H bradshaw william (21 Ergebnisse)
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Sprache: Englisch
Verlag: William H. Bradshaw, 2015
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Paperback. Zustand: Brand New. 326 pages. 8.90x5.98x0.98 inches. In Stock.
Sprache: Englisch
Verlag: William H. Bradshaw, 2015
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Paperback. Zustand: Brand New. 288 pages. 8.90x5.98x0.79 inches. In Stock.
Sprache: Englisch
Verlag: William H. Bradshaw, 2015
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Paperback. Zustand: Brand New. 288 pages. 8.43x5.85x0.73 inches. In Stock.
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Entrance to the Black Sea. From the Giants Grave. Szenerie des Schwarzen Meeres von der Riesengruft her. Original-Stahlstich von Bradshaw nach Bartlett 1839
William H. Bartlett (1809-1854), englischer Maler und Zeichner; S. Bradshaw
Verlag: London: George Virtue, 1839
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In den Warenkorb1. Original-Stahlstich von S. Bradshaw (in der Platte signiert) nach einer Zeichnung von Bartlett auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 12,5 x 18 cm, Kartongröße ca. 21,5 x 27 cm, im Himmel oben links ein winziges Fleckchen, ansonsten sauber und sehr gut erhalten 510 gr.
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Gebunden. Zustand: New.
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute t…his work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this wor…k, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Guide to Historical Literature.
William Henry Allison/ S.Bradshaw Fay / A.H.Shearer and Henry Robinson Shipman.
Verlag: NY., The Macmillan Company, 1931., 1931
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In den Warenkorborigi.Leinenband, 8°, 1222 Seiten. Einband stark bestossen, Rücken am oberen und unteren Rand beschädigt, Vorsätze fleckig, Seiten innen vergilbt aber sauber und im guten Zustand.
Scene at the Village of Beit-y-Ass, near Suadeah. Stimmungsvolle Ansicht einer nächtlichen Versammlung von Muslimen bei Ruinen im Hochgebirge des Libanon. Original-Stahlstich von Bradshaw nach Bartlett 1841
William H. Bartlett (1809-1854), englischer Maler und Zeichner; S. Bradshaw
Verlag: London & Paris: Fisher Son & Co, 1841
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In den Warenkorb1. Original-Stahlstich von Bradshaw (in der Platte signiert) nach einem Gemälde von Bartlett auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 12,5 x 19,5 cm, Kartongröße ca. 20 x 27 cm, sauber und sehr gut erhalten, selten, sehr schönes Blatt 1100 gr.
Privatization and Deregulation of Transport
. Ed(s): Bradshaw, William; Bradshaw, Bill; Smith, H. Lawton
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Zustand: New. These papers were given at a seminar in Oxford following the election of the first Labour government for 17 years and an announcement of consultation leading to a Transport White Paper. The debates reflect on the previous administration and the challenges facing the new government. Editor(s): Bradshaw, William; Bra…dshaw, Bill; Smith, H. Lawton. Series: Studies in Regulation. Num Pages: 447 pages, biography. BIC Classification: KJVD; KNG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 225 x 149 x 32. Weight in Grams: 788. . 2000. Hardback. . . . . Books ship from the US and Ireland.
Verlag: London, Jackson, Fisher, (1836)., 1836
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In den WarenkorbPrint. Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in it…s original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell. ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator).
Verlag: London, Jackson, Fisher, (1836)., 1836
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In den WarenkorbPrint. Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in it…s original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne. Clamshell. ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator).
(i) De charlataneria eruditorum declamationes duae. (ii) Puritanismus Anglicanus, sive praecipua dogmata eorum. (iii) Britannia Triumphans, sive Icon Quater Maximi Monarchae, Jacobi Primi. (iv) In Joannis Schefferi Argentoratensis memorabilia Sueticae gentis exempla, isagoge.
MENCKE, Johann Burckhard. [with] BRADSHAW, William and AMES, William. [and] ANON. [and] N.D.H.F.
Verlag: (i) Leipzig, Apud Jo. Frid. Gleditsch & Filium, 1715; (ii) Frankfurt, Prostat in Bibliopolio Aubriano, 1610; (iii) London, Excudebat Joannes Norton, 1607; (iv) Stockholm?, [s.n.], 1734, 1734
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In den WarenkorbZustand: Fine. FIRST EDITIONS or FIRST thus. 8vo. pp. (xvi) 154 (vi). (xxviii) 90 (ii). (viii) 46 [ii] (ii). 16. Roman and italic letter. First t-p printed in red, printer's device, engraved frontispiece. Second with woodcut printer's devices, third with title within woodcut border, woodcut royal arms to border, woodcut initials…, headpieces. First with occasional light waterstaining or foxing to outer margins, some light browning, pages slightly trimmed just touching running titles and marginal notes, very good copies in C19 Swedish half vellum over marbled boards, C20 bookplate to front pastedown. Contemp. marginalia to first, including corrections (errata list crossed through), one or two trimmed, one contemp. underlining to third, later Swedish inscription to t-p of last. A highly unusual sammelband of rare and interesting works, including two scarce works by English authors, one an extremely rare Latin paean addressed to James I and dedicated to Prince Henry, the other containing works of Puritan theology by William Bradshaw (1571-1618) and William Ames (1576-1633). Britannia Triumphans is the first and only edition of an anonymous Latin prose paean to James I, dedicated to his son Henry Frederick, Prince of Wales, who died in 1612 and was succeeded by the future Charles I. Since the work is designed to be an 'icon' of James's kingship, the dedicatory epistle to Henry invokes ancient, monumental effigies of kingship, including the colossi of the ancient Egyptians and the Greek painter Apelles' portrait of Alexander the Great. The author suggests that as the 'coin' of his father's image, he will one day accede to James's greatness, as the conjunction of Mars and Hercules. The paean itself praises James's unifying of the English and Scots, which his accession had achieved in 1603. The author invokes Britain's ancient Trojan origins, the Roman invasion and wars with the Picts, as well as the Norman conquest of the Anglo-Saxons, thus praising Britain's mixture of Greek, Roman, Celtic, Saxon and Norman virtues, embodied by James, a Scottish king of England with a French grandmother. At the end is a short Latin poem by the author addressed 'Ad Cryptaeus', possibly the creator of a medallion or other portrait of James. The other English book is the first Latin translation of William Bradshaw's exposition of Puritan doctrine, first published 1605. The translator was another Cambridge Puritan, William Ames, who in 1609 delivered an infamous sermon at Cambridge denouncing the 'heathenish' Christmas festivities of the students. Ames left England for the Netherlands, where he became famous for debating Arminians and was installed as professor of theology at Franeker, where one of his students was Nathaniel Eaton, later first president of Harvard College. Ames's long introductory epistle to the reader invokes the heroes and martyrs of English Protestantism, including John Foxe and William Tyndale. Bradshaw's Puritan doctrine is then expounded in a series of short maxims, divided between what Puritans defend, affirm, maintain and censure. Bradshaw presents a typically Calvinist structure, in which God's word is conveyed directly to the people by a self-governed church, in which no special authority is given to priests and which is autonomous from the civil magistrate, but which nonetheless follows his laws. The work is littered with Greek scriptural references and allusions to the papal Antichrist and Satan. The second part is a controversial work by Ames, a scriptural and historical attack on the Pope, in which he observes that even Lucifer occupied a position of spiritual authority before he became Satan. For the full description, please visit our website.
