Mcmanus james w (20 Ergebnisse)

Hardcover. Zustand: New. New copy.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Trade Paperback. Zustand: Like New. 2nd Edition/5th Printing, Volume C. 683 pp. 2nd Edition/5th Printing, Volume C only! Clean, fresh copy with very light shelf wear, crisp pages and clean text. Skouras Design/Brenda McManus (Cover Design) (illustrator).

Trade Paperback. Zustand: Like New. 2nd Edition/1st Printing, Volume E. 920 pp. 2nd Edition/ 1st Printing, Volume E only! Clean, fresh copy with very light shelf wear, crisp pages and clean text. Skouras Design/Brenda McManus (Cover Design); Erich Lessing/Art Resource, NY (Photo) (illustrator).

Hardcover. Zustand: Fine. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. The publisher's blurb has it that "An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art." 319 pp., including a chronology of his professional career, and a full index.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket.

Trade Paperback. Zustand: Like New. 2nd Edition/1st Printing, Volume D. 648 pp. 2nd Edition/ 1st Printing, Volume D only! Clean, fresh copy with very light shelf wear, crisp pages and clean text. Skouras Design/Brenda McManus (Cover Design); Suzuki Harunobu (Cover Image) (illustrator).

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Zustand: Like New. 2nd Edition/1st Printing, Volume F. 1571 pp. 2nd Edition/ 1st Printing, Volume F only! Over-Sized/Over-Weight Book. Please note that large or heavy items may incur an additional shipping charge. Volume F only. Clean, fresh copy with very light shelf wear, crisp pages and clean text. Skouras Design/Brenda McManus (Cover Design) (illustrator).…

Zustand: as new. With additional essays by Janine A. Mileaf, Francis M. Naumann, Michael R. Taylor. Cambridge, MA.: The MIT Press, 2009. Hardcover. 319 pp. illustrations (some color) ; 32 cm. - One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boi^te-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. Condition : as new copy. ISBN 9780262013000. Keywords : ART, Duchamp, Marcel (1887-1968).…

Zustand: Very Good.

Zustand: New. pp. 320.

Zustand: New. Anne Collins Goodyear is Co-Director of the Bowdoin College Museum of Art. Previously, she was Curator of Prints and Drawings at the National Portrait Gallery, Smithsonian Institution, and Professorial Lecturer in Art and Art History at The George.

Hardcover. Zustand: Brand New. 400 pages. 10.50x7.25x1.25 inches. In Stock.

Zustand: Fine. 1st Edition. Quarto, unpaginated, (42 pages), 17 duotone plates, several text illustrations, lus portrait of the artist. Illustrated front cover with 5 die-cut circular holes. - First edition. Exhibition from March 22 through April 22, 1982.

Buch. Zustand: Neu. Neuware - aka Marcel Duchamp is an anthology of recent essays by leading scholars on Marcel Duchamp, arguably the most influential artist of the twentieth century. With scholarship addressing the full range of Duchamp's career, these papers examine how Duchamp's influence grew and impressed itself upon his contemporaries and subsequent generations of artists. Duchamp provides an illuminating model of the dynamics of play in construction of artistic identity and legacy, which includes both personal volition and contributions made by fellow artists, critics, and historians. This volume is not only important for its contributions to Duchamp studies and the light it sheds on the larger impact of Duchamp's art and career on modern and contemporary art, but also for what it reveals about how the history of art itself is shaped over time by shifting agendas, evolving methodologies, and new discoveries.…

Hardcover. Zustand: Brand New. 1st edition. 319 pages. 12.50x9.25x1.25 inches. In Stock.

Hardcover. Zustand: new. Hardcover. An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray.One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Zustand: New. aka Marcel Duchamp is an anthology of recent essays by leading scholars on Marcel Duchamp, arguably the most influential artist of the twentieth century. With scholarship addressing the full range of Duchamp's career, these papers examine how Duchamp's influence grew and impressed itself upon his contemporaries and subsequent generations of artists. Duchamp provides an illuminating model of the dynamics of play in construction of artistic identity and legacy, which includes both personal volition and contributions made by fellow artists, critics, and historians. This volume is not only important for its contributions to Duchamp studies and the light it sheds on the larger impact of Duchamp's art and career on modern and contemporary art, but also for what it reveals about how the history of art itself is shaped over time by shifting agendas, evolving methodologies, and new discoveries.…

Soft cover. Zustand: Good. 1st Edition. Scarce tribute volume for Pulitzer Prize winning cartoonist John T. McCutcheon, and SIGNED by him on the titlepage as most copies of the low edition book probably were. Most of the leading cartoonists of the day, both the political cartoonists and the "funny paper" cartoonists have contributed a full page, custom cartoon for this souvenir book. Unpaginated, with then-modern, newly patented red plastic comb-binding. Condition: crack to plastic comb does not affect structure of binding. Moderate finger smudges to covers, crease to corner of back cover. short 1/2" tear to one page, with no loss of material. Title on cover "29th Annual Dinner of the Indiana Society of Chicago, Greatest Show on Earth" A high point of American cartoon history. Contributors include: Fontaine Fox (Toonerville Folks), H. D. Webster (NY Herald Tribune), D. R. Fitzpatrick (St. Louis Post Dispatch), James Montgomery Flagg, Milton Caniff (Terry and the Pirates), Joseph Parrish and Carey Orr (Chicago Tribune), John Cassel (Brookyn Eagle), George McManus (Bringing up Father), Charles Kuhn (Indianapolis News), Harold Gray (Little Orphan Annie), Clifford Berryman (Washington Star), Carl Anderson (Henry), Rube Goldberg, Rollin Kirby (New York Post), Dorman H. Smith (San Francisco Examiner), Frank King (Gasoline Alley), Frank Willard (Moon Mullins), Jacob Burck (Chicago Times), Edmund W. Gale (Los Angeles Times), Edmund Duffy (Baltimore Sun), Zack Mosley (Smilin' Jack), Gus Edison (The Gumps), Jimmy Murphy (Toots and Casper), Burt Thomas (Detroit News), Rudolph Dirks (The Captain and the Kids), Vaughn Shoemaker (Chicago Daily News), Nelson Harding (New York Journal and American), Jay N. (Ding) Darling (Des Moines Register and Tribune), William F. Heitman (Indianapolis Star), Chester Gould (Dick Tracy), Sol Hess (The Nebbs), Charles G. Werner (Oklahoma Times), Walter Berndt (Smitty), Carl Somdal (Chicago Tribune), James H. Donahey (Cleveland Plain Dealer), Cy Hungerford (Pittsburgh Post-Gazette), Harold Talburt (Washington News), Carl Ed (Harold Teen), Hal Coffman (Forth Worth Star-Telegram, Paul Battenfield (Chicago Times), Martin Banner (Winnie Winkle - The Breadwinner), Will B. Johnstone (New York World Telegram), Karl Kae Knecht (Evansville Courier).…