harold pinter screenwriter (20 Ergebnisse)

Vintage black-and-white studio still photograph from the 1981 UK film. Features Meryl Streep as Sarah Woodruff. While shooting a film about tragic lovers, the actors portraying the characters find their relationship begins to parallel their characters. 8 x 10 inches. Near Fine.

Five vintage studio still photographs from the 1990 film. Based on Margaret Atwood's 1985 novel, which envisions a dystopian future in which fertile women are forced to play sexual surrogate to wealthy childless families. Shot on location in North Carolina. 8 x 10 inches. Fine.

Vintage studio still photograph from the 1971 film, showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage reference photograph from the 1971 film, showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema, in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort, and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard, Histoire(s) du cinema.

Two double weight photographs from the 1990 US / German co-production. With the stamp of photographer Alan Pappe, and manuscript annotations identifying the film on the versos. Struck by Pappe circa 1990s, from his archive. Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. Based on Margaret Atwood's 1985 novel, which envisions a dystopian future in which fertile women are forced to become sexual surrogates for wealthy, childless families. The novel was adapted again in 2017 for an ongoing television series. 8 x 10 inches, with wide margins. Near Fine.

Draft script for the 1965 BBC television movie "Tea Party," adapted by Pinter from his 1963 short story. The film first aired live on March 25, 1965 on the BBC program "The Largest Theatre in the World." INSCRIBED by screenwriter Pinter on that day: "March 25th 1965 / To Peter Colin Holder / Congratulations on being born! / Hooray! / Lots of Love / Harold Pinter." The story of an industrial tycoon who comes to believe that his new secretary, second wife, and brother-in-law are all conspiring against him, to the point where his health is affected by the conviction. Blue titled wrappers, lacking the rear wrapper. Front wrapper present but detached, with a credit for screenwriter Pinter. Title page present, also with a credit for screenwriter Pinter. 59 leaves, mechanical duplication. Pages Near Fine, side stapled, front wrapper Very Good. Signed.

Vintage British Quad poster for the UK release of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema, wherein Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort, and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in and shot on location in Hollywood. 39.75 x 29.75 inches, Folded as issued. Near Fine. Godard, Histoire(s) du cinema.

Vintage reference photograph of actor Robert De Niro, director Elia Kazan, and producer Sam Spiegel on the set of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema, wherein De Niro plays a movie producer who nearly works himself to death. Kazan's final directorial effort, and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Godard, Histoire(s) du cinema.

Eight vintage studio still photographs from the 1973 film, housed in their original brown paper envelope, stamped "The Homecoming 8 Stills." Based on the 1965 play by Harold Pinter, who also wrote the screenplay. Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) to visit his estranged and abrasive family in a dingy, claustrophobic North London flat, after a nine year absence. 8 x 10 inches. Near Fine.

Vintage black-and-white French press photograph from the set 1981 UK film. Shown are director Karel Reisz and actors Meryl Streep and Jeremy Irons conferring on a scene. French press stamp and a copyright sticker from United Artists on the verso. 8 x 10 inches. Near Fine.

Vintage reference photograph of director Joseph Losey in conversation with actors Dirk Bogarde and Stanley Baker on the set of the 1967 film. With a printed mimeo snipe in Spanish affixed to the verso. Based on the 1965 novel by Nicholas Mosley. A professor at Oxford University finds himself enamored with his beautiful, young student Anna, the fiancee of his other student, Michael. Their three lives become horribly entwined by a brutal car crash. The second of three legendary collaborations between director Joseph Losey and screenwriter Harold Pinter, the others being "The Servant" (1963) and The Go-Between" (1970). Shot on location in Oxford, London, and Middlesex, UK. 9.5 x 7.25 inches. Very Good plus.

Vintage borderless double weight photograph of director Joseph Losey, actor Michael Redgrave, and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso, along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 7 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage reference photograph from the set of the 1963 British film, showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter, a dark, squeamish parable that tells a familiar servant-becomes-master tale, but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 10 x 8 inches. Very Good plus, with light wear to the corners. Spicer UK.

Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto, crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter, a dark, squeamish parable that tells a servant-becomes-master tale, but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 7.5 x 9.75 inches. Very Good plus, some faint creasing.

Vintage borderless reference photograph of director Joseph Losey, actor Dominic Guard, and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. About Near Fine, slightly wavy on the bottom edge. Vogel, Film as a Subversive Art.

Two vintage reference photographs from the set of the 1963 film, with a blind stamp in the upper corner of each. Based on the 1948 novella by Robin Maugham. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter, a dark, squeamish parable that tells a servant-becomes-master tale, but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 8 x 10.25 inches. Light creases and edgewear at the extremities, else Near Fine. Spicer UK.

Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot, only this one including cinematographer Douglas Slocombe, director Joseph Losey, actor James Fox (not in the original scene), and a crew member adjusting the chandelier, all in the reverse mirror image. From the archive of film historian and author Joel Finler. The first of director Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter, a dark, squeamish parable that tells a familiar servant-becomes-master tale, but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 8 x 10 inches. Very Good plus, with light wear to the corners. Spicer UK.

Pas de couverture. Zustand: Assez bon. Rare - Authentic signed card. A magazine photo is pasted to the card. Size : 20x12.5 cm Condition : slightly wrinkled, please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.