james bramston (34 Ergebnisse)

Paperback. Zustand: Brand New. 30 pages. 9.00x6.00x0.08 inches. In Stock.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. KlappentextrnrnbTitle:/b The art of politicks, in imitation of Horace s Art of poetry. [By James Bramston.]br/br/bPublisher:/b British Library, Historical Print Editionsbr/br/The British Library is the national library of the United Kingdom. It .

Zustand: New. KlappentextrnrnbTitle:/b The Crooked Six-pence. With a learned preface [signed R. B., attributing the authorship to Katharine Philips], found among some papers, bearing date the same year in which Paradise Lost was published by the late Dr. Bent.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Explore the fascinating world of 18th-century aesthetics with James Bramston's 'The Man of Taste,' a satirical poetic journey through the concept of taste. This sharp and witty work offers a glimpse into the sensibilities and preoccupations of British society during a pivotal era. Bramston's verse dissects the prevailing notions of beauty and refinement, questioning societal standards with keen observation and satirical flair.

Taschenbuch. Zustand: Neu. Neuware - A scathing commentary on 18th-century British politics, James Bramston's 'The Art of Politicks' offers a satirical poetic perspective on the government of the day. This work delves into the political landscape of Great Britain between 1727 and 1760, dissecting the intricacies and absurdities of power with wit and sharp observation.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - bTitle:/b The art of politicks, in imitation of Horace's Art of poetry. [By James Bramston.]br/br/bPublisher:/b British Library, Historical Print Editionsbr/br/The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.br/br/The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. br/br/++++br/The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:br/++++br/br/b/b British Librarybr/b/b Bramston, James; Horace; br/b/b nullbr/b/b pp. 47: plate. 8º.br/b/b 12274.h.2.(7.)br/.

Zustand: Good. 1st edition. Disbound, G. 19+1pp, engraved frontis on the verso of the half title, crease at the centre of the pages where the book has been folded for many years, half title grubby, last leaf is very worn with large worm holes at the centre of the page almost removing the tailpiece engraving, consequently the adverts for other Gilliver books on pp20 is missing text in the centre of the page affecting 12 lines, bottom corner of the last page also missing, small hole in page 17-18 with the loss of 2 characters on each page, bottom edge of the page wormed with loss, a wide margined copy, particularly the bottom edge. A fair copy. Early impression of Bramston's poem, with the advert for 'The Art of Politicks' at the base of the title. A satirical poem, in the manner of Pope, is in 'heroic couplets, was occasioned by Pope's Epistle to Burlington and satirizes the targets Pope would attack in his New Dunciad' [DNB]. Taste was Bramston's second satire - in 1729 his The Art of Politicks had been published which was in the style of Horace, Pope had praised this work _ Bramston repaid his generosity. James Bramston [ 1694 - 1744 ] poet & clergyman. 150 grams.

8vo, [2], 45, [1]pp., engraved frontis., slightly cropped, cont. ownership signature of Elizabeth Boothby at head of title, some light water-staining, disbound. Foxon, B383.

8vo, pp. 47, [1] advertisements; with an engraved frontispiece; disbound. The last separate edition, two years after the first printing; designated by Iolo Williams 'Edition F'. The text has been entirely reset, as might be expected, with the errors in the first line of the preceding edition corrected; there is also a different type ornament at the beginning of the poem, but curiously the list of seven titles on the final page of advertisements, dated 1729, has been retained. The 1729 12mo printing that Williams calls 'Edition E', it should be added, has now been identified by Foxon as 'printed in Edinburgh by Ruddiman on the basis of ornaments', despite retaining Gilliver's London imprint. Foxon B391.

8vo, pp. [ii], 45; plus an engraved frontispiece; in recent stiff paper wrappers. First edition. An exceptionally clever and amusing pastiche of the Ars Poetica. James Bramston (1694?-1743) was a Sussex clergyman with a reputation for wit and an ability to find favor in high places. This, his first published poem, was many times reprinted and anthologized. The object of the satire is simple enough: to expose the absurdities of contemporary political life, as expressed in Parliament, the press, and the literary world, without favoring any particular party or faction. The poem is full of allusions to contemporary celebrities -- Walpole and Pulteney, Addison and Thomas Tickell, Jacob Tonson and Edmund Curll, and Pope, Swift, and 'Johnny Gay'. Pope had already described Bramston in his Dunciad (1728) as a clever preacher, and he has praise for this poem in one of his letters. The Latin of Horace is printed at the foot of each page; the curious frontispiece, referring to the opening lines, has the face of a man, the mane of a gelding, the feathers of a macaw, the bosom of a lady, and the tale of a cod. The first attempt to sort out the various printings of this poem was by Iolo Williams, in his Points in Eighteenth-Century Verse (pp. 63-67): 'Of all the books investigated for the purposes of the present volume, that to give the most curious result is the successful imitation of Horace's Art of Poetry written by James Bramston. Mr. P. J. Dobell was kind enough to lend me, for examination, twelve copies of the poem, Messrs. Pickering and Chatto lent me five more, and I already possessed another. What was my surprise to find, on laying these eighteen copies together, that they belonged to at least six different editions, each of which, seen by itself, might pass for the first edition.' Williams's conclusions have essentially been accepted by Foxon, though the bibliography is made somewhat more complicated by the existence of copies with mixed sheets from different impressions. This first edition is the only printing to have the text paged separately from the preliminaries (often a positive sign of precedence); the woodcut ornament on the title-page is a head with scroll-work at the sides and a dish of flowers on top. What Williams did not notice is that some copies, as here, are printed on fine paper, with an eagle and crown watermark, as opposed to the letters 'FS'. Foxon cites a corresponding notice in the Monthly Chronicle: 'There's for the curious a small number on royal paper. Price 1s. 6d.' A very good copy, from the library of John Brett-Smith, with his pencilled note (but not recognizing that this is a copy on fine paper); as often, the plate is trimmed close at the left, touching the border. Foxon B384.

Zustand: Very Good. . marble boards. 45pp +4pp booksellers catalogue. modern marble boards leather label. Frontispiece somewhat stained.Some pencil underlining.First edition 1729. . . . .

Hardcover. Zustand: Very Good. 1st Edition. A Sammelband of three scarce works in imitation of Horace's Art of Poetry. All complete with a frontis engraving to each volume. James Bramston. The Art of Politicks, in Imitation of Horace's Art of Poetry. London: Printed for Lawton Gilliver, at Homer's Head against St. Dunstan's Church in Fleet-street, MDCCXXIX. [1729]. Paginates: (5) 4-47, (1), p. Collates: A4, C4, C-F4 (B1 as C). Complete with Frontispiece. Third Edition (not stated) with an oval engraving on the titlepage surrounded by a decorative frame, and seven books advertised on p.48; there is a double rule above the imprint. ESTC T22466. Foxon, B387. BOUND WITH: James Miller. Harlequin-Horace: or, the Art of Modern Poetry. London: printed for Lawton Gilliver at Homer's Head against St. Dunstan's Church, in Fleetstreet, MDCCXXXI. [1731] Price 1 s. Paginates: [10], 59, [1] p. Collates: a2, b4, B-H4, I2. Complete with Frontis engraving. Title-page in red and black. First Edition, First Variant State, per Foxon with the wrong catchword Friend- , on Page 57. ESTC: T36013, Foxon: M251. BOUND WITH: William King. The Art of Cookery, in Imitation of Horace's Art of Poetry. With some Letters to Dr. Lister, and Others: Occasion'd principally by the Title of a book publish'd by the Doctor, being the Works of Apicius Colius, Concerning the Soups and Sauces of the Ancients. With an Extract of the greatest Curiosities contain'd in that Book. To which is added Horace's Art of poetry, in Latin. By the Author of the Journey to London. Humbly inscrib'd to the Honourable Beef Steak Club. The Second Edition. London: Printed for Bernard Lintott, at the Cross-Keys between the two Temple Gates in Fleetstreet. [1712]. Paginates: [4], 112, [4] p. Collates: A-G8, [H]4. Complete, Second Edition. With frontispiece plate and two final advertisement leaves. First published in 1708 without a frontispiece. This Second Edition features a wonderful Kitchen Frontispiece engraved by M. v(an) der Gucht. ESTC T22443 Foxon, K59. The Volume is in Very Good Condition. Bound in full calf Cambridge style, with spines divided into five compartments by four raised bands, with red letter-pieces in the second and third compartments from the top as well as a small paper label affixed to the top compartment. Externally the boards and spines are lightly scuffed in general, with splits to most hinges, but still holding well. The frontispiece to Art of Politicks with old repair just touching image. Internally the leaves are generally clean and well margined, with mild foxing or toning throughout, with the last leaf in Modern poetry somewhat stained, with little else in the way of stains or tears. The last blank leaf with early manuscript notes in a neat hand on Dr. King. The volume measures 19 x 13 x 2.5 cm. Each leaf measures 190 x 120 mm.

8vo, pp. 47, [1] ads; engraved frontispiece (possibly supplied as it is on cleaner paper); title page and verso of last leaf dusty; 20th-century half tan calf over marbled boards, gilt-lettered spine; very good, sound, and clean. Memorial bookplate of Caroline Furness Jayne. Mills College 503; Foxon B-391. Not in Riedel-Horatiana.

8vo, pp. 19; with an engraved frontispiece; disbound. First Edinburgh edition: a pirated printing, with a false imprint. Iolo Williams was aware of this octavo edition, and describes it as follows: 'It is a cheap-looking production, having the frontispiece somewhat crudely engraved in reverse, without Van der Gucht's signature, and can have no pretensions to being the first edition'. Bibliographers at that period, however, were wholly unaware of the great number of Edinburgh reprints in the first half of the 18th century which falsely maintained the appearance of a London origin; as Foxon points out, copies of this octavo are found bound up with other identifiable Edinburgh piracies. There are, of course, no Gilliver advertisements at the end. The fact that the phrase 'eight parts of speech' is printed in roman rather than italics may indicate that this piracy was set from a copy of the first edition. Foxon B399.

Zustand: Good. Frontis of chimera: fish-bodied, winged, bosomed horse with man's head. Small quarto in recent grey card covers, frontis + title + 45pp. Upper margin of titlepage repaired where part of name cut away, frontis and last leaf mounted, 3 leaves cut short at fore-edge without loss of text. *The first of two political satires published anonymously by Bramston, a Sussex clergyman, which "hold an honourable place in 18th-century verse, [and] abound with contemporary references, and frequently happy lines" (DNB article James Bramston - see too D.F. Foxon, English Verse 1701-1750, B386). 1 volume. Softcover.

8vo, pp. 19, [1] + frontispiece. Disbound. A little toned, a touch of spotting. Small sketch in bottom margin of frontispiece. An octavo Edinburgh piracy of the London folio edition, identified as such by Foxon. It shares a frontispiece design with the authorised folio, although unsigned and reversed in this edition. Bramston?s (1694-1743) second satire, following his ?Art of Politicks? 4 years earlier. ESTC T63045; Foxon B399.

First Edition. London: Lawton Gilliver. 1729. Sm. slim 8vo, frontispiece, A-F4; [1-3], 4-47, [48]pp. Modern quarter calf, marbled boards, backstrip lettered in gilt. A very good clean copy. ? First edition, 3rd issue (Foxon B387, Williams "D" copy). A complicated book of which there seem to be at least 6 variant issues of the first printing. This copy has the two-line rule above the imprint, ads listing 7 titles, and a partial watermark of a horse. It conforms to ESTC T66319. CR Jonson noted: "James Bramston (1694?-1743) was a Sussex clergyman with a reputation for wit and an ability to find favor in high places. This, his first published poem, was many times reprinted and anthologized. The object of the satire is simple enough: to expose the absurdities of contemporary political life, as expressed in Parliament, the press, and the literary world, without favoring any particular party or faction. The poem is full of allusions to contemporary celebrities -- Walpole and Pulteney, Addison and Thomas Tickell, Jacob Tonson and Edmund Curll, and Pope, Swift, and "Johnny Gay." Pope had already described Bramston in his Dunciad (1728) as a clever preacher, and he has praise for this poem in one of his letters.".