irvin rea (32 Ergebnisse)

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

hardcover. Zustand: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Hardcover. Zustand: VG+. Zustand des Schutzumschlags: Fair. Rea Irvin (illustrator). See photo condition details. Hardcover with dust jacket. The original price of $2.00 is still present on the front flap. DJ is scuffed and soiled with numerous chips in large tears, the worst being on the lower outside corner of the front where the tear measures several inches. Black cloth boards underneath are clean with only minor bumping and a small scratch to the red near the lower right corner. Internal binding is good and text pages are tight. No signatures or bookplates present, no library markings, no remainder marks. The only evidence of handwriting found in the book is on the front end page where you can barely see where a price was once penciled in the upper corner and then later erased. Pages are mildly toned due to age but are clean, though the end pages and pastedowns both show foxing. Note: This appears to be a later printing as there is no "first edition" on the copyright page.

Zustand: New.

Zustand: New. In.

Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 160 pages. 12.00x9.00x12.25 inches. In Stock.

Hardcover. Zustand: Brand New. 160 pages. 12.00x9.00x12.25 inches. In Stock.

Zustand: NEW.

Zustand: New. Rea Irvin (1881&ndash1972) was a graphic artist and cartoonist who served as the de facto first art editor of The New Yorker. He created the magazine&rsquos iconic Eustace Tilley cover portrait, designed its typeface, and introduced many of .

Gebunden. Zustand: New.

, 36 pages, American weekly with poetry, articles, and illustrations in black & white, advertisements, double-page illustration at centre First Edition , covers rubbed and with a little surface loss at lower edges, illustration at centre detached, internally clean, good+ condition , pictorial stapled wraps 28 x 22 cm approx. Paperback ISBN:

Buch. Zustand: Neu. Neuware -A CLASSIC 1930s COMIC STRIP: The New Yorker's first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse.Rea Irvin was The New Yorker's first art editor and creator of the magazine's iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythescomprised of John, Margie, and their two forgettable children, Willie and Maudieare a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin's distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs.The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shawwho also penned the introduction togetherthis new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin's artistic abilities.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 168 pp. Englisch.

Buch. Zustand: Neu. The Smythes | Rea Irvin | Buch | New York Review Comics | Einband - fest (Hardcover) | Englisch | 2025 | Random House LLC US | EAN 9781681379548 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - A CLASSIC 1930s COMIC STRIP: The New Yorker's first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse.Rea Irvin was The New Yorker's first art editor and creator of the magazine's iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythescomprised of John, Margie, and their two forgettable children, Willie and Maudieare a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin's distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs.The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shawwho also penned the introduction togetherthis new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin's artistic abilities.

Stapled. Zustand: Fair. No Jacket. Paul Hess (cover photo), Fred Ludekens (Point of Death), Roy Spreter (Beauty's Daughter), George Howe (The Closed Room), Rea Irvin (Fellow Citizens, I Love You), F G Cooper (Hero Poison), Tallburt (The Next Step in the New Deal) (illustrator). First Edition. The November 1934 issue of the American Magazine. It contains most notably, complete in this issue, Point of Death, an abridged version of Fer-de-Lance - the first Nero Wolfe novel. This precedes the book publication and can arguably be asserted to be the "true first edition" of the Nero Wolfe classic. I'll leave that judgment to the bibliographers & completists. Other articles and fiction include part 2 of 6 of Beauty's Daughter, a novel by Kathleen Norris, part 4 of 6 of The Closed Room, a novel by Clarence Budington Kelland, Fellow Citizens, I Love You, poetry by Ogden Nash, The Corn Planting, an article by Sherwood Anderson, Hero Poison, an article on egos and college football by Paul Gallico, The Next Step in the New Deal, an article by Walter Lippmann, Scattergood, an Interesting People feature of Thomas J Neary, Ruralist, an Interesting People feature of Sherwood Anderson, and others. There are a number of condition issues. The cover is intact but loose from the spine. Light soiling to the covers. Light wear at the top and bottom of the spine. Missing pages as follows - 41/42 (Interesting People - Fencing champs Marion Lloyd & Dorothy Locke, Angler Helen Jepson), 45/46 (Interesting People String Puller Thomas J Neary & Ruralist Sherwood Anderson), 79/80 (ads Campbell's Soup & Camel's) and 89/90 (Ford ad & Tigress in Gingham story by Virgina Paxton). The Stout story is not affected. A flawed copy with a hard to find cornerstone of golden age mystery fiction.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Philo Gubb, Correspondence-School Detective, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Stapled. Zustand: Good. No Jacket. Paul Hess (cover photo), Fred Ludekens (Point of Death), Roy Spreter (Beauty's Daughter), George Howe (The Closed Room), Rea Irvin (Fellow Citizens, I Love You), F G Cooper (Hero Poison), Tallburt (The Next Step in the New Deal) (illustrator). First Edition. The November 1934 issue of the American Magazine. It contains most notably, complete in this issue, Point of Death, an abridged version of Fer-de-Lance - the first Nero Wolfe novel. This precedes the book publication and can arguably be asserted to be the "true first edition" of the Nero Wolfe classic. I'll leave that judgment to the bibliographers & completists. Other articles and fiction include part 2 of 6 of Beauty's Daughter, a novel by Kathleen Norris, part 4 of 6 of The Closed Room, a novel by Clarence Budington Kelland, Fellow Citizens, I Love You, poetry by Ogden Nash, The Corn Planting, an article by Sherwood Anderson, Hero Poison, an article on egos and college football by Paul Gallico, The Next Step in the New Deal, an article by Walter Lippmann, Scattergood, an Interesting People feature of Thomas J Neary, Ruralist, an Interesting People feature of Sherwood Anderson. and others. Light edge wear to the front cover with small dark streaks along the spine and the less on the bottom edge. Small loss at the top & bottom of the spine. The spine is very dark, almost black, but still readable. Light damp stains to the for edge of the pages that fades out by page 20 and the top & bottom corners of the pages that fades out by page 84 at the top and 100 at the bottom. No cutouts or missing pages. A good or better copy of a hard to find example of a cornerstone of golden age mystery fiction.

Buch. Zustand: Neu. Neuware -A CLASSIC 1930s COMIC STRIP: The New Yorker's first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse.Rea Irvin was The New Yorker's first art editor and creator of the magazine's iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythescomprised of John, Margie, and their two forgettable children, Willie and Maudieare a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin's distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs.The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shawwho also penned the introduction togetherthis new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin's artistic abilities. 168 pp. Englisch.

Stapled. Zustand: Very Good. No Jacket. Paul Hess (cover photo), Fred Ludekens (Point of Death), Roy Spreter (Beauty's Daughter), George Howe (The Closed Room), Rea Irvin (Fellow Citizens, I Love You), F G Cooper (Hero Poison), Tallburt (The Next Step in the New Deal) (illustrator). First Edition. The November 1934 issue of the American Magazine. It contains most notably, complete in this issue, Point of Death, an abridged version of Fer de Lance - the first Nero Wolfe novel. This precedes the book publication and can arguably be asserted to be the "true first edition" of the Nero Wolfe classic. I'll leave that judgment to the bibliographers & completists. Other articles and fiction include part 2 of 6 of Beauty's Daughter, a novel by Kathleen Norris, part 4 of 6 of The Closed Room, a novel by Clarence Budington Kelland, Fellow Citizens, I Love You, poetry by Ogden Nash, The Corn Planting, an article by Sherwood Anderson, Hero Poison, an article on egos and college football by Paul Gallico, The Next Step in the New Deal, an article by Walter Lippmann, Scattergood, an Interesting People feature of Thomas J Neary, Ruralist, an Interesting People feature of Sherwood Anderson. and others. Light edge wear to the front cover with a .375" closed tear towards the bottom middle of the front cover. Moderate spine roll. Small crease to the bottom corner of page 163 through the back cover. The interior is very clean and fresh. No cutouts or missing pages. A very good copy of a hard to find example of a cornerstone of golden age mystery fiction.

Hardcover. Zustand: Very Good. Sixth Printing. Octavo, 8.2 in. x 5.5 in., pp. 223. Brown cloth boards with a held martini and the words "A Vous" in black to front. Black title to spine. Shelfwear to edges with ltouch of sunning to spine. Corners nudged. Clean, unmarked interior. Spine and hinges tight.

Hardcover. Zustand: Very Good. Irvin, Rea (illustrator). Sixth Printing. Brown cloth cover with black stamp title and illustration. Moderate edge wear. Discoloration on end paper. Clean text. U13.

Hardcover. Zustand: Very Good. Hardcover. The title page states that this book was published for Hussies and Homebodies. This fairly uncommon book is written in an archly witty style with many actual drink recipes, often with sarcastic titles like "Why Not Now," "Elephants Sometimes Forget," "Too Good to be True,' and "Mrs. Solomon Wears Slacks." The recipes are interspersed with short texts and many of Irvin's stylized and amusing illustrations. Bound in red cloth with titling to the spine and a black and white sketch of a hand holding a martini glass, with "A Vous" written underneath. Cloth is soiled around the edges and with bumped corners and a torn top edge to the spine. Interior pages are generally clean and bright. Includes an index to subjects and drink names. Despite flaws to covers in very good condition. Measures 5.5 x 8 inches. 223 pages.

Hardcover. Illustrated by Irvin, Rea (illustrator). First Edition. vii, 352, [1]p. Yellow pictorial cloth stamped in black on the front and the spine. Illustrations by Rea Irvin. A Sherlock Holmes pastiche. Collects seventeen short stories. Light wear to spine ends, a touch of foxing to endpapers. About near fine. In Hubin, 1994, p. 122. Queen's Quorum #61.; Octavo.

Hardcover in Dust Jacket. Zustand: Very Good. This book is hard-bound in pink cloth with dark red stamping on the upper cover and spine, in a dust jacket with light soiling/scuffing, and edge-wear with some light chipping/small closed tears. The covers show sunning to the edges and spine. The binding is solid. The contents are bright and clean.