Anbieter: CMG Books and Art, Toronto, ON, Kanada
Hardcover. Zustand: As New. Exhibition catalogue. 220 pp. Numerous colour and b&w plates. F/NF. Light edgewear to dj.
Verlag: Light Work, Syracuse, NY, 1993
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First Edition. First edition. Softcover. Features text by Jeffrey Hoone and Amy Hufnagel. Includes black and white images by Bill Gaskins, Gaye Chan and Laura Aguilar. A fine copy in stapled wrappers. Uncommon.
Sprache: Englisch
Verlag: Arts Council of Great Britain, 1978
ISBN 10: 0728701685 ISBN 13: 9780728701687
Anbieter: Cotswold Internet Books, Cheltenham, Vereinigtes Königreich
EUR 14,91
Anzahl: 1 verfügbar
In den WarenkorbSound reference copy, as all images clean, however cover discoloured on edges, with water damage around based of spine on front cover & causing rear free end paper to adhere to back cover. Used - Acceptable. Fair paperback.
Verlag: Syracuse, NY: Light Work, [1993?]., 1993
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. Oblong, 8vo. 10 pp. Stapled wraps. Very Good. B/W plates. Features works by Bill Gaskins, Gaye Chan, and Laura Aguilar. Published on occasion of exhibition.
Verlag: Robert B. Menschel Photography Gallery, Syracuse, New York, 1996
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. Exhibition catalog. Oblong octavo. 24pp. Illustrated with black and white photographs by Gaskins. Stapled pictorial wrappers. Wraps lightly rubbed and bumped, small abrasion on the front cover near the crown, very good or better.
Verlag: Robert B. Menschel Photography Gallery, Syracuse, New York, 1996
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. Exhibition catalog. Oblong octavo. 24pp. Illustrated with black and white photographs by Gaskins. Stapled pictorial wrappers. Wraps lightly rubbed and bumped, about near fine.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 63,64
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 208 pages. 12.00x1.00x0.75 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 74,29
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 208 pages. 12.00x1.00x0.75 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 74,29
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 208 pages. 12.00x1.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Rutgers University Press, New Brunswick, NJ, 1997
ISBN 10: 081352475X ISBN 13: 9780813524757
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Hardcover. Zustand: Near fine to fine condition. First edition. Oblong octavo. Unpaginated. White photo illustrated dust jacket lettered in black & gray. Blind stamped black cloth, spine lettered in yellow. Illustrated with 60 black & white photos featuring African-American men, women, and children, documenting contemporary Black hairstyles and their role in African-American culture. A review copy with 5-page publisher's promotional text laid in at front. Fine in near fine dustjacket.
pamphlet. Zustand: near fine. Exhibition catalog. Thin oblong 8vo, blue photographic wrappers. Syracuse: Robert Menschel Photography Gallery, (1996). Near fine. The photographer's aim was to counteract an Afrophobic culture of beauty by portraying hair style as cultural resistance. These photographs were incorporated in a book with the same title, published a year later.
Verlag: Rutgers University Press, New Jersey, 1997
Anbieter: november-books, London, Vereinigtes Königreich
Erstausgabe
EUR 137,08
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: VG+. Zustand des Schutzumschlags: VG+. First Edition. Oblong 8vo. 118pp. Printed wraps. Numerous Black & White plates. Text in English. "The photos in Good and Bad Hair explode the ethical/ethno-cultural categories referenced in the book's title. Thorugh a subversive act of seeing, Gaskins takes us beyond rigid 'afrocentric' and racist 'afrophobic' beauty canons to brilliantly document an African-American practice of coiffure as cultural resistance. His gorgeous images of fabulous 'dos reveal a characteristically African double coding of African American hair as a social text and aesthetic medium.".