Verlag: Hard Werken, Los Angeles, 1990
Anbieter: Arcana: Books on the Arts, Culver City, CA, USA
Verbandsmitglied: ESA
Wrappers in Dust Jacket. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition 1/800. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late '80s/early '90s. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam, and is accompanied by the invitation to a subsequent Del Mar, California showing + reception for the artist which also doubles as a dust jacket. A brand new, pristine example. Photography Monograph.
Verlag: Eindhoven : Lecturis BV, 1982
Anbieter: Klondyke, Almere, Niederlande
Zustand: Good. Oorspronkelijk geniet omslag, softcover, veel illustraties in kleur en z/w, draaiboek, ongepagineerd, 4to.
Verlag: Amsterdam, Mart Spruijt bv
Anbieter: Antiquariaat Looijestijn, Rotterdam, Niederlande
1988, spiraalband, goed exemplaar, fraaie fotografie van genoemde bureau's.
Verlag: Stichting Hard Werken,, Rotterdam,,, 1979
Anbieter: adr. van den bemt, Groningen, NL, Niederlande
Formaat: 28 x 41 cm, 39 pp. Redaktie: Loes Brünott, Elenga, Rien Vroegindeweij e.a. medewerkers o.a.; Simona Vitriola, Jules Deelder. O.a.:Rimbaud. Moderne gedichten (Deelder). Een avond in Gent. Bajes (Loes Brünott). De man die Rotterdam verkocht ( Netscher) Albert Camus (Jacobus Bos met illustraties van Hadders).
Verlag: Hard Werken, Los Angeles, 1990
Anbieter: Arcana: Books on the Arts, Culver City, CA, USA
Verbandsmitglied: ESA
Signiert
Linen Over Boards. Zustand: Fine. First Edition 1/200 Deluxe. 24pp, 17 duotone illustrations. This sweet little item was designed and self-published by noted Dutch graphic/product designer Henk Elenga while he ran Hard Werken's Los Angeles desk during the late eighties and early nineties. It was originally issued in conjunction with a 1990 exhibition of his photographs at the Torch Gallery in Amsterdam. A brand new, most handsome example of the deluxe edition limited to two hundred copies with an original 4 x 5" black and white photograph SIGNED AND NUMBERED by Henk Elenga laid in a velour pocket inside the front cover, as issued. With an Original Signed and Numbered Print. Artist Monograph.
Rotterdam, Stichting Hard Werken. Softcover. Geniet. 40,5 x 28,5 cm. 65 pag. Met vele illustraties in z/w. * ** literair & cultureel tijdschrift met veel aandacht voor Rotterdam. [Rotterdam ].
Rotterdam, Stichting Hard Werken. Softcover. Geniet. 40,5 x 28,5 cm. 39 pag. Met vele illustraties in z/w. * ** literair & cultureel tijdschrift met veel aandacht voor Rotterdam. [Rotterdam ].
Rotterdam, Stichting Hard Werken. Softcover. Geniet. 40,5 x 28,5 cm. 39 pag. Met vele illustraties in z/w. * ** literair & cultureel tijdschrift met veel aandacht voor Rotterdam. [Rotterdam ].
Rotterdam, Stichting Hard Werken. Softcover. Geniet. 40,5 x 28,5 cm. 39 pag. Met vele illustraties in z/w. Gerepareerde scheur in de laatste drie bladzijden. * ** literair & cultureel tijdschrift met veel aandacht voor Rotterdam. [Rotterdam ].
Rotterdam, Stichting Hard Werken. Softcover. Geniet. 40,5 x 28,5 cm. 43 pag. Met vele illustraties in z/w. * ** literair & cultureel tijdschrift met veel aandacht voor Rotterdam. [Rotterdam ].
Verlag: Witte de With, Rotterdam, 1990
Anbieter: studio montespecchio, Montespecchio, MO, Italien
Printed cardboard boxes (21 x 31 cm), with four compartments that contain each works by Voorwerk 1: Doriana Chiarini, Aernout Mik, Fiona Rae, Kay Rosen - Voorwerk 2: Maria Anna Dewes, Brandt Junceau, Rob Kaptein and Guido Schmid - Voorwerk 3: W.J.M. Kok, Roman Signer, Pia Stadtbäumer and Koen Theys. - First editions. Exhibition Voorwerk 1 (one of 500 copies), 13 October - 25 November 1990 - Exhibition Voorwerk 2 (one of 350 copies), August 31 - October 13, 1991 - Voorwerk 3, (one of 350 copies), 17 October - 29 November 1992. Voorwerk, meaning preliminary work, was Witte de With's annual exhibition (1990 - 1998) of younger artists. As a series, it sought to provide the first substantial presentation of works by relatively unknown artists.