fritz hoffman (11 Ergebnisse)

Hardcover. Zustand: As New. Gift quality. Dust jacket included and in very good+ condition. Cover clean and in excellent condition. Slipcase in sturdy condition but smudged; really unnecessary if giving as a gift. No writing, highlighting, or marks in text. Color and B&W photos throughout.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 1st edition. 128 pages. 8.75x6.00x0.50 inches. In Stock.

Rustica. Zustand: Muy Bueno. Zustand des Schutzumschlags: Usado.

Hardcover. Fritz Kredel (illustrator). First Edition. Large quarto (9-1/4" x 12-1/2") bound in gilt-stamped red half morocco leather with color cloth sides with a lithographed design by LeRoy H. Appleton. Copy #930 of 1500 numbered copies illustrated with water-colors by Fritz Kredel adapted from the original illustrations by Dr. Hoffman and hand-colored in the studio of Fred Fulton. Issued unsigned. BAL 3555. The First English translation of this German children's classic by Mark Twain with a foreword by his daughter Clara Clemens and an introduction by Philip Hofer. Quite likely the inspiration for the movie character Edward Scissorhands. Fine in chemise with a sunned backstrip in a Very Good slipcase with some wear and fading.

Hardcover. Fritz Kredel (illustrator). First Edition. Large quarto (9-1/4" x 12-1/2") bound in gilt-stamped red half morocco leather with color cloth sides with a lithographed design by LeRoy H. Appleton. Illustrated with water-colors by Fritz Kredel adapted from the original illustrations by Dr. Hoffman and hand-colored in the studio of Fred Fulton. Issued unsigned. BAL 3555. The First English translation of this German children's classic by Mark Twain with a foreword by his daughter Clara Clemens and an introduction by Philip Hofer. Of a total edition of 1500 copies, this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where the printed number "789" is struck through and the initials "G.M." are handwritten. Acquired directly from the publisher's files, and most likely the publisher George Macy's copy. Quite likely the inspiration for the movie character Edward Scissorhands. Fine in a Very Good chemise worn at the heel and a Very Good slipcase with some sunning.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

Hardcover. Fritz Kredel (illustrator). First Edition. Large quarto (9-1/4" x 12-1/2") bound in gilt-stamped red half morocco leather with color cloth sides with a lithographed design by LeRoy H. Appleton. Copy #1188 of 1500 numbered copies illustrated with water-colors by Fritz Kredel adapted from the original illustrations by Dr. Hoffman and hand-colored in the studio of Fred Fulton. Issued unsigned. BAL 3555. The First English translation of this German children's classic by Mark Twain with a foreword by his daughter Clara Clemens and an introduction by Philip Hofer. Quite likely the inspiration for the movie character Edward Scissorhands. Fine in glassine and a Fine chemise and slipcase with mild sunning. An excellent copy of an attractive book, not often seen in this condition.

3 SS. auf Doppelblatt. 8vo. Wohl an den namentlich nicht genannten Museumsdirektor, Regierungsrat und Schriftsteller August Schricker (18381912): [.] Die Masse oder eigentl. Uebermacht darf nicht gegen die Obermacht u. seine u. seine Staatsdenker sein! Ein rechter Richter, wer das Recht an alle verteilt, ohne [V]orurtheil also richtet wie es jeder verdient hat, ob ungetreuer u. gewissenloser Knecht oder roher harter Patron [.] Wissen soll Jeder: befehlen ist leicht, aber gehorchen ist schwer [.]". August Schricker war als Geistlicher in Bayern und hernach als Redakteur der Schwäbischen Volkszeitung" tätig, gründete die Sonntagsblätter der deutschen Partei" und gab die illustrierte Wochenschrift Kriegszeitung" heraus; zudem war Schricker Senatssekretär der Universität Straßburg. Mit einigen alten, unbed. Montagespuren.

Vintage studio still photograph from the 1953 film noir, showing Richard Conte and Anne Baxter flanking Nat King Cole at the piano. Provenance stamp on the verso, along with annotations in manuscript pencil. Based on Vera Caspary's 1952 novella. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in director Fritz Lang's "newspaper noir" trilogy, followed by "While the City Sleeps" (1956) and "Beyond a Reasonable Doubt" (1956). 10 x 8 inches. Very Good plus, with light wear at the two left corners, and pinholes at three edges. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US.

Vintage reference photograph of director Fritz Lang in conversation with actress Anne Baxter on the set of the 1953 film noir. Mimeo snipe to the verso. Based on the 1951 novella by Vera Caspary. A telephone operator wakes up with a hangover and a creeping feeling that she might have murdered her date the previous night. The first installment in Lang's "newspaper noir" trilogy, followed by "While the City Sleeps" (1956) and "Beyond a Reasonable Doubt" (1956). Set in Los Angeles. 10 x 8 inches. Near Fine. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US.