Jacob burck (15 Ergebnisse)
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Art against war : 400 years of protest in art / by D.J.R. Bruckner, Seymour Chwast, Steven Heller.
Bruckner, D. J. R; Chwast, Seymour; Heller, Steven [art, Benny Andrews, Radi Angelov, Boris Angeluschev, Rudolf Baranik, Leonard Baskin, C D Bachelor, Maurice Becker, Max Beckmann, Michael Biddle, Abe Birnbaum, William Blake, Arnold Bocklin, Breughel the Elder, Jacob Burck, Jacques Callot, Bill Charmatz, Seymour Chwast, Alan E Cober, Austin Cooper, George Cruikshank, Honore Daumier,Romeyn de Hooghe, Andre Sunoyer de Segonzac, Otto Dix, Albrecht Durer, Harald Engman, Hans Erni, Philip Evergood, Farbery, Daniel Fitzpatrick, Antonio Franconi, Shigeo Fukuda, Andre Gill, James Gillray, Milton Glaser, Henry Glintenkamp, Leon Golub, Francisco Goya, Urs graf, J J Grandville, Gunter Grass, Georg Grosz, Heinz Halke, Huane Hanson, John Heartfield, etc
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Soft cover. Zustand: Very Good. 1st Edition. 128 p. : ill. (some col.) ; 31 cm. ISBN 9780896593893 0896593894 LCCN 83006342 LC N8260 .B74 1984 Dewey 704.9499047 ; OCLC 9393844 ; color pictorial stiff paper wrappers ; features artwork by Benny Andrews, Radi Angelov, Boris Angeluschev, Rudolf Baranik, Leonard Baskin, C D Bachelor,… Maurice Becker, Max Beckmann, Michael Biddle, Abe Birnbaum, William Blake, Arnold Bocklin, Breughel the Elder, Jacob Burck, Jacques Callot, Bill Charmatz, Seymour Chwast, Alan E Cober, Austin Cooper, George Cruikshank, Honore Daumier,Romeyn de Hooghe, Andre Sunoyer de Segonzac, Otto Dix, Albrecht Durer, Harald Engman, Hans Erni, Philip Evergood, Farbery, Daniel Fitzpatrick, Antonio Franconi, Shigeo Fukuda, Andre Gill, James Gillray, Milton Glaser, Henry Glintenkamp, Leon Golub, Francisco Goya, Urs graf, J J Grandville, Gunter Grass, Georg Grosz, Heinz Halke, Huane Hanson, John Heartfield, Th. Heine, C Herouard, Hans Holbein, Brad Holland, Steve Horn, Karl Hubbuch, Pide Jung, I J Jordaan, Peter Kennard, Rockwell Kent, Edward Kienholz, Oskar Kokoschka, Kathe Kollwitz, Benjamin Kopman, Alfred Kubin, Bronislaw Wojciech Linke, James McMullan, Reginald Marsh, Franz Masereel, Robert Minor, Luc-Albert Moreau, Robert Morris, Lou Myers, Paul Nash, Thomas Nast, Charles Nelan, Bohdan Nowak, Robert Osborn, Robert Andrew Parker, Pablo Picasso, Paul Peter Piech, Jackson Pollock, George van Raendonck, Louis Raemakers, Boardman Robinson, Georges Roualt, Henri Rousseau, Thomas Rowlandson, Peter Paul Rubens, Ben Sakoguchi, U G Sato, Rudolf Schlichter, Lorraine Schneider, Ben Shahn, Chas R Slackman, Edward Sorel, Theophile Steinlen, Wolfgang Stauch, Pal Sujan, Roland Topor, Tadeusz Trepkowski, Tomi Ungerer, Jean Veder, V V Vereshchagin, Jacques Villons, Jean Veber, William H Walker, Jurgen Walker, A Paul Weber, H C Westerman, Adolphe Willette, Art Young, Gyula Ziber ; VG. Book.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute thi…s work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sprache: Englisch
Verlag: Daily Worker, New York, 1935
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Good+. No Jacket. 1st Edition. 248pp. Large format. Revolutionary cartoons from the American 'Daily Worker'. Text by Henri Barbusse, Michale Gold, William F Dunne, Clarence A Hathaway, Erl Browder, Joseph North, Langston Hughes, John Strachey etc. Professionally rebound with new spine keeping original boards…which are worn especially at corners. Internally very clean.
Mundo Obrero : Dedicado Al Movimiento Proletario Revolucionario Y A La Liberacion Nacional, Especialmente De Los Paises Del Caribe, Anos 2, Numero 6, Enero De 1932
Sanchez, Alberto (Editor); Hugo Gellert (Cover Illustration); Carlos Baliso (Poem); Earl Browder; Langston Hughes (Article); Jose Castro; G. Hernandez Rodriguez; Etc.
Sprache: Spanisch
Verlag: Mundo Obrero, New York City Ny, 1932
- Softcover
- Erstausgabe
- Magazin//Zeitschrift
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. 24 Pp. Illustrated New-York-Based Journal, Published 1931-1933, One Of Several Spanish-Language Rags Published In Different Countries, Each Focused On A Particular Area, All Intimately Connected To The Soviet Union And Its "Communist Party" Units Abroad; The Madrid Journal Was Publish…ed 1931-1978. Rear Cover With List Of Mundo Obrero Publications In Spanish, With Illustration Of A Massive Chinese Peasant Sweeping Away Representatives Of U. S. Imperialism, British, Japanese, And French, "Manos Fuera De China". Light Wear And Browning, Light Damp Stain In Upper Right Corner. Worldcat Shows Two Institutional Holdings Of These Original Editions, But Microfilm Is More Generally Available. The Cover Artist, Hugo Gellert (Born Hugó Grünbaum, 1892 -1985), Was A Hungarian-American Illustrator And Muralist. A Committed Radical And Member Of The Communist Party Of America, Gellert Created Much Work For Political Activism In The 1920S And 1930S. It Was Distinctive In Style, Considered By Some Art Critics As Among The Best Political Work Of The First Half Of The 20Th Century. His Family Immigrated To New York In 1906. Gellert Studied In Art Schools In New York. He Had Said That "Being An Artist And Being A Communist Are One And The Same." He Used His Art To Advance His Ideals For The Common People. Much Of His Art Depicted What He Saw As The Injustices Of Racial Divides And Capitalism. Often His Works Were Captioned With Slogans To Further The Illustration. The Working Day, For Example[3] Shows A Black Laborer Standing Back To Back With A White Miner. It Is Accompanied By A Phrase From Karl Marx's Das Kapital, "Labor With A White Skin Cannot Emancipate Itself Where Labor With A Black Skin Is Branded. Opposed To World War I, Gellert Published His First Anti-War Art In 1916. His Work Was Prominently Featured Both In The Illustrated Magazine Of The Hungarian Socialist Federation Of The Socialist Party Of America, Előre (Forward), As Well As Max Eastman's Radical Monthly Magazine The Masses From This Time. He Also Created Numerous Illustrations For Eastman's Successor Magazine, The Liberator, Including The Cover Art For The First Issue, As Well As Sundry Publications Of The Communist Party Usa After Its Formation, Such As The Workers Monthly And The New Masses. Later, Gellert Was Offered A Position As A Staff Artist For The New Yorker Magazine. In 1925, He Moved To The New York Times. In 1927, Gellert Was Appointed The Leader Of The Anti-Horthy League, The First American Anti-Fascist Organization. In This Capacity, He Organized A Demonstration Against U.S. President Calvin Coolidge, And Both He And His Wife Were Arrested While Picketing The White House. In 1932, The Museum Of Modern Art In New York City, Feeling Uncomfortable About Gellert's Public Persona And Politics, Petitioned To Have Gellert's Work Removed From Its Collection. However, They Were Forced To Reconsider When Other Artists, Many Of Whom Did Not Share Gellert's Social Idealism, Came To His Defense As Fellow Artists And Threatened To Withdraw Their Own Works. In 1934 Gellert Was Among The Leaders Of The Artists Committee Of Action, An Informal Group Which Had Formed To Protest Nelson Rockefeller's Destruction Of Diego Rivera's Mural Man At The Crossroads Early In The Year At Rockefeller Center. Gellert Was Instrumental In The Establishment Of Art Front Magazine, Which Started Publication In November 1934 And Was At First Jointly Published By The Aca And The Artists Union. In 1939, Gellert Helped Organize The Group, "Artists For Defense". He Later Became The Chairman For "Artists For Victory", An Organization That Included Over 10,000 Members. Gellert's Social Commentary, His Work And His Beliefs Have Placed Him Among The Greatest American Social Artists Of The Art Deco Era, According To Experts In The Field. Hugo Gellert, Jacob Burk / Burck, Etc. (illustrator).
Verlag: The Macaulay Company (c.1934), New York, 1934
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Very Good+. Fair dj. First Edition. (price-clipped) [modest shelfwear, slight darkening to spine cloth, humorous fictional inscription (non-authorial) on front pastedown, another name written in pencil on front endpaper; the jacket's a bit of a mess, though, missing a big chunk (about 1-1/4" deep) from the to…p of the spine, a vertical crack in the spine panel (with old internal tape-repairs), numerous other edge-tears, shallow chipping, etc.; it's also a bit "stretched," and fits somewhat loosely on the book]. Uncommon memoir by a New York newspaperwoman who accompanied her husband, American communist and cartoonist Ryan Walker, on a visit to the Soviet Union in 1931. He was an official delegate to the November 7th celebration, but she was just a tourist, and her book tells "a simple story of the author's reactions [to the country], and of her gradual understanding of the Russian people," which is also enriched by "sidelights on the inner circle from her husband's experiences.". Illustrated by (dj) [Jacob] Burck (illustrator).
Verlag: Daily Worker, 1935
- Hardcover
Anbieter: Schoen Books, South Deerfield, MA, USASchoen Books
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In den WarenkorbZustand: Fair/Good. inscribed by Burck "with comradely regards" to Paul Novick (Freiheit editor) Sections include The Negro, Imperialism, Fascism, Soviet Union, and War, with introductory remarks to each part by sundrys commentators, including Michael Gold, Earl Browder, Langston Hughes, Charles Lamont and others. Location:415 2…48pp. new covers and end papers, filled with political cartoons and essays against the oppressive capitalist system and warnings re the fascists in Germany and Italy. in tradition of Gropper 415.
Weitere BilderVerlag: Daily Worker [February 1935], New York, 1935
- Hardcover
Anbieter: Expatriate Bookshop of Denmark/John Jackson Books, Svendborg, DänemarkExpatriate Bookshop of Denmark/John Jackson Books
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In den Warenkorborig. boards. 2nd Edition. 28x22cm, 248 pp., Spine paper-taped. Some stains to binding. Lightly warped. "The cartoons in this collection ., were originally published in the Daily worker during the last four years". Political cartoons from the daily newspaper of the Communist Party of the United States. Binding edges & corners he…avily rubbed. Just Good.
Weitere BilderSOCIAL KUNST N° 1-9 1930-1932 - 9 Issues all published
Jörgensen, Aksel - Hansen, Anton - Kollwitz, Käthe - Gropper, William Ellis, Fred - Minor, Robert - Burck, Jacob - Dehn, Adolf - Lozowick, Louis - Gellert, Hugo - Siegel, William Petersen, Storm - Hansen, Anton - Samling, Anden - Heartfield, John - Grosz, George
Verlag: Kobenhavn: Mondes Forlag, 1930-1932, 1930
- Softcover
- Erstausgabe
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. 8° - 9 Volumes - Color & B/w reproductions. Complete series of this socio-revolutionary art magazine that deals with a delineated topic such as: Photomontage, »U.S.A. Soviet UnionEach booklet is either dedicated to an artist Aksel Jörgensen, Anton Hansen, K. Kollwitz, A., Storm Peters…en, El Lissitzky, Rodchenko, Deineke, Anden Samling, John Heartfield, G. Grosz.First edition, text in Danish language. Original wrappers. In Very good condition.
Weitere BilderVerlag: The Daily Worker, New York, 1935
- Erstausgabe
- Signiert
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USALorne Bair Rare Books, ABAA
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In den WarenkorbFirst Edition. First printing. Limited issue; no. 50 of 100 clothbound copies signed by Burck. Quarto; tan buckram with titles and decorations stamped in brown on front and rear covers; 247pp. A lovely, fine copy, free of soiling or wear. There was a simultaneous trade issue in pictorial wrappers. The very scarce limited issue o…f this compilation of Burck's Depression-era cartoons, most originally published in the Daily Worker and The New Masses. Burck trained at the Art Students' League under Boardman Robinson; became the full-time editorial cartoonist for the Daily Worker in 1929, and worked as a political cartoonist for the rest of his life, though following a 1936 trip to the Soviet Union he renounced Communism and began working for mainstream periodicals including the St. Louis Post Dispatch and the Chicago Daily Times. He won a Pulitzer Prize in 1941; survived a period of persecution during the 1950s Red Scare, and continued to produce new work until shortly before his death in 1982. This volume quite scarce, and the few copies we have seen previously were well-worn. Signed.
