Levantine costume plates' (Atabey). The most luxurious edition, with hand-coloured plates, many enhanced with gold and mica, arguably the finest colour plate costume book of the Ottoman Empire. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costumes, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French Ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Istanbul for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Istanbul with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Istanbul as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. Folio (49 x 33 cm approx.), engraved throughout, comprising: title with preface by Cars on verso, 'Anecdotes' (pp.I-II), 'Explication des figures' (pp.III-XIV), leaf of music (printed recto only), and 102 engraved plates (3 double-page), all with fine contemporary hand-colouring, 30 plates heightened with gold and mica; full contemporary French red morocco, boards & spine richly tooled in gilt, with superb floriated endpapers; some restoration to extremities of spine; a particularly fine example. Koç 105; Atabey 430 (uncoloured); Brunet 947-48; Blackmer 591; Colas 1819-20.…

No Binding. Zustand: Very Good. [Paris], 1714-15, three copper engraved prints, one hand coloured, depicting Persian costumes. An attractive, hand coloured, copper engraving of a Persian lady from Le Hay s Recueil de cent estampes représentant différentes nations du Lévant published by Charles de Ferriol in 1714-15. The text laments the custom by which beautiful Persian women cover their hair with a shawl tied under the chin. Along with two uncoloured copper engravings of mounted persians after the plates of Recueil . The Marquis de Ferriol, the French ambassador to the Ottoman court, commissioned the paintings of Vanmour in 1707 and 1708. The prints were highly successful and widely copied and reprinted numerous times for other costume books which catered for the great interest in Orientalism during the eighteenth century.…

Zustand: Gut. Erster Band. Titel in Rot- und Schwarzdr., mi 47 (von 65 altkolor. Kupfertafeln, davon 1 gefaltete Tafel. 8 Bl., 112 S. es fehlen die Text-Seiten 89-108. Fromm 9069. - Lipperheide Lb 28. - Hiler S. 630. - Colas 1821. - Blackmer 592. - Fragment der ersten deutschen Ausgabe, nur erster Band. - Von Weigel in Nürnberg herausgegebene kleinere deutsche Ausgabe des Großfolioprachtwerkes "Recueil de cent estampes" vom Verleger Le Hay. Es gibt weniger Tafeln als in der Originalausgabe (ein zweiter Band dieser deutschen Ausgabe wurde 1721 gedruckt und enthält u.a. mehr griechische Kostüme). Weigel "hat die Folge der Tafeln nicht vollständig kopiert, sondern nur 65 übernommen. Davon abgesehen hatte er das französische Werk jedoch, etwa im Verhältnis 1 zu 2,5 verkleinert, genauestens kopiert. Die Kupferstiche Weigels sind gekonnte Kopien, auf deren Druck, wie auch auf den Satz des Buches, größte Sorgfalt verwendet wurde." (Bauer, Weigel). Es fehlen die Textseiten 89-108 mit den dazugehöregne Tafeln, sowie die Tafel XXVI. Sprache: Deutsch Gewicht in Gramm: 3500 Quarto. Halbpergamenteinband der Zeit.…

[Paris: Le Hay, Duchange, 1714]. In-fol.: 50 x 34.5 cm, 100 pl. grav. chiff. 1 à 99 + 1 pl. double in fine. Recueil de 100 grandes figures orientales principalement par Scottin et Simonneau mais également par Du Bosc, J. Haussard, Cochin, J. du Franssieres, P. Rochefort et B. Baron. Notre exemplaire ne comporte que les planches. Ces estampes représentent principalement des costumes de l'mepire Ottoman. Elles furent exécutées d'après les tableaux du peintre flamandJ.B. Van Mour, qui arriva à Constantinople avec l'entourage deCharles de Ferriolen 1699. On y découvre aussi des costumes de Grecs, Juifs, Albanais, Hongrois, Perses, Arméniens, Bulgares ou Arabes. Reliure moderne en veau brun. Dos à six nerfs avec pièce de titre en maroquin rouge et caissons fleurdelisés, Encadrement à froid des plats. Manque en tête de la pl. 48. Quelques rousseurs. Exceptionnel recueil de figures orientales caractéristiques de la gravure du premier XVIIIe siècle français.…