hunt john william (41 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. Script of the later 17th century play by William Wycherley, possibly influenced by Moliere. And analysis by editor. A comedy of manners in five acts. It satirizes the sexual duplicity of the aristocracy in Restoration England. 134 pages. Quoted postage for UK 2nd class. Overseas at least £5.85.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Stapled. Zustand: Good - Very Good. No Jacket. First Edition. Early pulp. Stockton Mulford Illustrated Cover Art. Volume CLXXIII, Number 4, November 28, 1925. FOUR CONTINUED STORIES - "Unhearing Ears" {Cover story} (part 1 of 5) by Arthur Preston Hankins, "Her Hour of Reckoning" (part 2 of4) by Elizabeth York Miller, "The Starlit Trail" (part 5 of 6) by Kenneth Perkins, "The Sun-Makers" (part 3 of 3) by William F. McMorrow. NOVELETTE & SHORT STORIES - "The Test of the Sea" by Arthur Hunt Chute, "The Boss" by John Scarry, "Men With Spirit" by H. M. Hamilton, "One Evening of Crime" by George F. Worts, "Papered" by Walter A. Sinclair, "Grit" by Theodora Booth, "A Hundred Hints" by L. Paul. Tape reinforced at the edges. A good to very good copy.

Zustand: New. In.

Paperback. Zustand: Good. 415 pages. Cover wornHardcover. IH.

Zustand: New. In.

Hardcover. Zustand: Like New. Appears to be a presentation copy because in addition to silver gilt letters "Atlanta 96" on front leatherette board there is stamped in gold gilt: "Compliments of HEAVENLY HAM." Unpaginated but est. 150 p., clean and unmarked anywhere on glossy unaged paper; fabulous photos and tables of statistics accompany text; binding tight; green leatherette boards without discernible wear despite absence of d.j.--probably issued without.

DVD. Zustand: Sehr gut. Auflage: Standard Version. 1 DVD Neu gekauft, von mir einmal angesehen, läuft alles tiptop, leichte Gebrauchsspuren /// Standort Wimregal HOM-03669 Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 78.

Zustand: Good. First edition copy. . Front hinge split. Sticker on front free endpage. (friendship, poetry, gift books).

First Edition. Poor copy bound in the original blind-bordered cloth with a gilt title to the spine. Staining, wear and tear as with age. Text remains well preserved overall; bright and clean. Physical description; xxxiv, 91 p. ; 23 cm. Notes; "The preparation of this list would naturally fall to Blaquiere [chief secretary to Lord Harcourt, lord lieutenant of Ireland] and the result of his political stock-taking is given in the following document."--Introduction, p. xxxii. Includes bibliography on final page. Subjects; Ireland. Parliament History. Ireland. Parliament History 18th century. Ireland Politics and government. Ireland History (1760-1820) Sources. Ireland Politics & government. 3 Kg.

Hardcover. Zustand: Fine. KARLIN, Eugene (illustrator). 1st thus. Fine condition, octavo, quarter brown leather, brown cloth boards, gilt decorated front and rear, four raised bands and gilt title and decoration to spine, all edges gilt, silk ribbon marker, decorated end paper, xxv plus 461 pages including index of first lines. [QP].

Zustand: Sehr gut. 123 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Zustand: Minimal beriebener sowie vergilbter Schutzumschlag mit leichten Einrissen. Bleistiftvermerk auf Fliegendem Blatt. Ansonsten im sehr guten Zustand. / Condition: Minimally rubbed and yellowed dust jacket with light tears. Pencil note on flyleaf. Otherwise in very good condition. - Content: In recommending critical readings of the Aeneid to students, one can suggest numerous hooks and articles which clarify the epics historical setting, treat selected portions in depth, or comment on its qualities of propaganda and panegyric. But one often finds that the perspective which emerges is extrinsic, partial, or one-sided. What seems to be needed is an analysis which offers three qualities in combination, as simply as the breadth and complexity of Virgils poem allow. The analysis needed, it has seemed to me, is an intrinsic one devoted exclusively to the epic as a poetic expression, an organic approach complete in its treatment of the entire poetic design, and a balanced study attentive to the formal elements that qualify the poems theme of glory. My purpose in this book has been to provide such an analysis. The forms of glory are also doubly viewed throughout: both as the complex art of the epic giving the glory a singular poetic tone, and as an objective quality of life illumined by the poets vision. Since the book is designed primarily for students and for the educated general reader, I have tried throughout to keep the scholarly support to a minimum and to present the argument as simply as I could, still doing justice to a great poetone returning to favor in the wake of our own current dilemmas of empire. Exploring the metaphorical world of Virgils narrative as an interwoven architectural design, I range throughout the poem in each of the books six chapters, viewing its parts in relation to the structure of the whole as a unique aesthetic representation. In other words, I consider the entire poem from six distinct but related points of view. More specifically, the plan of this book is as follows: The first chapter sketches the general scope and structure of the poem, discusses the interrelationship of its major parts, and suggests the principal themes to be illustrated. None of these three matters will be new to readers of recent critical work on Virgil,1 but the necessary fusion of all three gives fresh perspective. Chapters two and three deal chiefly with imagery: chapter two discusses the main lines of the plot with emphasis on the function of gifts and prizes and trophies, and analyzes the role of the gods as a super-plot; chapter three treats of the four leading imagesland, sea, glory, and shadowand closes with an examination of the role of Palinurus in relation to all of them. Chapters four and five treat of character, the former dealing with the tragic figures Dido and Turnus, the latter with the development of Aeneas, both chapters commenting on the function of minor characters. Chapter four studies the two chief secondary characters in connection with their parallel tragedies framing the central section of the poem. Chapter five traces the interior development of the central hero in his relation to figures and themes discussed earlier. The closing chapter returns to questions of general structure, exploring the relationship to Aeneas of the Dido and Turnus patterns and reviewing this tripartite scheme of the poem through an analysis of recurring imagery in the final twelfth book. In general, I hope this application of organistic formalism to the entirety of a major classical work may strengthen the bond between classical scholarship and contemporary criticism. Each of the six chapters proceeds from an analysis of a passage from the poem quoted at the start, and the six passages are selected with two purposes in mind. First, in fine with the tripartite scheme of the epic, each passage occurs at the opening or the closing of one of the poems three major panels. Second, each passage presents Aeneas essentially alone in a moment of reflective solitude, engaged for that moment neither in direct vision from above nor in immediate action. Supernatural intervention and human action capture the attention as more obvious and prominent in the texture of the epic and are less likely to be missed in its reading or interpretation. But the six passages urge reflection upon the core of the poem, Aeneas state of mind. The higher forces are all brought to bear on his state of mind, and from his state of mind all the important actions proceed. In fact, it is around Aeneas state of mind that the structure of the poem builds its total impression, elusive throughout and ambiguous in the end, less a definitive meaning than a pervasive mood, the sense of Virgils vision of human life. Translations of the Latin are often included in the Notes. These translations are frequently expanded for clarity. The quoted phrases, in such cases, are italicized in the expanded versions. Several Yale University fellowships gave me the leisure to organize the substance of this book. A later Brown University grant enabled me to bring it close to its present completion through further work abroad in England and Italy. To both universities I am very grateful, and particularly to Professor Thomas M. Greene of Yale for his initial advice and repeated encouragement and to the late Professor Adam Parry of Yale for his perceptive criticism after reading the manuscript. I would also like to thank my two mentors, Professors W. Norris Clarke of Fordham and René Wellek of Yale, for the learning they have shared with me. The book is dedicated with affection to Reverend Neil J. Twombly of Georgetown University, an exacting but sensitive Latin humanist who first introduced me to the magic of Virgil. ISBN 9780809306404 Sprache: Englisch Gewicht in Gramm: 782 Original hardcover with paper dust j.

Zustand: New. In.

Zustand: New.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

SOFTCOVER. Zustand: FINE. 1st Edition. Medium size 4to in textured stiff card covers, unpaginated, approx. 72pp text plus 56pp b/w plates on glossy art paper . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy in not far from new condition (slight sunning to spine). An excellent copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Barrie & Jenkins, London 1982. 4to. 264 pages. Illustrations in b/w and colour. Orig. cloth in dust jacket. Light knock to the tail. Spine of jacket evenbly sunned and with some light edge wear. Very good / Very good jacket.

Zustand: Very good plus. First edition. Luxurious compilation of fine printing and illustration samples, demonstrating the quality of Linweave papers. Collection of ten Linweave Limited Editions, originally distributed as individual mailings sent to publishers and printers to highlight the rich possibilities of Linweave Papers for fine press printing, and presented here as a bound compilation of "present-day American printing at its best". Selections include works by Daniel Chase, illustrated by John Burlin; Po Chu-i, illustrated by Victor Helleu; William Blake, illustrated by Theodore Ross; Samuel Taylor Coleridge, illustrated by Uriel; Robert Southey, illustrated by Paul Hesse; Leigh Hunt, illustrated by Jack Perkins; Edgar Allan Poe, illustrated by Carolyn Edmundson; and Ernest Dowson, illustrated by Jefferson Clark. 12'' x 9''. Original quarter green cloth with pale green boards. Pale green endpapers. Sunning to spine and edges; light scuffing and touches of soil to boards. Occasional smudges to page margins.

Hardcover. Zustand: Very Good. pp.lxxxiv, 668 pages, a very good hardback, publisher's original brown cloth binding with gilt lettering to the spine and blind stamped on both covers and the spine. An excellent book - binding still tight and square.

Hardcover. Zustand: Near Fine. 1st Edition. Bound Volume I November 1873 - November 1874. Half Brown Leather Over Brown Pebbled Cloth. Original Buff Endpapers, Page Edges Colored Red. Very Well Preserved With Just A Touch Of Wear. Hinges Tight, Binding Solid, Pages Square. Tiny Shallow Chip At Bottom Of Spine. No Marks Or Damage.

Cloth. Zustand: Near Fine. None (illustrator). An excellent collection of the letters of William Holman Hunt and John Lucas Tupper, with illustrations. Lucas Tupper was an early Pre-Raphaelite, and maintained friendships with several original members of the Brotherhood; his work has been all but forgotten to a modern audience. Holman Hunt was a founding member of the Pre-Raphaelite Brotherhood, along with John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner.Edited by James H. Coombs, Anne M. Scott, George P. Landow and Arnold A. Sanders.With eighteen illustrations in black and white at the rear of the work.Published by the UMI Research Press. In the publisher's original full cloth binding. Externally very smart with just slight general wear. Internally, firmly bound. Pages are bright and clean. Near Fine. book.

First edition, first printing. Publisher's original red cloth with titles in gilt to the spine, in the Sir John Tenniel illustrated dustwrapper. Textured endpapers. Illustrated throughout with 109 black and white plates by Sir John Tenniel, 13 plates and a black and white photograph by Lewis Carroll, and 52 plates by John Leech, Édouard Riou, F. W. Fairholt and many more. A near fine copy, the binding square and firm, with light bumping to the head of the spine and extremities, and light spotting to the upper edge. The contents, with a small previous owner's bookplate pasted in to the inner flyleaf, are otherwise clean throughout, and without inscriptions or stamps. Complete with the better than very good, rubbed, nicked and creased original dustwrapper, which is lightly faded to the spine, and has a touch of spotting on the inside. A lovely example. The definitive account of Sir John Tenniel's (1820-1914) illustrative career, first as a political cartoonist for Punch magazine and, crucially, as the artist behind the definitive depiction of Lewis Carroll's classic children's characters in 'Alice's Adventures in Wonderland' (1865) and 'Through the Looking Glass' (1871).3 Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Softcover. Zustand: Near Fine. First edition. Stapled wrappers. 65pp. Edges lightly age-toned and bumped, near fine. Contributions by Robert M. Philmus, Margaret Edwards, Ron Loewinsohn, Priscilla Shames, James Reiss, Eric Felderman, Louise Gluck, Daniel Cassidy, Jr., Douglas L. Eichhorn, Paul W. Roewade, Joseph W. Survant, David Landon, Paul Brinkley-Rogers, Peter Welter, Helen Pringle, Anne Cleaves, David E. Cummings, William Pitt Root, Paul Oppenheimer, Shirley Kaufman, Stan Rice, DeWitt Beall, Jane Yolen, Gay Cothran, Kenneth Fields, Benito Cereno, John Peck, David Ransom, Tim Reynolds, L. Wittgenstein, Rodham Tulloss, McLister, Mary Maxwell Davis, Janis Adams, Roger H. Fogelman, Henry Taylor, Richard L. Pevear, Alexander Theroux, James Scay, Coburn Freer, E.G. Leimbacher, Frances McConnel, Susan Mitchell, David F.R. McGeary, Hunt Hawkins, and Patricia C. Smith.