Goodyear anne (35 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. 1St Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Dust jacket in good condition. First edition, first printing. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Dust jacket protected in a mylar cover. Pages are clean, binding is tight. Secure packaging for safe delivery.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 1St Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Zustand: Near Fine. Near Fine. First Edition. Color reproductions; Small 4to 9" - 11" tall; 64 pages; 2014 Museum of Art Washingthon State University. HC/DJ 1st edition. Tightly bound and fresh in crisp edged and uniformly bright color pictorial dust jacket. Illustrated with color reproductions. Perhaps a hint of shelf evidence to jacket edges. About as new. NF/NF.…

Hardcover. Zustand: Fine. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. The publisher's blurb has it that "An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art." 319 pp., including a chronology of his professional career, and a full index.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

First Edition. Fine cloth copy in an equally fine dw, now mylar sleeved. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 239 pages; Description: 239 p. : ill. (chiefly col.) ; 32 cm. Subjects: Flight in art --Arts, Modern --20th century 2 Kg.…

Hardback. Zustand: Fair. The locales and landscapes of twenty-six artists who have lived, worked, and painted in the breathtaking state of Maine.

Zustand: As New. Original pictorial boards, price clipped dust jacket, illustrated in colour, 4to.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Book has some shelf wear on bottom edges of book. DJ as small tear on top front near spine and back cover at top near edge. It is has a mylar cover on top.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: New.

Zustand: New. 2015. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. Hardcover and jacket in excellent condition. Unread shop stock. TS. Used.

143 pp.; 27.2 x 28 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "Richard Tuttle: A Print Retrospective" held at Bowdoin College Museum of Art, Brunswick, Maine, June 28 - October 19, 2014. Curated by Christina von Rotenhan in collaboration with Joachim Homann. Texts by Richard Tuttle, James Cuno, Anne Collins Goodyear, Christina von Rotenhan, Susan Tallman, Armin Kunz, Joachim Homann and Chris Dercon. Includes an exhibition checklist, biography and selected bibliography. Very Good. Slight bowing of recto, very light cover wear of covers, and a 7 mm. surface tear to endpaper. Contents otherwise clean and unmarked. Includes slipped in exhibition brochure. Due to large size and weight of this publication additional shipping charges will be required for international orders. …

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2200grams, ISBN:9780262013000.…

Paperback. Zustand: Brand New. 144 pages. 8.50x8.75x0.50 inches. In Stock.

Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: as new. With additional essays by Janine A. Mileaf, Francis M. Naumann, Michael R. Taylor. Cambridge, MA.: The MIT Press, 2009. Hardcover. 319 pp. illustrations (some color) ; 32 cm. - One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boi^te-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. Condition : as new copy. ISBN 9780262013000. Keywords : ART, Duchamp, Marcel (1887-1968).…

Hardcover. Zustand: Brand New. 238 pages. 11.50x10.00x1.25 inches. In Stock.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 144 pages. Color illustrations. Illustrated boards. Edited by Christina von Rotenhan. Published on the occasion of the exhibition from the Bowdoin College Museum of Art, Brunswick MA June 28-October 19, 2014. Notes on the Catalogue. Works. Biography/Selected Bibliography. Book.…