Hagreen philip (23 Ergebnisse)

Hardcover. Zustand: Very Good. Undated; circa 1924. Clean pages, though age-toned throughout; square, securely sewn binding, the one-quarter dark green cloth showing only some light surface wear at spine ends, the lighter green cloth boards showing a very slight dent at the bottom front edge and small inward turns at top free corners; gilt titles at spine are slightly dimmed, with one darkened spot in one U; otherwise well-kept and attractive. No jacket. 359pp. Illustrated by Hagreen, Philip (illustrator).…

Hardcover. Zustand: Good+. Pages browned. Smartly rebound in 1/2 leather spine with marbled boards and endpapers. With raised bands to spine and gilt lettering and tooling. A few stains to spine (water-staining? ). Gift plate to R. E. Fantham (née Crosthwaite) on ffep for the T. H. Green Prize 1952. Some leather flecking off joints of spine but still very presentable. Else VG.; No date (perhaps 1920s - 1940s? ).; 359 pages. …

Cloth. Zustand: Very Good. Limited Edition. Dark green buckram spine with gilt title and light green cloth boards. Some wear to the cover corners. V14. Hagreen, Philip (illustrator).

Hardcover. Zustand: Very Good. pgs:359. no dustwrapper, Navarre ed, pages slightly toned, clean copy, no markings.

Hardcover. 359 p.; 6 full page il., `with numerous Decorations as occasion serves'; 23.5 cm. Good spotted, frayed orig. violet cloth. Tears in lower joint. illus. by Philip Hagreen (illustrator).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Pages tanned. Upper edges gilt. Spine a bit slanted. DJ has browning, chipping and tears.; 359 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Pages clean, no markings. Dust jacket unclipped with light edgewear. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Zustand: Fair. Hardcover. Brown paper over boards, printed with a decorative design. No date listed on title page; copyright page dated 1923. 145 pages. Spine and edges of boards have darkened noticeably. Paper along edges of spine has chipped in places. Gutters have cracked slightly, showing as well on the exterior close to head of spine, exposing the webbing beneath. Corners are bumped; edges and corners are worn. Pages are toned. Original price is written in pencil on the front free endpaper. Bits of newspaper are affixed to back free endpaper, at corners. Illustrated with small black-and-white drawings throughout. Signed by Gwendolen Haste, one of the poets anthologized herein, on the front free endpaper, in green ink; signature is dated June 1923. Anthology of the best poetry of 1922. Signed by Author(s). …

Cloth. Zustand: Good. No Jacket. Cloth. No Jacket. 8vo - over 7¾" - 9¾" tall. 359 pages. Edited, with an introduction by F.J.Harvey Darton. Privately printed for the Navarre Society Limited. Covers rubbed and marked, corners knocked. Undated and pages ageing but a good copy with illustrations and "numerous decorations as occasion serves". Philip Hagreen (illustrator).…

Hardcover. Zustand: As New. Preface by William Dolan Fletcher, 200 pages, 206 illustrations, quarto (4to), hardcover tan cloth with black lettering on cover and spine. 200 copies of this book have been printed in Century on Curtis Rag Ivory Wove 75. As New condition, old bookstore inventory never sold. Bookseller inventory #5069-1. Horter, Earl (illustrator).…

London, Riverside Press, 1927. 379 S. Mit 1 Frontispiz, Illustr., Vignetten und 5 Tafeln. Gr.-8vo. OLn. Seltene Übersetzunzung ins Englische aus dem Jahre 1841 bei William Strange. In 2000 Exempl. b. d. Riverside Press, Edinburgh gedruckt. - Unbeschnitten.

Cloth. Zustand: Very Good Indeed. Zustand des Schutzumschlags: Very Good. An edition of The Devil on Two Sticks by Rene le Sage. A new edition with an introduction by Arthur Symons. With illustrations and decorations by Philip Hagreen. In a green cloth binding with gilt decoration to the front board and gilt lettering to the spine, in an unclipped dustwrapper. Externally, very smart with just some minor shelfwear. The top edge of the leaves are gilt. Dustwrapper is sound with slight rubbing. There are some chips and closed tears to the extremities and spine is sunned. Internally, generally firmly bound. Pages are generally bright and clean. Very Good Indeed. Philip Hagreen (illustrator). book.…

Zustand: Very Good. 1987. Hardcover. Clean copy bound in half leather over marbled boards with gilt title to spine. Covers showing light shelf wear. Remains a very good copy. . . . . Books ship from the US and Ireland.

Zustand: Very Good. 1987. Hardcover. Clean copy bound in half leather over marbled boards with gilt title to spine. Covers showing light shelf wear. Remains a very good copy. . . . .

Soft cover. Zustand: Good. 1st Edition. 8vo, 36pp, orig buff wrapps, little edge toned by age, few modest edge tears to some pages, ( not bad at all ) limited to 300 copies of which 250 were for sale, good copy of this scarce book , images can be sent. Book.

Hardcover. Zustand: Good. No Jacket. 1st thus and Limited Ed. Limited ed. of 600 copies. 29.0 x 22.0 cm. Pp. (vi), 43, 8 wood engravings by Philip Hagreen, press device on colophon by Eric gill. 1/4 cloth with paper-covered boards, paper label on upper board. Extremities rubbed, owner's details on front free end paper, some foxing on end papers and slightly elswhere. [Taylor & Sewell A176a]. Philip Hagreen, Eric Gill (illustrator).…

No Jacket. First Edition. The bright crimson paper covers are in ery good condtion despite a little fading 6 September to 27 October 1989 The pages within are clean throughout Unpaginatednbsp. book.

No Binding. Zustand: Fine. 1st Edition. Printed on hand-made paper. Signs of former mounting at corners. Fine copy. Image of a priest with a large 'L' sign around his neck. Made by the artist for fun. Rare. (F117).

No Binding. Zustand: Very Good. 1st Edition. Printed on Batchelor hand-made paper. Signs of former mounting at corners, otherwise a fine clean copy. Image of a stout friar removing a cake from a poor man. Legend: "No, it's for God." Made for Prinknash Abbey. Rare - especially in this large size.

London, The Bookplate Society , Frederikshavn Kunstmuseum, 1986, in-4°, 52 pp + 27 pp with ex-libris ills. (some printed in red and blue), sewn, orig. printed stiff wrapper ( wrapper unevenly discoloured), Printed in 650 numbered copies. ISBN 87 - 7317-142-5.

Original woodcut by Philip Hagreen as published in The Studio, 1920. 105 x 140 mm.

wood-engraving signed in pencil by the artist and dated to 1933 (see below), printed message to verso, 9.5 x 6 cm, fine condition. The message to the verso reads 'PRAY / FOR THE SOUL OF / MARY E.S. HAGREEN / T.O.S.F. / WHO DIED / OCT. 2nd 1933, / AGED 75'. The artist's mother, in whose memory this was produced, was born Emma Susannah Eardley - taking the name Mary when she became a Franciscan tertiary following the death of her husband, Harry William Owen Hagreen (the drawing master at Wellington College), in 1919. Her entry into the Catholic Church, in 1907, preceded by eight years that of her son, who remembered in a later letter to his aunt that: 'At the time of Mother's conversion I was away from home. I was an irresponsible and thoughtless ass of seventeen' Fletcher 89 (but dating it 1937). Likely printed at Ditchling, where Hagreen, a member of The Guild of St Joseph and St Dominic, spent most of his working life. (Fletcher 89, erroneously dated to 1937).…

No Binding. Zustand: Fine. Undated, but circa 1926. 165 x 134mm (the image 108 x 88mm). The infant Christ, beautifully wrapped and precociously beatific, spreads his tiny arms in blessing. An apparently unrecorded work by Hagreen, not in Wolseley Fine Arts' 1993 exhibition catalogue, nor the 1975 William J. Fletcher monograph Philip Hagreen: the artist and his work; the nearest to this Christ-child are the Christ-in-arms of The Nursing Madonna, 1933 (Fletcher 63) and the Christ-in-cradle of When God Came Down, 1936 (Fletcher 60). Unsigned, as usual. After the artist moved to Ditchling in 1923, "No editions of prints were published and Hagreen ceased to sign his work," recorded Rupert Otten in an introduction to Wolseley's 1993 catalogue. "Only a few prints exist for most of the blocks cut from 1922 onwards and all must be considered rare. No more than 20 or so prints exist from any of these blocks and some are a great deal rarer still." From the collection of Laurence W. Hodson, co-founder of the Essex Press; Hodson gave Hagreen the use of a workshop for the months of August-December 1925.…