Constant caroline (56 Ergebnisse)

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Denatured Visions : Landscape and Culture in the Twentieth Century
Rosenblum, Robert; Beardsley, John; Constant, Caroline; Cranz, Galen; Groth, Paul; Hunt, John Dixon; Jackson, John; Jellicoe, Sir Geoffrey; Krog, Stephen; Marx, Leo; Treib, Marc
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Denatured Visions : Landscape and Culture in the Twentieth Century
Rosenblum, Robert; Beardsley, John; Constant, Caroline; Cranz, Galen; Groth, Paul; Hunt, John Dixon; Jackson, John; Jellicoe, Sir Geoffrey; Krog, Stephen; Marx, Leo; Treib, Marc
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paperback, 8vo, viii,148pp, illustrated, clean and tight, no inscriptions, card covers, edges slightly rubbed, Very Good condition . ISBN: 0851395201.

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Doing Democracy in "Third Places" : Youth Citizenship Education
Gaudet, Stéphanie (EDT); Caron, Caroline (EDT); Théwissen-leblanc, Sophie (CON); Capitaine, Brieg (CON); Constant, Hérold (CON)
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Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Gaudet Full Professor, Professeure Stéphanie (illustrator).

- Hardcover
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Hardback. Zustand: New. Between Shadow and Light probes Maryann Thompson's commitment to an architecture that is sustainable and regionally driven and her penchant for heightening the experiential qualities of each project through a holistic, consensus-building approach to design.This is the first comprehensive monograph on the work of Cambridge-based architect Maryann Thompson. As one of her clients recently declared, Thompson inhabits a "liminal" space, a space of both-and, of inside and outside, of light and shadow. It is a dialogic space, a position from which to examine a situation from multiple perspectives, to facilitate opportunities for discussion, and, ultimately, to seek a consensual basis for design.For Thompson, architecture is the stage on which we live out our lives, a philosophy that foregrounds its inherent symbolism, its ability to arouse our emotions, to challenge our preconceptions, and to provide sites of individual solace and respite from quotidian affairs as well as of heightened collective interaction. Her inclusive design process encompasses extended conversations with clients, patrons, users, and ultimately with the public at large-all envisioned as a means to address the collective social dimension of the work.To address the myriad ways in which certain prominent themes in the work transcend notions of chronological development or typological classification, the book has a tripartite organisation. A set of essays on certain theoretical starting points is followed by an elaboration of distinctive architectural themes. It concludes with brief analyses of selected examples of the work, grouped according to programmatic type.…

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Doing Democracy in "Third Places" : Youth Citizenship Education
Gaudet, Stéphanie (EDT); Caron, Caroline (EDT); Théwissen-leblanc, Sophie (CON); Capitaine, Brieg (CON); Constant, Hérold (CON)
- Softcover
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Zustand: As New. Unread book in perfect condition. Gaudet Full Professor, Professeure Stéphanie (illustrator).

- Hardcover
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- Softcover
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- Softcover
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- Hardcover
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Sprache: Französisch
Verlag: Hazan, 1987
- Softcover
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In den WarenkorbCouverture souple. Zustand: Bon. 230x104mm. 159 pages. Nombreuses illustrations en noir et blanc.

- Softcover
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Paperback. Zustand: Gut. 147 p., numerous fig. and fotos, Good condition. -- In forty years of architectural production Andrea Palladio left perhaps the greatest legacy of any architect. Through his treatise, I Quattro Libri dell'Architettura, as well as by his built example, he irrevocably modified western architectural thought. During his lifetime he transformed his adopted city -- of Vicenza and the surrounding countryside. Despite the attention given to Palladio's work by historians in recent years, the circumstances -- his life and practice remain largely conjectural (figure 1). -- Palladio was active in the Veneto region of northern Italy during the mid-sixteenth century, a period of unusual economic growth and cultural advancement. The political stability that resulted from Venice's control of the terra fiirma, -- couupled with the challenge to her domination of the seas by the League of Cambrai, prompted a shift in the region's economic base from commerce to agriculture. Land reclamation projects, resulting in an extensive canal system, m ilitated this economic shift, which, in turn, prompted opportunities for architectural commissions from the rising land-based aristocracy. Because Pal-ladio was the only notable sixteenth-century architect trained in the region, he -as the first to absorb the particular economic, social, and geographic conditions of the Veneto, and incorporate them into an architecture both fundamental and innovative. -- Palladio was born Andrea di Pietro in 1508, the son of a Paduan miller, Appremticit iced to a stonemason at thirteen, Andrea broke his contract by 1524 and moved to Vicenza, where he joined the guild of masons and stone carvers. From 1524 to the 1540s he was associated with the Pedemuro workshop of Giacomo da Porlezza, responsible for most of the monumental, decorative sculpture in Vicenza. -- It was probably around 1537 that Andrea met Giangiorgio Trissino, the Vicentine intellectual and humanist who redirected the course of his life. Trissino was rebuilding a villa at Cricoli, just outside Vicenza, where he established a learned academy to enable young aristocrats of the city to receive a classical education. According to an eighteenth-century source, Andrea was involved in the villa's renovation, undertaken by the Pedemuro workshop. Trissino took the stonemason into his academy, directed his first formal architectural education, and gave him the name Palladio.1 -- Palladio's training was unusual for the time in being specifically directed toward architecture, rather than toward more general humanist subjects. Trissino was himself a humanist architect; he was responsible for the layout of his villa at Cricoli, the first building in Vicenza to evoke the classical spirit of antiquity (figures 2, 3). The Villa Trissino was an important precursor to Palladio's own work. Its symmetrical layout, major central room, and loggia with flanking towers became regular components of Palladio's villas. The loggia, completed by 1538, is based on a design of Sebastiano Serlio, a variation on Raphael's Villa Madama in Rome, which Serlio published in 1540 (figure 4). -- Serlio was an important figure in Palladio's training, although whether this resulted from the influence of his publications or from direct contact with the theoretician himself remains unclear. Palladio may have encountered Serlio when he was in Vicenza working on the Rasilica in 1539. Palladio's earliest architectural drawings, dating from this period, are indebted to Serlio's example. Serlio's five books on architecture, published individually between 1537 and 1547, comprise the first treatise to deal with architectural theory in a primarily visual, rather than verbal, manner. Palladio used illustrations from Serlio as sources for his designs, and he adopted a similar format for his own publication. -- Trissino introduced Palladio to other architectural treatises available at the time. His interest in antiquity was influenced by his study of Vitruvius's first-century text, of which several sixteenth-century editions were available with interpretive illustrations. Palladio also studied Alberti's treatise and incorporated many ideas from De Re Aedificatura into his own Quattro Libri of 1570. (from: Biographical note) ISBN 9780910413107 Sprache: Englisch Gewicht in Gramm: 315.…

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Paperback. Zustand: Brand New. 280 pages. 9.01x6.00x9.00 inches. In Stock. Gaudet Full Professor, Professeure Stéphanie (illustrator).

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Weitere Bilder- Softcover
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Softcover. Zustand: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung. This is the new paperback version of an in-depth study of the Irish-born designer Eileen Gray (1878-1976), a contemporary of Pierre Chareau and Charlotte Perriand. The book explored nine realized buildings and more than 45 architectural projects from Gray's archive, including villa E. 1027 on the coast of southern France. It examines her highly original furniture and interior design, including sumptuous lacquer furniture influenced by traditional French decorative arts. This monograph places Gray in the context of contemporary movements in design and architecture as well as the social and cultural history of the twentieth century. It also includes a wealth of archival material, plans, drawings, and photographs, including many of Gray's own.…

- Hardcover
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Hardcover. Zustand: Brand New. 192 pages. 10.00x8.00x10.30 inches. In Stock.