Harold leighton (24 Ergebnisse)

- Hardcover
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Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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paperback. Zustand: Very Good. 非常に良い。端が少し摩耗しているが、汚れのないきれいな本。製本状態は良好。ダスト ジャケットが付属している場合は、それも含まれます。リサイクル可能なアメリカ製の封筒で発送します。すべての注文に 100% 返金保証付き。.

- Softcover
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trade paperbac. Zustand: used: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; Good trade paperback; sticker front cover; tips/edges bumped; tanned pages; clean pages; prompt shipping with tracking.

- Softcover
Anbieter: Book Express (NZ), Shannon, NeuseelandBook Express (NZ)
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Paperback. Zustand: Good. 96 pages. Cover faded, tanning around page edges.

Sprache: Englisch
Verlag: Book Club Associates
- Hardcover
Anbieter: Yare Books, Great Yarmouth, Vereinigtes KönigreichYare Books
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EUR 7,57
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In den WarenkorbHardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Fading on DJ on spine.

- Softcover
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes KönigreichWeBuyBooks
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EUR 35,83
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Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Sprache: Englisch
Verlag: Harper And Brothers, New York, 1934
- Softcover
- Erstausgabe
- Magazin//Zeitschrift
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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EUR 37,57
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In den WarenkorbSoft cover. Zustand: Near Fine. First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Edges Of Page Block.

- Softcover
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks
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EUR 39,85
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Verlag: London: Arthur Baker, 1984
- Hardcover
Anbieter: BookLovers of Bath, Peasedown St. John, BATH, Vereinigtes KönigreichBookLovers of Bath
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Hardback in Dust Wrapper. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardback. Dust wrapper over blue boards with gilt titles to the spine; Measures 9¼" x 8¼" (0.8 kg); pp 96; Cover art by Grant Bradford; Contains: Black & white photographs; || The book is on the shelf, ready to be appropriately packed, and post…ed from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #144599 ||. Bill Ling (illustrator).

Sprache: Englisch
Verlag: Harper And Brothers, New York, 1933
- Softcover
- Erstausgabe
- Magazin//Zeitschrift
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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Zustand: Gebraucht - Gut
EUR 46,41
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In den WarenkorbSoft cover. Zustand: Very Good. First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Foredges, 3/4" X 1/" Chip At Center Of Top Of Front Panel. B/W Illustrations (illustrator).

- Hardcover
Anbieter: Universitätsbuchhandlung Herta Hold GmbH, Berlin, DeutschlandUniversitätsbuchhandlung Herta Hold GmbH
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EUR 24,00
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Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped.

Verlag: Book Club Associates, 1984
- Hardcover
Anbieter: Hall of Books, Oswestry, SHROP, Vereinigtes KönigreichHall of Books
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In den WarenkorbHardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardback reprint, 1984, with unclipped jacket. In overall very good used condition with only minor signs of age, handling and storage - dust jacket slightly faded to spine with small chip at spine head; blue cloth boards clean and crisp. Internally clean. Bind…ing tight and appears little read; no annotation or inscriptions; text and illustrations bright and clear throughout. Not an old library book. Bill Ling (photography) (illustrator).

Carcinogenicity: The Design, Analysis, and Interpretation of Long-Term Animal Studies (International Life Sciences Institute-Nutrition Foundation Monographs)
Grice, Harold C.; Ciminera, Joseph L. (eds.) (Leighton, Charles C.)
- Hardcover
- Erstausgabe
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes KönigreichPsychoBabel & Skoob Books
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EUR 49,74
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hardcover. Zustand: Good. No Dust Jacket. First Edition, First Printing. numerous figures and tables, lightly rubbed tail of spine, softening to head of spine, light chipping to corners of front cover, red pen mark on page 85, otherwise text clean and tight. Ex - Library, Usual Stamps.

Verlag: Book Club Associates, London, 1983
- Hardcover
Anbieter: Biblioteca di Babele, Tarquinia, VT, ItalienBiblioteca di Babele
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Zustand: BUONO USATO. Da revisionare INGLESE Inglese, rilegatura editoriale cartonata, rigida, con leggera traccia di vecchia umidità ai bordi inferiori, sovraccoperta illustrata, sbiadita soprattutto al dorso, con tracce di polvere e di vecchia umidità ai bordi inferiori, pagine in buonissimo stato di conservazione, con numeros…e foto in b/n di Bill Ling. Numero pagine 95.
Weitere BilderVerlag: Seven Publications, Paris, 2004
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Clearwater Books, London, Vereinigtes KönigreichClearwater Books
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First Edition (first printing). This copy signed by three celebrated stylists: Jo Hansford ("the best tinter on the planet" - American Vogue), Richard 'Golden Scissors' Ward, and the late Michael Rasser (co-founder of legendary London salon Micha…elJohn). 4to. 187pp. Very good indeed with very slightly chafed and lifting dust wrapper. A chronicle "in words and pictures of the rise and rise of British hairdressers" - blurb. Signed by Author(s).

Understanding and Preventing Violence: The Psychology of Human Destructiveness
Hall, Harold V. (Series edited by)/ Whitaker, Leighton C. (Author)
Sprache: Englisch
Verlag: CRC Pr I Llc, 2000
Serie: Buch 2 von 6 - Pacific Institute Series on Forensic Psychology
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 99,35
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Hardcover. Zustand: Brand New. 1st edition. 227 pages. 9.75x6.75x0.75 inches. In Stock.

Verlag: Published by William McIlroy Ltd., circa . 1925., 1925
- Hardcover
Anbieter: Little Stour Books PBFA Member, Canterbury, Vereinigtes KönigreichLittle Stour Books PBFA Member
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In den WarenkorbZustand: Very Good. Hard back binding in publisher's original colour illustrated paper covered boards with three schoolboys in different school blazers to the front, scarlet title and author lettering to the spine and the upper panel. 4to. 10½'' x 8¼''. Contains full-page colour plates and monochrome illustrations throughout. Fi…rst story 'Dulcie' by Robert Leighton. Light surface soiling to the paper covers, fox spotting to the top edge, dusty page edges, without any ownership markings, binding firm and square and in Very Good condition, no dust wrapper. Member of the P.B.F.A. STORIES FOR BOYS.
Weitere BilderOne and Twenty: Duke Narrative and Verse (First Edition)
William Blackburn (editor); Clare Leighton (pupils of; illustrators); William Styron; Frances Gray Patton; Frances Wright; Lorenz Eitner; Ovid Williams Pierce; Harold Grier McCurdy; Archie Robertson; R.P. Harriss; Newman Ivey White; Julian Lee Rayford; Richard Austin Smith; Ralph Nash; H.P. Koenig (contributors)
Verlag: Duke University Press, Durham, 1945
- Hardcover
- Erstausgabe
Anbieter: Dan Pope Books, West Hartford, CT, USADan Pope Books
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In den WarenkorbHardcover. Zustand: Near Fine. No Jacket. 1st Edition. First printing. A near-fine copy, without a jacket. A clean, unmarked copy. Features William Styron's very first stories in print, "Autumn" and "The Long Dark Road." Selections from William Styron, Frances Gray Patton, Frances Wright, Lorenz Eitner, Ovid Williams Pierce, Har…old Grier McCurdy, Archie Robertson, R.P. Harriss, Newman Ivey White, Julian Lee Rayford, Richard Austin Smith, Ralph Nash, H.P. Koenig, and others. Fiction-S.
Weitere BilderThe Go-Between (Original photograph from the 1971 film)
Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)
Verlag: Columbia Pictures, Culver City, CA, 1971
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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EUR 66,29
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In den WarenkorbVintage studio still photograph from the 1971 film, showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, foll…owing "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.
Weitere BilderThe Go-Between (Original photograph of Julie Christie riding a bicycle on the set of the 1971 film)
Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)
Verlag: Columbia Pictures, Culver City, CA, 1971
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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In den WarenkorbVintage reference photograph from the 1971 film, showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaborat…ion with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.
Weitere BilderVerlag: 1920s1940s., 1920
- Hardcover
Anbieter: Bernard Quaritch Ltd ABA ILAB, London, Vereinigtes KönigreichBernard Quaritch Ltd ABA ILAB
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In den WarenkorbApproximately 80 mostly gum bichromate (also known as gum dichromate) prints, each 4¼x6inches (108 x 152 mm), most inscribed by Leighton below in pencil, many also titled on verso, mounted on thick card, some with tissue guards, 33 with exhibition labels or information on verso; presented in original cloth-covered folding portfo…lio with Leighton's bookplate on inside cover; very seldom, minor spots, some creases or tears to guards, portfolio a little worn, but overall an excellent set of prints.An impressive portfolio of exhibition prints made using the innovative gum bichromate process by the renowned Pictorialist photographer J. Harold Leighton, an expert in the process, exhibited from England to continental Europe, United States, Canada, and India. Leighton, a fellow of the Royal Photographic Society and prominent Pictorialist from Bradford, was a great promoter of the gum bichromate process. He said that 'among the many photographic printing processes there is none more fascinating than thegum-bichromate. It lends itself especially to pictorial work, and has the great advantage of being cheap. There are no doubt many ways of working the process, and I should imagine every worker has his own particular way of working according to the results he wishes to obtain' (The American Annual of Photography 38 (1924), p. 40). The ability to manipulate the process to achieve one's own artistic ends was part of the appeal of this very 'hands-on' method of photographic printing. At its simplest the photographer coated a piece of paper with a mixture of a salt (usually ammonium or potassium bichromate), gum Arabic, and a coloured pigment. This sensitised paper was placed in contact with the negative and exposed to ultraviolet light (sunlight or artificial). The gum arabic in the solution became insoluble in relation to the amount of light exposure so image areas under the least dense sections of the negative (the shadows of the final image) received more light and became the most insoluble. Highlights and midtones received less exposure, remaining more water soluble. After exposure, the print was washed in a warm water bath and the unhardened parts of the mixture were removed. At this point the photographer could manipulate the print, altering or removing areas with brushstrokes or running water. Finally the print was dried. Photographers often repeated the printing process multiple times, layering pigments to increase the image's richness and tonal gradation. Each print in this collection has been mounted and titled, some annotated or inscribed, ready for exhibition or display, showing these were the best examples of Leighton's art. His bookplate in the portfolio also suggests these were representative of his photographic achievements and preserved by him to serve as a catalogue of his output, available for exhibition. The gum bichromate process allows for deeper tones and particular textures which suited the petite but intensely atmospheric prints of landscape and architectural subjects that Leighton so favoured. His work as a Pictorialist photographer seems deeply rooted in the style that gum bichromate embodies. The appreciation by his Pictorialist peers abroad has bestowed numerous exhibition labels on the versos, helpful in tracking each image's history and Leighton's international relationships.The wide geographical remit of the salons and galleries at which these prints were exhibited is remarkable, giving an impression of a vibrant international Pictorialist community with a strong network spreading from the North of England as far as India and Canada. Several were shown in North America: the Salon of the Camera Pictorialists of Los Angeles, San Francisco Invitational Salon of International Photography, The Vancouver Photographers' Association, the Chicago International Photographic Salon, and the Smithsonian Institution. Dutch, French and Hungarian exhibitions also feature, as well as that of the Camera Pictorialists of Bombay.

The Go-Between (Original photograph of Joseph Losey and Michael Redgrave on the set of the 1971 film)
Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)
Verlag: EMI Films, London, 1971
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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EUR 309,35
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In den WarenkorbVintage borderless double weight photograph of director Joseph Losey, actor Michael Redgrave, and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso, along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy youn…g woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. Near Fine. Vogel, Film as a Subversive Art.

The Go-Between (Original photograph of Joseph Losey and Dominic Guard on the set of the 1971 film)
Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)
Verlag: EMI Films, London, 1971
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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EUR 331,44
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In den WarenkorbVintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy…young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 7 inches. Near Fine. Vogel, Film as a Subversive Art.

The Go-Between (Original photograph from the set of the 1971 film)
Joseph Losey (director); L.P. Hartley (novel); Harold Pinter (screenwriter); Julie Christie, Alan Bates, Dominic Guard, Margaret Leighton (starring)
Verlag: EMI Films, London, 1971
- Foto
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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EUR 397,73
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In den WarenkorbVintage borderless reference photograph of director Joseph Losey, actor Dominic Guard, and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration w…ith Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. About Near Fine, slightly wavy on the bottom edge. Vogel, Film as a Subversive Art.