blanch arnold (16 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Comme neuf. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. *1st edition* Clean, solid, unmarked book with some edgewear. Price-clipped dustjacket still attractive with light chipping, 4 small tears, dings, and edgewear. Out to you w/tracking.

Zustand: Good. - Octavo, softcover bound in printed light gray wraps. The binding is lightly rubbed & partially darkened around the edges. The rear wrap is slightly foxed with creasing to its top corner. [8] pages. Illustrated in black & white with 5 illustrations, 3 of them full-page including a portrait of the artist. There is foxing to several of the pages. Good. Edition limited to 1,000 copies.Catalogue for an exhibition sponsored by Woodstock Artists Association, Artists Equity Fund Incorporated and Art Students League of New York and held at Woodstock Art Gallery from July 14 to July 26, 1956. There is a one-page introduction by Arnold Blanch.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. 374pp; Bibliography; Index; b/w map and illustrations. DJ blurb affixed to front paste-down. Yellow, blindstamped cloth HC with brown and gilt lettering on spine and brown title box. Contents textually unmarked, clean, tight. Former college library volume with customary stamps and labels.

Hardcover. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; Good or Better hardcover, minor fading to spine, sm4to, 76 pp.

First Edition. A fine copy in the original title-blocked cloth. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. ; 76 pages; Description: 76 p. : ill. ; 25 cm. Subjects: Dehn, Adolf, 1895-1968 --Gouache painting. 3 Kg.

hardcover. Zustand: very good. 35 plates, including 9 in color. 76pp., thin 8vo, grey cloth; spine faded, corners and spine ends bumped. New York: American Artists Group, (1946). Internally fine, a very good copy.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. Color and B/W Plates (illustrator). First Edition. 1342 Pp + 126 Plates In Color And B/W. Cloth. First Edition. Light Signs Of Use, No Fraying, Hinges Tight, No Damage. Nicely Inscribed, "Signed With Pleasure For My Old Friend And Pupil Ted Little, Boardman Robinson / Colorado Springs '46." Boardman Michael Robinson (1876-1952) Was A Canadian-American Painter, Illustrator And Cartoonist. Robinson First Studied Art At The Massachusetts College Of Art In Boston. He Would Later Go On To Study At The Académie Colarossi And The École Des Beaux-Arts, Both In Paris, Where He Was Influenced By The Political Cartooning Of Honoré Daumier, As Well As Forain And Steinlen. Upon Returning To The United States, Robinson Worked As An Illustrator, Drawing Cartoons And Theater Illustrations For The New York Morning Telegraph. He Freelanced For A Wide Range Of Other Popular Publications, Including Pearson's Magazine, Scribner's Magazine, Collier's, Harper's Weekly, And Others. In 1910, Robinson Took A Job On The Staff Of The New York Tribune Drawing Editorial Cartoons, A Position Which He Retained For Four Years. With The Eruption Of World War I In 1914, Robinson's Increasingly Radical Anti-Militarist Political Views Brought Him Into Conflict With His Employer And He Quit The Publication. In 1915, Robinson Travelled To Eastern Europe On Behalf Of Metropolitan Magazine Along With Journalist John Reed. The Pair Saw First Hand The Effects Of The European War In Russia, Serbia, Macedonia And Greece. In 1916 Reed's Account Of The Journey Was Collected In A Book Called The War In Eastern Europe, To Which Robinson Contributed Illustrations. On His Return From Europe, Robinson Worked At The Socialist Monthly The Masses. His Highly Political Cartoons As Well As The General Anti-War Stance Of The Masses Was Deemed To Have Violated The Recently Passed Espionage Act Of 1917, And The Masses Had To Cease Publication. Robinson, Along With The Other Defendants Were Acquitted On October 5, 1918. Following The Masses, Robinson Became A Contributing Editor To The Liberator And The New Masses, Working With Former Masses Editor Max Eastman. Robinson Would Later Go On To Teach Art At The Art Students League In New York City (1919-30) And Head The Colorado Springs Fine Arts Center (1936-47). Some Of His Students Include Duard Marshall, James Brooks, Bill Tytla, Edmund Duffy, Jacob Burck, Russel Wright, Eric Bransby, Rifka Angel, Mary Anne Bransby, Gerhard Bakker, And Esther Shemitz (Who Married Whittaker Chambers): Both Burck And Shemitz Contributed Illustrations To The New Masses As Did Their Mentor.) Robinson Is Also Known As A Muralist. Some Of His Mural Commissions Include Works At Rockefeller Center And The Department Of Justice Building In Washington, D.C. And A Nine-Panel Mural On The History Of Trade For Kaufmann's Flagship Department Store In Pittsburgh Completed In 1929. Robinson Also Illustrated Several Books, Among Them Editions Of Walt Whitman's Leaves Of Grass (1921), Dostoyevsky's The Brothers Karamazov (1933), Edgar Lee Masters' Spoon River Anthology (1941), And Herman Melville's Moby Dick (1942). Inscribed by Illustrator(s).

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. Arnold Blanch (illustrator). First edition, first printing. Folio. (14"x10"). 41pp. 1/4 bound navy cloth & lt. blue paper-covered boards, deckled edges. Lighter, discolored spots to edges. Lower spine extreme bumped. Very slight upward warp to upper board. Paragraph-long, poetic inscription, "For Paul--", dated 2 September 1965, with self-portrait of author by Anderson to page facing title. Laid-in 8 page booklet titled "-About the Poem-" with drawings by Arnold Blanch. Blue paper-covered slipcase: large faint dampstain, dark discolored spots, scratches to back cover, scotch tape, "Lee Anderson" written small in blue ink to upper cover. From a limited edition of 150 copies. Book design by George Salter. Poet's first book.