lambert carrie (30 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Schenk, Carrie (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Fine Condition. 304 pages. Hardcover exhibition catalogue. Texts in English. There is some areas of surface paper loss (possibly insect grazing?) on the back cover, with mild shelfwear rubbing to some of the edges. Else, the binding is tight, the belly-band jacket is bright and unblemished, the corners of the boards are sharp, and interior is clean and free of markings. Bound in illustrated paper covered boards, wrapped in an illustrated paper belly-band, and published on the occasion of the exhibition held at SITE, Santa Fe from July 8, 2012-January 6, 2013; and subsequently in Minneapolis from March 3-June 9, 2013.

Soft cover. Zustand: Fine. 1st Edition. FINE IN LARGE PAPERBACK.

First Edition. First edition. Softcover. 20 pages. Exhibition catalog for a group show that ran September 14 through October 30, 2005. Curated by Dan Devening who also contributes a brief essay as well. Includes an illustration from each of the artists in the show. A near fine copy in stapled wrappers. Scarce, with only 3 copy listed in OCLC.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9780262516075.

Printed Wrappers. Zustand: Fine. First Edition. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. Journal.

Printed Wrappers. Zustand: Near Fine. First Edition. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: 'A Duplication Containing Duplications': Robert Rauschenberg's Split Screens - Branden W. Joseph; 'We Want to Organicize Disintegration' - Jaleh Mansoor and Piero Manzoni; Post-Cagean Aesthetics and the 'Event' Score - Liz Kotz; Fugitive Signs - Craig Dworkin; Gray Zone: Watching Shoot - Frazer Ward. A most handsome copy. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. A most handsome example. Journal.

Wrappers. Zustand: Bueno. 1st ed. 18.5x23.5. 148pp. Wrappers. Good. Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. English.

Printed Wrappers. Zustand: Fine. First Edition. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A brand new, most handsome example. Journal.

Hardcover. Zustand: Brand New. 320 pages. 9.76x6.93x1.18 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Brand New. 96 pages. 12.00x9.00x1.00 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Como Nuevo.

Paperback. Zustand: Brand New. 166 pages. 11.00x8.50x0.38 inches. In Stock.

Zustand: New. How Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism. Series: October Books. Num Pages: 382 pages, 83 b&w illus. BIC Classification: 3JJPK; APB; ASDC. Category: (G) General (US: Trade). Dimension: 221 x 177 x 20. Weight in Grams: 796. . 2011. 1st. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 384 pages. 9.00x6.00x0.75 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Catálogo de la exposición celebrada en el Neuberger Museum of Art, Puchase College, State University of New York entre enero y abril de 2010. Texto en inglés (ENGLISH). 141 pp. Rústica. 24 x 16,5 cm.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 324 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Softcover. Zustand: gut. 2006. Dokumentation der gleichnamigen Vortragsreihe im Museum moderner Kunst Stiftung Ludwig Wien Interviewte Person: Joan Jonas, Sam Gold Interview von: Babette Mangolte After the Act" basiert auf der gleichnamigen Vortragsreihe und Ausstellung im MUMOK Wien 2005. After the Act setzt sich mit der Beziehung der Performancekunst zu ihren Dokumentationsformen und ihrer Rezeptionsgeschichte vom einmaligen Ereignis zur 'cultural commodity' (kulturellen Ware) auseinander. Während in dem Symposium (4.- 6.November) die verschiedenen Entstehungsgeschichten der Performancekunst, ihre Medialitäten und Einschreibung in den Kanon der Kunstgeschichte diskutiert werden, zeigt die Ausstellung in der MUMOK Factory unterschiedliche Rezeptions- und Appropriationsformen der Performancedokumentation in der Gegenwartskunst. Präsentiert werden Arbeiten von Carola Dertnig, Daniel Guzmán, Luis Felipe Ortega und Seth Price, die sich mit der Rezeptionsgeschichte der Performancekunst und ihren Dokumentarismen aus den 1960er und 1970er Jahren befassen. In After the Act treten ihre Videos, Fotografien, Grafiken und Zeichnungen mit dem von ihnen als Vorlage angeeigneten Dokumentationsmaterial von Joan Jonas, Bruce Nauman, Paul McCarthy, Terry Fox und dem Wiener Aktionismus in einen visuellen Dialog. Mittels Aneignung, Rekonstruktion und Interpretation erkunden sie das Verhältnis der Performancekunst zur eigenen Geschichte. Gemeinsamer Ausgangspunkt ihrer Überlegungen ist die Frage nach der Inszenierung des Dokumentarischen in der Performancekunst. Phillip Auslander: Zur Performativität der Performancedokumentation / Babette Mangolte: Der Balanceakt zwischen Instinkt und Vernunft, oder wie man in Fotografien, Filmen und Videos von Performances Volumen auf einer Fläche organisiert / Doris Kolesch & Annette Jael Lehmann: Inter/Aktionen? Selbstinszenierungen und Medialisierung bei Bruce Nauman, Joan Jonas und Vito Acconci / Michaela Pöschl: Otto Muehl, Kurt Kren. Angespritzte Ärsche und Arschlöcher / Poor Theater; A Series of Simulacra: Ein Interview von Barbara Clausen mit Sam Gold / Carrie Lambert-Beatty: Time Management. Sprache: deutsch Maße: 140 x 200 mm Einbandart: Paperback Kunst Musik Theater Ballett ISBN-10: 3-902490-21-7 / 3902490217 ISBN-13: 978-3-902490-21-6 / 9783902490216 In deutscher Sprache. 140 pages. 140 x 200 mm.

Softcover. Zustand: gut. 2006. Sprache deutsch Maße 140 x 200 mm Einbandart Englisch Broschur Kunst Musik Theater Kunstgeschichte Kunststile Künstler Kunstgeschichtlich Performancekunst Kunsthistoriker ISBN-10 3-938821-77-9 / 3938821779 ISBN-13 978-3-938821-77-0 / 9783938821770 Auszug aus dem Inhalt: Barbara Clausen After the Act - Die (Re)Präsentation der Performancekunst 021 Phillip Auslander Zur Performativität der Performancedokumentation 035 Babette Mangolte Der Balanceakt zwischen Instinkt und Vernunft, oder wie man in Fotografien, Filmen und Videos von Performances Volumen auf einer Fläche organisiert 053 Ein Gespräch zwischen Joan Jonas und Babette Mangolte 069 Doris Kolesch f Annette Jael LehmannInter / Aktionen? Selbstinszenierung und Medialisierung bei Bruce Nauman, Joan Jonas und Vito Acconci 083 Michaela Pöschl Otto Muehl. Kurt Kren. Angespritzte Ärsche und Arschlöcher 103 Poor Theater; A Series of SimulacraEin Interview von Barbara Clausen mit Sam Gold 117 Carrie Lambert-Beatty Time Management After the Act: Die (Re)Präsentation der Performancekunst = MUMOK Reihe Theorie Band 03 von Museum Moderner Kunst Stiftung Ludwig Wien (Herausgeber), Barbara Clausen (Herausgeber, Autor), Philip Auslanders (Autor), Sam Gold (Autor), Joan Jonas (Autor), Doris Kolesch (Autor), Carrie Lambert-Beatty (Autor), Annette Lehmann (Autor), Babette Mangolte (Autor), Michaela Pöschl (Autor) In deutscher Sprache. 140 pages. 19,8 x 14 x 1,4 cm.