Golub david (11 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Broschiert. 65 Seiten, Mit Bibliographie; [Harvard Middle East papers. Modern series, 4]; --- geringe Gebrauchsspuren, Besitzersignatur auf Vorderdeckel Sprache: Englisch Gewicht in Gramm: 220.

Zustand: Good. 4to. 32 pp. Soft cover. Very Good. Illustrated paper wraps. Some shelf wear. Color plates throughout.

Hardcover. Zustand: Fine. First Edition. Oblong folio, cream canvas; issued without a dust jacket Art critic Franz Schulze included Golub among a collection of artists he named the "Monster Roster" for their use of "gruesome, expressive figuration, fantasy and mythology, and existential thought." And that art had to show a connection to the real world to be relevant to a viewer or to society. Monster Roster was a precursor to the Chicago Imagists. After a period of portrayals of politicians, dictators, and religious figures, Golub's work, as here, showed themes of violent aggression, racial inequality. He was called by one critic, "a painter of darkness". Laid in are two color photographs of Golub at work, and resting. Note: Golub was the leader of Monster Roster. The first full-scale museum exhibition of it was in Chicago in 2016. …

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. N.2 aprile-giugno 1987INDEX3/9 Enrico R. Comi-Michelangelo Pistoletto: Unità, specificità, differenza / Unity, specificity, difference15/25 Paul Vangelisti: From "Perfect Stranger" / Da "Perfect Stranger"37/39 Roy Thurston: A text / Un testo43/44 Susana Solano: Un texto / Un testo47/49 Julião Sarmento: Um texto / Un testo55/57 Enrico R. Comi:In memoriam Andy Warhol (Italiano) / In memoriam Andy Warhol (English)62 Enrico R. Comi: Leo Castelli XXXth anniversary (Una selezione di lavori/A selection of works)76/78 Mel Bochner:Statemen / Dichiarazione80/85 Serge Gavronsky: Night Passages (English / Night Passages (Italiano)90/91 Pierre Dunoyer:Un texte / Un testo93/94 Leon Golub:Statement / Dichiarazione96/97 Joe Amrhein:A text / Un testo102/103 Hubert Schmalix:Ein Gedicht / Una poesia106 Izhar Patkin:Works / Lavori108/109 Frank O'Hara:A poem / Una poesia110/111 Kenneth Koch:A poem / Una poesia114/116 Arnold Weinstein:A song / Una canzone118/119 David Bower:Statement / Dichiarazione121/123 Milo De Angelis:Due poesie / Two poems125 Peter Shelton:Works / Lavori128 Brice Marden:Works / Lavori131 Alice Aycock:Works / Lavori133/135 Nadia Campana:Due poesie / Two poems138/139 Remo Salvadori:Una poesia / A poem141/143 Ferdinand Schmatz-Heimo Zobernig:Ein text / Un testo146/147 Antonio Dias:A text / Un testo150 Gilberto Zorio:Lavori / Works152/153 Mark Lere:A text / Un testo157/159 Giulia Niccolai:Due poesie / Two poems161 Gerhard Merz:Works / Lavori162/163 Carla Mazzarello:"A memorial crumb" (Italiano) / "A memorial crumb" (English)164/166 Silvio Giussani:Due poesie / Two poems.…

[2] pp.; 13 x 18 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double-sided postcard / announcement published in conjunction with show held March 2 - March 30, 1985. Artists included Dennis Adams, Douglas Ashford, Rudolph Baranik, Terry Berkowitz, Chris Bratton, Luis Camnitzer, Michael Corris, Eric Darton, Douglas Davis, Juan Downey, Leon Golub, Alfredo Jaar, Jerry Kearns, Margia Kramer, Michael Lebron, Larry List, Despo Magoni, Margot McLean, Rudy Montanez, Antonio Muntadas, Saul Ostrow, David Reynolds, Geno Rodriguez, Tim Rollins, Martha Rosler, Erika Rothenberg, Carolee Schneemann, Greg Sholette, Mimi Smith, Nancy Spero, May Stevens, and Francesc Torres. Good. Hand-addressed mailed copy with mailing marks and mild wear. Short note from sender in ink on verso, otherwise clean and unmarked.…

Hardback. Zustand: Good. 30 x 45cm good hardback, some minor marks to rear beige boards, signed on the title page by Golub. Leon Golub was an American painter who always painted in a figural style, drew upon diverse representations of the body from ancient Greek and Roman sculpture, to photographs of athletic competitions, to gay pornography; often pulled directly from a huge database he assembled of journalistic images from the mass media. He likened his painting process to sculptural technique and employed a method of layering and scraping away paint, sometimes using a meat cleaver, leaving varying amounts of canvas untouched, a violently expressionistic style that Golub dubbed 'barbaric realism".Black and white reproductions throughout.…