Kathryn reeves (30 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Used-Very Good. First Edition. Pap. Minor shelf-wear.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. In English.

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - A giraffe gives birth to her calf on the wide-open spaces of the African savannah. The calf's grandfather, a little hard of hearing, misunderstands when one of the females comments on her gorgeous eyelashes. And so, 'gorgeous' she became. None could have known at the time just how special this calf would turn out to be.Another calf was born two days earlier, and the two become fast friends, exploring the savannah and meeting other animals and birds. Some make them chuckle, some make them nervous, and others, like the elephants and lions, fill them with respect.As the calves grow and begin to feed from the leaves of the trees, Gorgeous exhibits an unusual skill-one that will one day put her in danger. Now, her father must come up with a plan to keep his calf safe and free to roam the savannah.…

Zustand: New. In English.

Zustand: New. A collection exploring how American women missionaries spread U.S. cultural imperialism along with Protestant Christianity from the early nineteenth century to the mid-twentieth, and how their work was received. Editor(s): Reeves-Ellington, Barbara; Sklar, Kathryn Kish; Shemo, Connie Anne. Series: American Encounters/Global Interactions. Num Pages: 432 pages, 32 illustrations. BIC Classification: 1KBB; HBTQ; HRCX7; JFSJ1; JPS. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 233 x 157 x 28. Weight in Grams: 630. . 2010. Paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New. pp. 432 32 Illus.

Paperback. Zustand: Brand New. 432 pages. 9.00x5.75x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New.

Zustand: New. A collection exploring how American women missionaries spread U.S. cultural imperialism along with Protestant Christianity from the early nineteenth century to the mid-twentieth, and how their work was received.&Uumlber den Autor.

Taschenbuch. Zustand: Neu. Neuware - Competing Kingdoms rethinks the importance of women and religion within U.S. imperial culture from the early nineteenth century to the mid-twentieth. In an era when the United States was emerging as a world power to challenge the hegemony of European imperial powers, American women missionaries strove to create a new Kingdom of God. They did much to shape a Protestant empire based on American values and institutions. This book examines American women's activism in a broad transnational context. It offers a complex array of engagements with their efforts to provide rich intercultural histories about the global expansion of American culture and American Protestantism.An international and interdisciplinary group of scholars, the contributors bring under-utilized evidence from U.S. and non-U.S. sources to bear on the study of American women missionaries abroad and at home. Focusing on women from several denominations, they build on the insights of postcolonial scholarship to incorporate the agency of the people among whom missionaries lived. They explore how people in China, the Congo Free State, Egypt, India, Japan, Ndebeleland (colonial Rhodesia), Ottoman Bulgaria, and the Philippines perceived, experienced, and negotiated American cultural expansion. They also consider missionary work among people within the United States who were constructed as foreign, including African Americans, Native Americans, and Chinese immigrants. By presenting multiple cultural perspectives, this important collection challenges simplistic notions about missionary cultural imperialism, revealing the complexity of American missionary attitudes toward race and the ways that ideas of domesticity were reworked and appropriated in various settings. It expands the field of U.S. women's history into the international arena, increases understanding of the global spread of American culture, and offers new concepts for analyzing the history of American empire.Contributors: Beth Baron, Betty Bergland, Mary Kupiec Cayton, Derek Chang, Sue Gronewold, Jane Hunter, Sylvia Jacobs, Susan Haskell Khan, Rui Kohiyama, Laura Prieto, Barbara Reeves-Ellington, Mary Renda, Connie A. Shemo, Kathryn Kish Sklar, Ian Tyrrell, Wendy Urban-Mead.…

Hardcover. Zustand: Fine. 1st Edition. This title says it all! If you are working on the family tree or just curious about the Civil War, this book gives the information about the men who fought from Texas. Great for research.

Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | A giraffe gives birth to her calf on the wide-open spaces of the African savannah. The calf's grandfather, a little hard of hearing, misunderstands when one of the females comments on her gorgeous eyelashes. And so, 'gorgeous' she became. None could have known at the time just how special this calf would turn out to be. Another calf was born two days earlier, and the two become fast friends, exploring the savannah and meeting other animals and birds. Some make them chuckle, some make them nervous, and others, like the elephants and lions, fill them with respect. As the calves grow and begin to feed from the leaves of the trees, Gorgeous exhibits an unusual skill-one that will one day put her in danger. Now, her father must come up with a plan to keep his calf safe and free to roam the savannah.…

Zustand: Good. Good+; Hardcover; Covers are still glossy with a few light handling-marks; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; Online access code has not been scratched-off; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); Dark purple and red covers with title in blue and white lettering; 2010, Lippincott Publishing; 384 pages; "The Practice of Perioperative Transesophageal Echocardiography: Essential Cases," by M.D. Jr. Albert C. Perrino, et al.…

Vintage program for the 1991 film. Bi-fold with a full color front panel and full credits in the interior spread. The breakthrough film for Kathryn Bigelow, and today a cult classic, certified neo-noir, and keystone surfing film. Bigelow went on to become the first female director to win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California, shot on location throughout California in Malibu, Redondo Beach, Dockweiler Beach, Ecola State Park, Los Angeles, Manhattan Beach, Pacific Palisades, Santa Monica, Culver City, and Venice Pier, as well as Hawaii, Oahu, Lake Powell, Utah, and Wheeler, Oregon. 9 x 11.5 inch, Bi-fold. Very Good plus, with light creasing at the extremities. Carlson, Destroy All Movies. Grant US. Silver and Ursini, American Neo-Noir. Spicer US Neo-Noir.…

Shooting script for the 1991 neo-noir film, here under the working title "Riders on the Storm," written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Laid in are two gatherings of revision pages, 31 pink pages dated 7/2/90, and 25 green revision pages, dated July 10, 1990, both also noted as written by screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff." Script and revision pages noted on the title pages as "Eyes Only - Not For Duplication." The breakthrough film for Kathryn Bigelow, and today a cult classic, certified neo-noir, and keystone surfing film. Bigelow went on to become the first female director win an Academy Award with "The Hurt Locker" in 2008. Set primarily in Southern California, shot on location throughout California in Malibu, Redondo Beach, Dockweiler Beach, Ecola State Park, Los Angeles, Manhattan Beach, Pacific Palisades, Santa Monica, Culver City, and Venice Pier, as well as Hawaii, Oahu, Lake Powell, Utah, and Wheeler, Oregon. Front wrapper integral with title page, dated 6/6/90 with 7/1/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. 122 leaves, with last page of text numbered 121. Xerograhic duplication on blue leaves, rectos only. Pages Very Good plus with the title page partially detached, bound with two gold brads. Pink Revision Pages: Front wrapper integral with title page, dated 6/6/90 with 7/1/90 and 7/2/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. Xerographic duplication on pink leaves, rectos only. Pages Near Fine, bound with a single gold brad. Green Revision Pages: Front wraper integral with memo, dated July 10, 1990. Title page present, dated 6/6/90 with 7/1/90, 7/2/90, and 7/10/90 revisions, noted as ORIGINAL SHOOTING SCRIPT, with credits for screenwriters James Cameron and Kathryn Bigelow "from the screenplay by W. Peter Iliff," with story credits for Rick King and W. Peter Iliff. Xerographic duplication on green leaves, rectos only. Pages Very Good plus with a rust stain from a previous paper clip to the top left, unbound. Carlson, Destroy All Movies. Grant US. Silver and Ursini, American Neo-Noir. Spicer US Neo-Noir. …