James ross cameron (35 Ergebnisse)
- Hardcover
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Zustand: Very Good. 57th. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Center for Art and Visual Culture, University of Maryland Baltimore County Baltimore, MD, 2003
- Softcover
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193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Car…lin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked.
- Softcover
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Verlag: Cameron Pub. Co., inc, 1928
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In den WarenkorbHardcover. Zustand: Acceptable. Cover shows heavy wear and tear, backstrip semi-detached, edgewear and rubbing, soiling. Loose hinges. Pages are tanned with a bit of minor scattered soiling.
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Verlag: Cameron Publishing Co. Ltd., 1928
- Hardcover
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In den WarenkorbZustand: Fair. 1928. No Edition Remarks. 142 pages. No dust jacket. Grey cloth with black lettering. Notable loss to spine with exposed netting. Front free endpaper stuck to paste-down. Pages are bright with light tanning and moderate foxing to free endpapers and text block edges. Visible thumb-marking present throughout. Pencil… inscription to front free endpaper and title page, with a few small nicks along text block edge. Folding to rear pages. Mild racking to gutters with exposed netting. Binding remains firm. Boards have heavy shelf-wear with notable bumping to corners, crushing to spine ends and considerate rub wear to surfaces. Book has a pronounced forward lean and bow. Heavy tanning to spine and edges. Notable loss to spine with exposed netting. Liquid drops on rear board, with slight insect damage to joints.
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- Softcover
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Zustand: New. In.
Verlag: Cameron Pub. Co., inc, 1928
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- Softcover
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Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.
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Taschenbuch. Zustand: Neu. Neuware - 'Instruction of Disabled Men in Motion Picture Projection' by James Ross Cameron is a practical guide designed for vocational training in the early 20th century. Specifically aimed at disabled veterans, this book provides an accessible introduction to the operation and maintenance of motion p…icture projectors. Cameronâ?(TM)s text offers clear, step-by-step instructions, making it an invaluable resource for those seeking to learn the trade. This book preserves a crucial aspect of early cinema technology and the efforts to integrate disabled individuals into the workforce after wartime. Originally published in 1918, this book is a fascinating look at the intersection of technology, education, and social rehabilitation. It serves as a testament to the ingenuity and resourcefulness of the era, offering insights into both the technical aspects of film projection and the social context in which it was taught.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Buch. Zustand: Neu. Neuware - 'Instruction of Disabled Men in Motion Picture Projection' by James Ross Cameron is a practical guide designed for vocational training in the early 20th century. Specifically aimed at disabled veterans, this book provides an accessible introduction to the operation and maintenance of motion picture…projectors. Cameronâ?(TM)s text offers clear, step-by-step instructions, making it an invaluable resource for those seeking to learn the trade. This book preserves a crucial aspect of early cinema technology and the efforts to integrate disabled individuals into the workforce after wartime. Originally published in 1918, this book is a fascinating look at the intersection of technology, education, and social rehabilitation. It serves as a testament to the ingenuity and resourcefulness of the era, offering insights into both the technical aspects of film projection and the social context in which it was taught.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Taschenbuch. Zustand: Neu. Neuware - In this comprehensive guide to motion picture projection, James Ross Cameron offers a detailed look at the technical aspects of projecting films. Covering everything from the mechanics of projection to the nuances of lighting, this work is essential for anyone interested in the process of bri…nging motion pictures to the big screen.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
