Bill gaskins (11 Ergebnisse)

Zustand: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

First Edition. First edition. Softcover. Features text by Jeffrey Hoone and Amy Hufnagel. Includes black and white images by Bill Gaskins, Gaye Chan and Laura Aguilar. A fine copy in stapled wrappers. Uncommon.

Sound reference copy, as all images clean, however cover discoloured on edges, with water damage around based of spine on front cover & causing rear free end paper to adhere to back cover. Used - Acceptable. Fair paperback.

Zustand: Good. Oblong, 8vo. 10 pp. Stapled wraps. Very Good. B/W plates. Features works by Bill Gaskins, Gaye Chan, and Laura Aguilar. Published on occasion of exhibition.

Softcover. Zustand: Very Good. Exhibition catalog. Oblong octavo. 24pp. Illustrated with black and white photographs by Gaskins. Stapled pictorial wrappers. Wraps lightly rubbed and bumped, small abrasion on the front cover near the crown, very good or better.

Hardcover. Zustand: Brand New. 208 pages. 12.00x1.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 208 pages. 12.00x1.00x0.75 inches. In Stock.

Hardcover. Zustand: Near fine to fine condition. First edition. Oblong octavo. Unpaginated. White photo illustrated dust jacket lettered in black & gray. Blind stamped black cloth, spine lettered in yellow. Illustrated with 60 black & white photos featuring African-American men, women, and children, documenting contemporary Black hairstyles and their role in African-American culture. A review copy with 5-page publisher's promotional text laid in at front. Fine in near fine dustjacket. …

pamphlet. Zustand: near fine. Exhibition catalog. Thin oblong 8vo, blue photographic wrappers. Syracuse: Robert Menschel Photography Gallery, (1996). Near fine. The photographer's aim was to counteract an Afrophobic culture of beauty by portraying hair style as cultural resistance. These photographs were incorporated in a book with the same title, published a year later.…

Soft cover. Zustand: Fine. No Jacket. 1st Edition. [1st ed,; 1st printing ] vii, 123, [2] ; illustrated ; 25 cm ; tan stiff paper wrappers ; Contents: Atkinson County School History -- Members Atkinson County retired Teachers Association -- Superintendents of Atkinson County Schools -- Schhols of Atkinson County -- Arnie (Arna) Line School -- Axson School -- Bird Pond School -- Bradwell School -- Crossroads (Rosenwald) -- Ethel School -- Sureka School -- Evergreen School -- Fales (Line) School -- Forks School -- Fussell School (New Bethel) -- Harmony Grove School -- Henderson Still School -- Inman School -- Johnson Settlement School -- Kiekey House School -- Kirkland School -- Leliaton School -- Liberty School -- Live Oak School -- Mora School -- Mount Zion School -- O'Berry School -- Old Providence (Box Ankle) -- Olive School -- Peason Negro Education Program -- Pine grove School -- Pine View School -- Plain View School -- Red Bluff (Fiddler's green) School -- Sand Bottom School -- Satilla Park School -- Sears Still School -- Sherland School -- Shiloh School -- Stokesville (Line) School -- Sunnyside School -- Sweetwater Church School -- Sycamore School -- Temperance School -- Tillman (Tillman Head) School -- Union Hill School -- White School -- Willacoochee Public School -- Young's Still School -- Schools existing in Atkinson County in 1992 -- Atkinson County High School -- Pearson Elementary School -- Willacoochee Elementary School ; some yellow highlighting ; ownership name on front endpaper ; not held by any library worldwide ; no OCLC number ; extremely scarce ; owner name on front endpaper ; despite some highlighting, FINE. Book.…

Hardcover. Zustand: VG+. Zustand des Schutzumschlags: VG+. First Edition. Oblong 8vo. 118pp. Printed wraps. Numerous Black & White plates. Text in English. "The photos in Good and Bad Hair explode the ethical/ethno-cultural categories referenced in the book's title. Thorugh a subversive act of seeing, Gaskins takes us beyond rigid 'afrocentric' and racist 'afrophobic' beauty canons to brilliantly document an African-American practice of coiffure as cultural resistance. His gorgeous images of fabulous 'dos reveal a characteristically African double coding of African American hair as a social text and aesthetic medium.".…