john lenore (27 Ergebnisse)

Hardcover. Zustand: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth. Zustand: Fair. No Jacket. Woodward, C. L.; Sichel, Harold; Thomson, Rodney (illustrator). Blue-gray cloth binding. There are pencil markings and soil spotting throughout the text. There is a school name and a child's name written on the front end papers. The cover has heavy corner wear. The spine has end wear with tears and a small tear along the front edge. 582 pages.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.05.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday sale item)* 48 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Woodward, C. L.; Sichel, Harold; Thomson, Rodney (illustrator). First Printing. 325pp. plus 24pp. of answers. Blue cloth hardcover with black titles and black and white decoration. Slight cover wear and spine sunning, previous owner's stamp on the endpaper and half title. Size: 8vo - over 7¾" - 9¾" tall. C3.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Soft cover. Zustand: Fair. Leif Skoogfors (illustrator). Fair used condition, tear to rear cover in the middle of the bottom edge, wear to corners, light wear and marks elsewhere.

Soft cover. Zustand: Very Good. No Jacket. Softcover with pictorial boards, black and red text across covers. Art on cover by Erma Graeber. Edges of covers toned. Crown and foot of staple-bound spine show wear: front cover directly next to crown has slight fold, likely from being bumped. Foot shows a very small open tear, triangle of cover (less than 1cm in width/length) missing. No title page or copyright page, but edition dates to 1957. 76 pages. Includes a selection of works by various authors, as follows: "Woodland Treasure" by John Parker; foreword by Neita Oviatt Friend; "Silken Cords and Velvet Snares" by Louise Leighton; "The Set Of The Sails" by Sayle Mender; "Sinclair Lewis's Advice To Beginning Writers" by Ruth Fouts Pochman; "King Of The Monkeys" by Gerald Millward; "The Boundary Of Now" by August Derleth; "The Rat Trap" by Gwendolyn Kaltenbach; "Northwestern Mutual: Giant Of The West" by John C. Burden; "The Seventh Son (Conclusion)" by Harriet E. Dake; "Is This The Same Wind?" by Emily Sprague Wurl; "Fallen Tree" by Margaret Buxton; "A Protest In Sonnet Form" by Hazel B. Holt; "Auto Lights In My Mirror" by Lenore S. Harms; "My Mother's Aprons" by Margaret S. Anderson; "Steam Is Through" by Frances Crewes; and "Marine Mail Route" by John M. Miller. Several black and white illustrations throughout text. Back free and attached endpapers feature advertisements. Short pamphlet tucked into front cover reads "Van Antwerp: Wisconsin Folklore Collection" and provides information on said event, as well as a background of the Wisconsin Regional Writers' Association, Inc. Majority of pages show very light foxing, no text or illustration obscured. Binding neat and strong. Please email us with questions or to request photos.

Hardcover. Zustand: Brand New. new title edition. 48 pages. 8.00x5.00x0.25 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Very Good. Toronto, 1981; English and French text; black cloth covered boards; mild edge and corner wear; no dust jacket; gold titles; 4to - over 9 3/4" to 12" tall; interior clean and unmarked; 415 pages.Additional shipping charges may need to be requested due to size or weight of book.

hardcover. Zustand: Sehr gut. 104 Seiten; Sprache: Englisch Gewicht in Gramm: 500.

Paperback. Zustand: Brand New. 1st edition. 481 pages. 8.75x6.00x1.50 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Opus IV is an intriguing new collection of fiction, poetry and nonfiction by Napa Valley Writers. This fourth biannual Anthology presents evocative poems, short stories, memoirs and essays filled with insights, poignant revelations, and a-ha moments to charm its readers.

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: Poor. No Jacket. Usual ex-library features. The first two pages have a 1" tear at lower edge otherwise the pages are clean and tight. The book is bound in a hard cardbaord type library binder. Cover is badly discolored and edge worn. 146 pages. Ex-Library.

Softcover. Zustand: Very Good. Magazine. (26)pp. Single sheets printed both sides and secured with two staples. Front cover is moderately foxed, very good. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue features contributions from Philip Lamantia, Steve Jonas, John Thomas, Lenore Kendel, and Michael Rumaker.

Softcover. Zustand: Very Good. Magazine. (26)pp. Single sheets printed both sides but lacking its side staples. Folded once for mailing along with stamp, light sunning and spot on rear wrap, good only. About very good lacking the staples, with some light toning. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue has the holograph mailing label, possibly in di Prima's hand, of Fairfield Porter, noted American painter and critic with a curious additional ink note on the same sheet and in the same hand as the label: "And what did you do in the little wars, Mother? 'I fanned the flames.'" This issue features contributions from Philip Lamantia, Steve Jonas, John Thomas, Lenore Kendel, and Michael Rumaker.

Softcover. Zustand: Near Fine. Magazine. 74pp. Tape bound stiff wrap with a tiny nick on the front wrap, still fine. This literary magazine features the first published appearance of Neal Cassady's "The First Third," which inspired Jack Kerouac's *On The Road*. This 5,000 word excerpt is taken from the 13,000-word "Joan Anderson Letter" sent to Kerouac by Cassady, then subsequently passed on to Allen Ginsberg, and then poet and Ace Books rep, Gerd Stein, who according to legend, lost the original off the side of his house boat. The letter was long thought to be lost, but was rediscovered recently. The surviving portion, printed here, was likely copied by Kerouac himself shortly before he started work on his now classic novel. Following the excerpt is Kerouac's reply letter to Cassady, a gushing letter of praise in which he say Cassady has overshadowed the best writers of the day. "The First Third" was used as the basis for the 1997 film, *The Last Time I Committed Suicide* starring Thomas Janes and Keanu Reeves. The magazine also includes contributions from Charles Bukowski, Kenneth Patchen, Anselm Hollo, Kirby Doyle, John Rechy, Lenore Kandel, David Meltzer, Bob Kaufman, and Grover Lewis.

Softcover. Zustand: Very Good. Magazine. (26)pp. Single sheets printed both sides and secured with two staples. Sunning at the extremities of the front wrap, about near fine. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue features contributions from Philip Lamantia, Steve Jonas, John Thomas, Lenore Kendel, and Michael Rumaker.

Zustand: Good. Broadsides. Ten broadsides by ten poets (one missing here), with contributor's notes and contents, 11 leaves in all, of various dimensions. (A broadside by Thomas Merton, originally included, is missing.) Presented in a light brown paper portfolio, illustrated with a unicorn design, and with the printed names of the ten poets pasted on. 13 x 20 inches. Broadsides by 10 poets, designed and typeset by Alan Brilliant and Noel Young at the Unicorn Press. Poem, by Boris Pasternak (translated by George L. Kline); The dance, by John Haines; [Missing: A carol, by Thomas Merton]; The first look through the window, by Bertolt Brecht; Blackout of the dream, by Lenore Marshall; Dos poemas = Two poems, by Jaime Sabines (translated by Ellinor Randall); Lesson, by Guillevic, (translated by Teo Savory); Die Konstellationen, by Eugen Gomringer; Dear Mr. Stevens, by Robert Bly; The laurel tree, by Nathaniel Tarn. Left lower and upper right corners of portfolio slightly bent, but all broadsides are Fine.

Zustand: Near Fine. First edition. Complete first edition set of all 12 issues of the San Francisco Oracle, plus the second and third editions of the 7th issue and additional variant of the 10th issue. Bookended by the Oracle's single-issue predecessor P. O. Frisco and single-issue successor Harbinger (virtually the 13th issue of the Oracle) for a total of 17 broadsides, each 12 - 52 pp. Near Fine with typical toning and minimal soiling and edgewear, subscription creases to several issues, and light foxing to covers of Harbinger and fourth issue of Oracle. A spectacular run of the voice of Haight-Ashbury. P. O. Frisco, which lived and died in a single issue published September 2,1966, began with articles including "Concentration Camps Ready for 'Subversives,'" "The Craft of Masturbation," and "Lenny Bruce: what can you say?." Features on culture and politics were supplemented by an art page and a recipe for hashish brownies. After the individualists on staff won a power struggle with the collectivists, the paper was reborn as the San Francisco Oracle just three weeks later. The style was more distinctly psychedelic, with a focus on personal liberty, and the back cover was printed with the editors' "Prophecy of a Declaration of Independence": "We hold these experiences to be self evident, that all is equal, that the creation endows us with certain inalienable rights, that among them are: the freedom of body, the pursuit of joy, and the expansion of consciousness." Over the next two years, the paper's contributors included the countercultural icons Timothy Leary, Ken Kesey, Allen Ginsberg, Laurence Ferlinghetti, Gary Snyder, Alan Watts, and Buckminster Fuller. The issues had themes like "Aguarian Age" and "Youth Quake" and combined articles and poetry with hand-drawn advertisements for health food stores, music sellers, and hippie fashion boutiques. The publishers introduced split-fountain color printing with the sixth issue to create a rainbow roller effect, and the newspaper's graphics and layout came to define the look of hippie culture. The worker-owned paper folded in 1968, and staff members who had relocated to Middletown put out a singe issue called Harbinger which was effectively the thirteenth and final issue of the Oracle. At its peak, the paper was printed in a run of 125,000 copies, and made an outsized impact on American culture as the rest of the country looked toward Haight-Ashbury. The editor Allen Cohen later wrote: "It began as a dream and ended as a legend.".