Giles auty (22 Ergebnisse)

Zustand: Good. Light wear to boards. Content is clean and bright. Good DJ with some edge wear and minor tears.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. In English.

Softcover. Zustand: Fair. A reference copy from an artist's studio library. Name on ffep, paint traces on wraps & in the margins of several pages, little skinned patch in lower margin of foreword.

First edition, first printing. Fine paperback exhibition catalogue.

First edition, first printing. Large format. Very good large format paperback exhibition catalogue.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Jacket has moderate general wear and no tears. Bump to bottom corners of boards. A very few small spots to top edges of page-block. Inscribed by Giles Auty to former owner on ffep. Internally clean. Binding tight. Undated (1998?) 290pp Size: 250mm x 310mm. Book.…

Pictorial wrappers. Very fine. London, Academy Editions / New York, St. Martin's Press, 1988. 8vo. 80 pp. Richly illustrated in colour.

Taschenbuch. Zustand: Neu. Neuware - 'Giles Auty was one of only four outstanding art critics in Britain in the past forty years' -- Paul Johnson, The Spectator, February 17, 1996 When I switched course in mid-career from being a painter to a writer I certainly experienced a few nervous moments. Would I ever feel as confident about writing as I did with a paintbrush in my hands Then purely by chance, after years of wondering, I met an Italian Professor of English at a cocktail party in Venice. 'I can't believe I've met you' he told me 'because I am always holding your writing up as a model for my students.' How thrilled my late father, a noted English scholar himself, would have been to know that I was at least trying to maintain family standards. 'G. K. Chesterton surely had essays such as these in mind when he wrote, 'No criticism of Rembrandt is as good as Rembrandt; but it can be so written as to make a man go back and look at his pictures.' Giles Auty, well-known as art critic and painter, is gifted with a writing style that shuns impenetrability. It challenges us to go back and take a fresh look, not just at Rembrandt, or Signorelli, but at political correctness, global warming, post-modernism, democracy, our education system, Catholicism, the media, and life itself. He does this in an entertaining way, and even dares to suggest answers.' -- Fr Paul Stenhouse, Editor of Annals Australia. …

Hardback. Zustand: Fine. First Edition. Hardback. Dust Jacket. 4to. Copiously illustrated in colour throughout. Signed typed letter loosely inserted from one of the the authors to: ' Lord McAlpine at the Gritti Palace in Venice.' ISBN: 0-646-34886-8 No date (1998) Some very slight chips and nicks at edges of dust jacket otherwise F in NF.…

280pp. folio. Original laminated boards in dustwrapper, a near fine copy. Beautifully illustrated in colour and b/w. First edition.

Paperback. Zustand: Very Good-. Card covers are creased and shelf-marked, corners bumped and curled; binding is tight; pages are unmarked with colour plates, upper corners a little curled. Published to accompany the exhibition 'Erich Wolfsfeld' at the Belgrave Gallery, 1 March - 24 March 1995. ; 8.25 x 0.2 x 11.75 inches; 24 pages. …

Zustand: New. &Uumlber den AutorGiles Auty was born in Kent but educated as a boarder in Essex. He worked originally as a painter but in mid-career switched to writing art criticism. In England he played representative cricket with various future sta.

SOFTCOVER. Zustand: Very Good. 1st Edition. Slim 4to in colour printed stiff glossy card covers, unpaginated, approx. 16pp on thick art paper, colour plates, etc . [CONDITION: VERY GOOD, a well preserved clean and tight copy (minute speck of shelf rub to cover corner tips, faint spine crease) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. …

SOFTCOVER. Zustand: Fine. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 40pp on glossy art paper, colour plates, etc . [CONDITION: A well preserved near FINE clean and tight unmarked opy (some very faint tanning or soil to the front cover) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

280pp. folio. Original laminated boards in dustwrapper, a near fine copy. Beautifully illustrated in colour and b/w. First edition. Signe and inscribed by Author.

Corbally Stourton Contemporary Art, Edgecliff. No year [1998]. 4to. 279 pages. Illutrated in b/w and colour. Orig. illustrated boards in dust wrappers.

First edition, first printing. Number 95 from a signed edition of no more than 450 copies. Fine large oblong format. Contained in a matching bespoke lilac slipcase with a small stain.

First edition, first printing. Number 123 from a signed edition of no more than 450 copies. Fine large oblong format. Contained in a fine matching bespoke grey slipcase and part of the original brown paper wrapping.

Stiff Wrappers. Zustand: Fine Condition. Slim volume, 56 pages with 62 illustrations 50 in color. Giles Auty interview with Gerald Laing. Published on the occasion of the exhibition from The Fruitmarket Gallery, Edinburgh, Scotland 14 August-18 September 1993. Select Biography.

30 x 26 cm, Leinen mit OSchU. 158 S. mit 88 Ill. Schutzumschlag berieben und bestoßen. Innen sauber. Gutes Leseexemplar. Bitte beachten Sie, dass der Versand erst ab 5. Juli 2026 erfolgen wird. Sprache: Deutsch Gewicht in Gramm: 1100.