dehn adolf (32 Ergebnisse)

Zustand: Fair. Acceptable condition. No Dust Jacket Former Library book. (Lithography, Technique).

Hardcover. Zustand: Good. New York, 1950; gray cloth covered boards; heavy wear at edges and corners with board exposed; discoloration on covers and spine; Folio, 12" to 15" tall; light foxing on end papers and fore-edge; interior is clean and unmarked; Previous owner's name on front paste-down; notations on rear end paper; 119 pages. Additional shipping charges may be requested for international or expedited orders.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. Good dust jacket. (lithography, technique) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Selected by Virginia Dehn. Introduction by Carl Zigrosser. Columbia: University of Missouri Press, 1971. First Edition. 8.75" x 11.25". 208pp. Beige cloth, paper label front cover, near fine condition. Includes several photographs of Dehn and 91 reproduced drawings in b&w. Near the end of his Introduction, Carl Zigrosser summarizes: "Dehn was part excellence a graphic social commentator of integrity and, later, a landscape watercolorist. His contributions, indeed his significance, is that he was an independent, hones, man. His two dominant themes - nature and human nature - are everywhere evident in his work". ISBN 0826201008; 8.75 x 11.25 inches; 208 pages.

Zustand: Good. - Octavo, red cloth. The covers are bumped with some black marks & small stains. The spine & its gilt titling are faded & the head & tail are lightly chipped with fraying to the head. 79 & [1] pages. Numerous illustrations in color and black & white, most of them full-page. The page edges are slightly darkened. There are small stains to a few pages. Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. By Adolf Dehn and Lawrence Barrett. 119 pages, 51 full page b + w illustrations plus many technical figs. (full page Ills. done by Dehn), quarto (4to), hardcover, green cloth with gold text on cover and spine, dust jacket. Very good condition, minor shelf wear on the dust jacket, signed on inside flap by Adolf Dehn.

Zustand: Good. 1955. No Edition Remarks. 116 pages. No dust jacket. Red cloth boards with gilt lettering. Contains black and white and colour illustrations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Minor splits to spine ends and corners causing cloth to be frayed. Gilt lettering is darkened. Book has a slight forward lean.

Zustand: Good. 1945. No Edition Remarks. 79 pages. No dust jacket. Red cloth. Black and white illustrated plates throughout with colour frontispiece. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

Zustand: Very good condition. Illustrated with lithographs by Adolf Dehn (illustrator). Rather worn and tattered dust jacket. 8vo. Pictorial green cloth covered boards stamped in orange and black. Pictorial endpapers. 182 pp. including index.

Zustand: Good. Boards have scuffs to edges. Content has light toning. Stable binding but a little movement to the front hinge. No DJ.

Hardcover. Zustand: Very Good. American Artists Group, NY January 1950 Binding: Hardcover WITH DUST JACKET.

Paperback. Zustand: Very Good. Book of the Month Club. 7 x 10 1/2 inches. 334 pages. Condition is Very Good, a few light spots on rear cover, previous owner's name on ffep, text and illustrations are very clean, binding is tight. STK.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Adolf Dehn. How To Draw And Print Lithographs. Drawings on the Stone by Adolf Dehn, printing from the Stone by Lawrence Barrett. New York: American Artists Group, Inc., (1950). First Edition. 12 x 9 in. 119 pages. Original cloth, small spot on fore-edge of text block. Very good in dustjacket. Includes reproductions of 40 of Dehn's lithographs.; 40 illustrations; 12 x 9 inches; 119 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. US Door: This large hard cover is very good; page browning and an inscription on the ffep in a good DJ that has light wear. NO foreign or Priority shipments on this title. brown w/black lettering Folio - over 12" - 15" tall 0.0.

Zustand: Fair. 1945. No Edition Remarks. 48 pages. No dust jacket. Red cloth boards with gilt lettering. Contains black and white and colour illustrations. Clean pages and illustrations with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Pen markings to front free endpaper. Binding remains firm. Boards have mild edge wear with slight rubbing to surfaces and bumping to corners. Minor splits to spine ends and corners causing cloth to be frayed. Gilt lettering is darkened. Visible wear, ring and water marks to boards.

Quarter Cloth. Zustand: Near Fine. Dehn, Adolf (illustrator). Reprint. New York, NY, Random House, 1950. Reprint. 4to. Black quarter cloth over decorated boards with beautiful gilt lettering and decoration embossed on spine, profusely illustrated in black and white, 334 pp. No dust jacket. Near fine.

hardcover. Zustand: Used-Very Good. Cloth, dj. Minor shelf wear. Small fray in bottom corner of front board and jacket. Else fine. A sound copy with bright, clean internals.

Zustand: Fair. Signed Copy . Acceptable dust jacket. Signed by Dehn on front endpage. Heavily soiled. (art, instruction).

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Compiled by Joycelyn Pang Lumsdaine and Thomas O'Sullivan, with essays by Richard Cox and Clinton Adams. 268 pages, 677 illustrations (12 color), quarto (4to), hardcover, black cloth silver text on cover and spine, dust jacket. The definitive catalogue raisonne of the prints of Adolf Dehn. Very good condition, unsold inventory of an old bookstore. Inventory #156-8.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Hardback. Black cloth covers in exemplary condition in like jacket. 268 pp. Definitive and handsome.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 116 pages. Text by artist Adolf Dehn. Includes numerous color and black and white illustrations. A close to near fine copy with some minor wear to the edges of the boards, small vintage bookstore sticker to the front pastedown and a former owner's mailing label to the front free endpaper in a very good dust jacket that has some rubbing, minor wear and some edge tears.

Zustand: Good. Dust Jacket Only. 8vo. DJ Good with marginal tears, minor losses, some toning. First US Edition. Protective sleeve.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Figures in the text; 12 full-page lithographs by Lawrence Barret.Green cloth, titled in white, pictorial dust-jacket slightly rubbed at extremities. A very good copy.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. Color and B/W Plates (illustrator). First Edition. 1342 Pp + 126 Plates In Color And B/W. Cloth. First Edition. Light Signs Of Use, No Fraying, Hinges Tight, No Damage. Nicely Inscribed, "Signed With Pleasure For My Old Friend And Pupil Ted Little, Boardman Robinson / Colorado Springs '46." Boardman Michael Robinson (1876-1952) Was A Canadian-American Painter, Illustrator And Cartoonist. Robinson First Studied Art At The Massachusetts College Of Art In Boston. He Would Later Go On To Study At The Académie Colarossi And The École Des Beaux-Arts, Both In Paris, Where He Was Influenced By The Political Cartooning Of Honoré Daumier, As Well As Forain And Steinlen. Upon Returning To The United States, Robinson Worked As An Illustrator, Drawing Cartoons And Theater Illustrations For The New York Morning Telegraph. He Freelanced For A Wide Range Of Other Popular Publications, Including Pearson's Magazine, Scribner's Magazine, Collier's, Harper's Weekly, And Others. In 1910, Robinson Took A Job On The Staff Of The New York Tribune Drawing Editorial Cartoons, A Position Which He Retained For Four Years. With The Eruption Of World War I In 1914, Robinson's Increasingly Radical Anti-Militarist Political Views Brought Him Into Conflict With His Employer And He Quit The Publication. In 1915, Robinson Travelled To Eastern Europe On Behalf Of Metropolitan Magazine Along With Journalist John Reed. The Pair Saw First Hand The Effects Of The European War In Russia, Serbia, Macedonia And Greece. In 1916 Reed's Account Of The Journey Was Collected In A Book Called The War In Eastern Europe, To Which Robinson Contributed Illustrations. On His Return From Europe, Robinson Worked At The Socialist Monthly The Masses. His Highly Political Cartoons As Well As The General Anti-War Stance Of The Masses Was Deemed To Have Violated The Recently Passed Espionage Act Of 1917, And The Masses Had To Cease Publication. Robinson, Along With The Other Defendants Were Acquitted On October 5, 1918. Following The Masses, Robinson Became A Contributing Editor To The Liberator And The New Masses, Working With Former Masses Editor Max Eastman. Robinson Would Later Go On To Teach Art At The Art Students League In New York City (1919-30) And Head The Colorado Springs Fine Arts Center (1936-47). Some Of His Students Include Duard Marshall, James Brooks, Bill Tytla, Edmund Duffy, Jacob Burck, Russel Wright, Eric Bransby, Rifka Angel, Mary Anne Bransby, Gerhard Bakker, And Esther Shemitz (Who Married Whittaker Chambers): Both Burck And Shemitz Contributed Illustrations To The New Masses As Did Their Mentor.) Robinson Is Also Known As A Muralist. Some Of His Mural Commissions Include Works At Rockefeller Center And The Department Of Justice Building In Washington, D.C. And A Nine-Panel Mural On The History Of Trade For Kaufmann's Flagship Department Store In Pittsburgh Completed In 1929. Robinson Also Illustrated Several Books, Among Them Editions Of Walt Whitman's Leaves Of Grass (1921), Dostoyevsky's The Brothers Karamazov (1933), Edgar Lee Masters' Spoon River Anthology (1941), And Herman Melville's Moby Dick (1942). Inscribed by Illustrator(s).

Zustand: Good. 4to. [Ca. 15 pp]. Softcovers. Very Good. Color Plates.

Soft cover. Zustand: Very Good. 1st Edition. 8° - 9 Volumes - Color & B/w reproductions. Complete series of this socio-revolutionary art magazine that deals with a delineated topic such as: Photomontage, »U.S.A. Soviet UnionEach booklet is either dedicated to an artist Aksel Jörgensen, Anton Hansen, K. Kollwitz, A., Storm Petersen, El Lissitzky, Rodchenko, Deineke, Anden Samling, John Heartfield, G. Grosz.First edition, text in Danish language. Original wrappers. In Very good condition.

Zustand: Very Good. Garretto, Frank Dunn, William Steig, Adolf Dehn, et al. (illustrator). First. Includes 'American vs. European Women in Politics' by Jay Franklin, p. 21, and 'Praise and Prejudice' by George Dangerfield, p. 56 ; large quarto: 9.75 x 12.75; All shipments through USPS insured Priority Mail.

Zustand: Very Good. A. Petruccelli, Henry Kreis, Aaron Bohrod, Alajalov, Hardie Gramatky, Thomas Benrimo, Paul Sample, Adolf Dehn, Allen Saalburg, H (illustrator). First Edition. Half blue grained morocco over blue beveled boards. Occasional signs of usage. Gilt particulars to spine. Marbled endpapers; five raised bands. C.P. Hall to foot of spine. Smyth sewn with covers nicely tabbed in. Retains all ads. Nice clean copy. Please expect possible extra postage as this is a heavy book. 11.25 x 14 in.