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Le gros pierre (20 Ergebnisse)

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    Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations. …

  • Sprache: Französisch

    Verlag: Books on Demand, 2023

    2322507466 / 9782322507467

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    Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

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    souple. Zustand: Bon. Tirage limité à 140 exemplaires sur grand vélin de Rives numéroté (n°139), 1 vol. grand in-4 en feuillets sous chemise cartonnée, chemise et étui, Rombaldi, Paris, 1944 Bon état Langue: Français.

  • Verlag: 1694-1724, 1694

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    'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: 1694-1724, 1694

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    'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: 1694-1724, 1694

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    'L'HYVER'Plate 192: Engraving of "L'HYver" (Winter), personified as an old, bearded man wrapped in a heavy cloak, shivering from the cold. A withered branch or pine motif is depicted on the pedestal, symbolizing the season.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).WINTER, SEASONS, ALLEGORY, CLOAKED FIGURE, COLD, CLASSICAL STATUE, PERSONIFICATION | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Elder (16291714), French sculptor noted for his baroque and allegorical works. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: 1694-1724, 1694

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    'PANDORE'Plate 204: Engraving of Pandore (Pandora), the first woman in Greek mythology, partially draped, standing gracefully on a pedestal.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PANDORA, GREEK MYTHOLOGY, FIRST WOMAN, CLASSICAL FIGURE, ENGRAVED STATUE, ALLEGORY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Younger (1666-1719), French sculptor known for Baroque statuary in Rome and collaboration on decorative projects. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: Les Cahiers du Sud, 1943

    • Erstausgabe

    Anbieter: Librairie Sedon, Rochefort, FrankreichLibrairie Sedon

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    Bon état. Marseille/Paris. 17 cm x 23 cm. 1943. Broché. 95 pages. Marseille/Paris Les Cahiers du Sud novembre 1943. Broché 17 cm x 23 cm 95 pages. Directeur : Jean Ballard textes et poèmes de Pierre Delisle Paul Arnold A. Métérié André de Richaud Tudor Arghesi Lucian Blaga Jean-Paul Sartre François Le Lionnais Léon-Gabriel Gros; publicités marseillaises. Bon état. Bon état.…

  • Verlag: 1694-1724, 1694

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    'PANDORE'Plate 204: Engraving of Pandore (Pandora), the first woman in Greek mythology, partially draped, standing gracefully on a pedestal.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PANDORA, GREEK MYTHOLOGY, FIRST WOMAN, CLASSICAL FIGURE, ENGRAVED STATUE, ALLEGORY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros the Younger (1666-1719), French sculptor known for Baroque statuary in Rome and collaboration on decorative projects. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Zustand: Gebraucht - Gut

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    Softcover. Zustand: gut. Palais et pouvoir : De Constantinople à Versailles pages.

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    [11932].

  • Verlag: 1694-1724, 1694

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    Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: 1694-1724, 1694

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    Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: 1694-1724, 1694

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    Plate 157: A sculptural fountain base showing three intertwined triton-like figures with youthful faces and fishtails. They stand back-to-back, supporting a shallow basin from which water spurts upward. Each figure exhibits distinct expressions and gestures.Made by Simon Thomassin after Pierre Le Gros.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.8 x 14 cm. (3.46 x 5.51 inch).TRITONS, FOUNTAIN, BAROQUE, VERSAILLES, GARDEN ORNAMENT, MYTHOLOGICAL FIGURES, CLASSICAL SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Pierre Le Gros (1666-1719), French sculptor and draftsman. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros (illustrator).…

  • Verlag: 1694-1724, 1694

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    'DEUX FLEUVES EN BAS-RELIEF'Plate 143: Allegorical representation of two river gods in bas-relief style. Each figure is seated with classical drapery, flanked by flowing water urns and reeds symbolizing riverbanks. One holds a sheaf of reeds, suggesting fertility or abundance. The figures are set in a semi-reclined posture, communicating calm strength and nature's rhythm.Made by Simon Thomassin after Pierre Le Gros and Etienne Le Hongre.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 8.8 cm. (5.51 x 3.46 inch).RIVER GODS, BAS-RELIEF, ALLEGORY, CLASSICAL SCULPTURE, WATER DEITIES, VERSAILLES, NATURE SYMBOLISM | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on statues by Pierre Le Gros (1666-1719) and Etienne Le Hongre (1628-1690). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros and Etienne Le Hongre (illustrator).…

  • Verlag: 1694-1724, 1694

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    'DEUX FLEUVES EN BAS-RELIEF'Plate 143: Allegorical representation of two river gods in bas-relief style. Each figure is seated with classical drapery, flanked by flowing water urns and reeds symbolizing riverbanks. One holds a sheaf of reeds, suggesting fertility or abundance. The figures are set in a semi-reclined posture, communicating calm strength and nature's rhythm.Made by Simon Thomassin after Pierre Le Gros and Etienne Le Hongre.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 8.8 cm. (5.51 x 3.46 inch).RIVER GODS, BAS-RELIEF, ALLEGORY, CLASSICAL SCULPTURE, WATER DEITIES, VERSAILLES, NATURE SYMBOLISM | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on statues by Pierre Le Gros (1666-1719) and Etienne Le Hongre (1628-1690). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pierre Le Gros and Etienne Le Hongre (illustrator).…

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    0. Sprache: Deutschu.