flemming gosta (50 Ergebnisse)

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. 160 pages. Text by Gosta Flemming. A look at one of the more important photographers of the 20th century that includes portraits of him by Lars Tunbjark, JH Engstram and Anders Petersen as well. A fine copy in a fine dust jacket and still in the publisher's shrinkwrap. An as new copy.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

124 s. Illustrerad. Förlagets pappband med monterad pärmbild.

Gebundene Ausgabe. Zustand: Sehr gut. 148 Seiten Restexemplar - Einband leicht beschädigt - Buch ansonsten in sehr gutem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1090.

160 pp. Mainly photographs. Publisher's cloth, dust-jacket. A near fine copy.

Hardcover. Zustand: New. A couple of years ago I was working as a popcorn vendor at a town festival. Across from me was a fortune-teller. On my break I traded a prediction for a medium popcorn. She told me that I would stay healthy but suffer memory problems when I get older and pass away at an age of 87. The stories in this book are a collection of memories for myself if I end up as an 87-year-old lady without memory. / Helga Härenstam Title of the Swedish edition is Berättelser för en 87 år gammal dam. 64 color images Text by Helga Härenstam Translation to English: Joel Nordqvist Editing: Gösta Flemming Design: My Hellsten Hard cover 210 x 180 mm 104 pages.

Soft cover. Zustand: New. Exhibition catalogue. On the occasion of the touring exhibition held at Nobel Peace Center, Oslo, March 3 - April 27, 2014; Fondazione Banca del Monte di Lucca, Lucca, September 7 - October 6, 2014; Fondation Calouste Gulbenkian - Delegation en France, Paris, October 21 - December 20, 2014; House of Photography at Deichtorhallen Hamburg, Hamburg, April 24 - June 7, 2015. Description: 187 pages : numerous photographs (many colour) ; 29 cm Contents: Preface -- Sigrid Lien : the new social : photographic explorations of contemporary Europe -- Patrícia Almeida : my life is going to change -- Massimo Berruti : "Çapulcu" -- Linda Bournane Engelberth : "things come apart" -- Jan Brykczynski : collection -- André Cepeda : fade -- Simona Ghizzoni : while you were sleeping -- Eric Giraudet de Boudemange : the thorn birds -- Kirill Golovchenko : otpusk : out of the blue -- Arja Hyytiäinen : family -- Espen Rasmussen : oddballs -- Stephanie Steinkopf : Vogelfrei -- Paula Winkler : centerfolds -- Specifications for exhibited works -- Biographies.

31x23 cm, Opaginerad. Rikligt illustrerad. Förlagsband med skyddsomslag, omslaget med liten, lagad reva. Urval av bilder tagna i Sverige och publicerade i Dagens Arbete.

Soft cover. Zustand: New. According to the World Happiness Report, a yearly survey of the state of global happiness, commissioned by the United Nations, Denmark is often ranked as the happiest country in the world . While studying photography in Denmark in 2014, Italian Giulia Mangione had to work on a final project. Most of her classmates went to far away countries. Giulia decided to stay to understand what made Denmark the happiest country in the world. Giulia Mangione writes: People often ask me if the Danes are really the happiest people in the world. I still don t have an answer to this. But I know what I like about the Danes. I like that they use cemeteries as places to celebrate life more than death. I like their innate sense of freedom in being what they want to be. I like the fact that Danes go to højskole (High School) to learn something for life, to be aware of what they are good at and what makes them happy. In her New Year s Speech 2017, Queen Margrethe of Denmark said: Try and do something that is not necessary, something that there is no need for, something pointless! And continued: I think it is important to have experiences that appeal to our senses, something that inspires our imagination, that stimulates the mind, and that can enlarge our world. That is not so pointless after all. Driving around Denmark, often sleeping in a tent under pouring rain, I would find myself asking why I was doing it. But now I have the feeling that Margrethe might be right. 53 color images Text by Giulia Mangione and Kristen Bjørnkjær Translation to English: Maria Morris and to Swedish: Gösta Flemming Quote by Aksel Sandemose Editing and design: Gösta Flemming and Giulia Mangione Soft cover with flaps 165 x 220 mm 116 pages English/Danish/Swedish.

Paperbound hardcover with tipped-in images on front and back covers, [112]p pages : illustrations (some color), portraits ; 27 cm. Very good/fine, clean, crisp, unmarked. Edition of 500. Eden compiles a series of photographs made by Karl Henrik Edlund, on his late grandfather's garden island of the same name in the Åland Islands, between 2004-2020.

Hardcover. Zustand: New. In English; newspaper facsimiles in Norwegian. Description: 120 pages : illustrations (chiefly colour), facsimiles, portraits ; 25 cm. "For decades the people living in Hessdalen valley in Norway have been obsessed by spotting UFOs. Photographer Ivar Kvaal and writer Ola Vikås visited the valley to find out why. Ola Vikås writes: Hessdalen had already been drained of its life force when the first lights started to appear in the valley. At a time when the cold war still enveloped Scandinavia in a fog of secrecy and uncertainty, in a climate where people were historically or indeed traditionally 'closed', it took quite some time before anyone dared to speak about what they had seen. Not even the neighbours, who were part of a close yet ever-shrinking community, were aware that they were witnessing the same phenomenon night after night. During the cold nights of December 1981, change finally arrived. The lights that had come to Hessdalen had shone brightly enough to attract the attention of sources that lay outside of the village. With the arrival of an eager press corps, the otherwise remote valley embarked on a whole new chapter in its history. From being a village that did not have anything exceptional to offer - with just a church, a community centre, a general store - Hessdalen soon became a gathering place, a point of reference, for a diverse group whose only common interest was in searching for something they could not understand. The long hoped-for attention, however, only brought ridicule and stigmatisation".

Hardcover. Zustand: New. In English, Norwegian, and Swedish. Description: 100 pages : illustrations ; 36 x 21 cm. Ski-jumping used to be one of the most popular sports in Norway. Today there are only 200 inrun towers left in the country, most of them on the road to destruction. During a couple of years photographer Espen Tveit has photographed most of them. His black and white photographs, printed in triotone, are mysterious and beautiful. "I have waited for cloudy weather, photographed in rain and climbed in rugged terrain. The old ski-jumps were steeper than the new ones and only few had stairs to climb. I had a standing joke during this period: if anyone asked me how I was doing, I replied that my life had its ups and downs."--Espen Tveit.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. Parallel texts in Swedish and English. Description: 1 volume (unpaged) : chiefly illustrations (some colour), portraits ; 26 cm. Of Fading Memories by Erhan Can Akbulut, raised in Istanbul and now based in Stockholm, is an emotional conclusion of a tumbling period of loss and sorrow.

Hardcover. Zustand: New. Set against the background of Cristina Ferraiuolo's home town, Naples, and shot over the course of many years, this black and white project presents street photography at its best. STONE BUTTERFLY shows teenage girls both strong and tender speeding on their scooters through the streets of the old city of stone with its decadent beauty, almost like daughters of the final scene in Fellini's Roma. 58 b/w images Text by Cristina Ferraiuolo Translation to English: Laura Lieto Editing and design: Cristina Ferraiuolo and Gösta Flemming Hard cover 195 x 260 mm 108 pages Italian/English.

Soft cover. Zustand: New. Zustand des Schutzumschlags: New. Photo-essays by Terje Abusdal, Jonas Bendiksen, Tomm Wilgaard Christiansen, Anne-Stine Johnsbråten, Ivar Kvaal, Margaret M. de Lange, Mathilde Helene Pettersen and Knut Egil Wang. The Norwegian Journal of Photography, published every other year, was established in 2010 as an arena where independent photographers who work in the interface between traditional press photography on the one hand and art photography on the other can present the full scope of their projects. It offers an environment that provides encouragement and constructive criticism. 224 colour and b/w images Introduction text by James Estrin Translation to English: Linda Sivesind Editing and layout: Rune Eraker, Gösta Flemming, Laara Matsen, Espen Rasmussen in co-operation with the photographers Design: Gösta Flemming Published in co-operation with NJP/Fritt Ord Softcover with flaps 205 x 265 mm 304 pages English.

Soft cover. Zustand: New. Photo essays by Oddleiv Apneseth, Ingvild Vaale Arnesen, Linda Bournane Engelberth, Andrea Gjestvang, Ellen Lande Gossner, Eivind H. Natvig, Karin Beate Nøsterud, Monica Larsen, Marie Sjøvold and Helge Skodvin. The Norwegian Journal of Photography, published every other year, was established in 2010 as an arena where independent photographers who work in the interface between traditional press photography on the one hand and art photography on the other can present the full scope of their projects. It offers an environment that provides encouragement and constructive criticism. 210 color and b/w images Introduction text: Alex Webb and Rebecca Norris Webb. Translation to English: Linda Sivesind Editing and layout: Rune Eraker, Gösta Flemming, Laara Matsen and Espen Rasmussen in co-operation with the photographers. Design: Gösta Flemming Published in co-operation with NJP/Fritt Ord Softcover with flaps 205 x 265 mm 384 pages English.

Hardcover. Zustand: New. This personal picture-memoir book about the late Norwegian doctor, feminist and activist Kitty Strand is told by her daughter. Kitty and Nina Strand were planning a journey across the U.S. that they never had time to take before Kitty passed away in 2001. In 2012 Nina took the trip together with her own daughter in order to revive her mothers thoughts and ideas for one last time. 62 b/w and colour images Text by Nina Strand English edit: Linda Sivesind, Melissa Larner Design and editing: Gösta Flemming, Nina Strand Hard cover 94 x 145 mm 200 pages.

PAPERBACK. Zustand: Very Good. 9197239550 Very Good+; Softcover; 1997, Journal Publishing; Very light wear to covers; Pages clean & unmarked; Good binding with straight spine; Black and white photo to cover with title in white, yellow, and gray lettering; 200 pages; "Photographs/fotografier 1966-1996," by Goran Odbratt, et al.

Edited by Greger Ulf Nilson and Lars Tunbjörk. Text by Gösta Flemming. Steidl 2006. 4:o. Photoillustrated. 160 pp. Hard cover with dustjacket. 25,5 x 20,5 cm.[#\107320].

Soft cover. Zustand: New. 1st Edition. Suicide is associated with shame, guilt, taboo something we re reluctant to talk about. After a close relative unexpectedly took his life, photographer David Lundmark decided to seek out others who had been affected by suicide privately or through their professional roles. Partly because he wanted to process his own grief and try to understand what had happened, but also to break the media silence on suicide. The book includes around forty images and a number of quotes, all unconnected to each other but together forming a collective we of chaotic emotions, grief, questions, anger, and observations. David Lundmark wants to show that suicide is a serious social problem how we all co-exist, and that every death affects the living in some way. This is David Lundmark's first book. 40 color images Editing and design: Gösta Flemming, David Lundmark Text: David Lundmark Afterword: Erik Ohlsson Translation to English: Maria Morris Soft cover 150 x 210 mm 112 pages Swedish/English.

Stockholm. Journal. 2007. (Text englisch) 22 x 27,5 cm, 302 Seiten, zahlr. s/w-Abb., Bibliografie, geb. Originaleinband. Original publishers wrappers. Im Sommer des Jahres 1896 verließ eine Gruppe von Frauen, Kindern und Männern das Dorf Nas in Schweden, um in Jerusalem die Wiederkunft Christi zu erwarten. Sie wurden in die "American Colony", eine nonkonformistische religiöse Sekte, aufgenommen. Das Buch erzählt nicht nur von der Auswanderung der Schweden, deren Leben in der Sekte und von erschütterten religiösen Träumen, sondern spürt auch der Karriere des Fotografen Lewis Larsson nach. Dieser wurde zwischen 1910 und 1930 zum führenden Fotografen der "American Colony Photographers" und hielt die Menschen und die Landschaften Palästinas und des Mittleren Ostens in einzigartigen Bildern fest. Eine herausragende Dokumentation und faszinierende Bildergeschichte mit unveröffentlichten Fotografien eines unterschätzten Fotografen. +++++++++++++++++++VERLAGSFRISCH. STILL SEALED IN PUBLISHERS SHRINKWRAP. Noch in Schutzfolie eingeschweisst. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. Zustand: New. 1st Edition. What is Jante? All Scandinavians know. The "Law of Jante" first appeared 1933 in the novel En flyktning krysser sitt spor (A Refugee Crosses His Tracks, 1936) by the Danish-Norwegian author Aksel Sandemose. In the novel, "Jante" is a small town where the Law of Jante is an expression of people's ability to hold each other and thereby themselves down. The physical model for Sandemose's Jante is the town of Nykøbing Mors in Denmark. The images in the book were photographed there in the summer of 2017. Does the Law of Jante say something about who we Scandinavians are? Can the Law of Jante be captured on film? That is what Knut Egil Wang wanted to find out. 54 color images Editing and design: Gösta Flemming, Knut Egil Wang Text: Knut Egil Wang Translation to English: Linda Sivesind Quote and "Law of Jante" by Aksel Sandemose Hard cover 145 x 211 mm 96 pages English/Norwegian.

Soft cover. Zustand: New. According to a recent study, stress is the word most commonly used by today s forty-somethings. What is this stress about? What do we want? Current Condition is a photo-novel book in four chapters examining generation X and how to navigate adult life. 95 color images Editing and design: Nina Strand, Gösta Flemming Soft cover 150 x 210 mm 106 pages English Final art: Johan Lindberg.

Hardcover. Zustand: New. In his new book, prize-winning Swedish photographer Simon Johansson returns to the same territory on the Swedish island of Öland that formed the basis of his debut book, Across the Bridge (2016). Now as then, it's not just a tale of everyday observations it's time to tie up loose ends and close the book. No Man's Land is about a close circle of people in a small village on the Swedish island of Öland. Here, farmers live side by side with an artist commune. Their lives and work are intertwined. The farmers become involved in art projects and the artists help with the farming. After living there for many years, Simon Johansson knows the villagers well. He has seen the dynamics close-up. "By portraying everyday life in the village, I describe the common ambition to mean something to others; to be part of a context," Simon Johansson says. "The starting point of the project is my own experience of when that context was taken away from me. The end of a relationship turned into an emotional trauma. It's about how my life in the village is falling apart, and how I then leave a much-loved place." The photographer is currently working on the No Man's Land soundtrack, which will be released on all digital platforms and on vinyl in 2024. 75 b/w images Editing and design: Gösta Flemming, Simon Johansson Text: Simon Johansson Translation to English: Maria Morris Hard cover 220 x 250 mm 148 pages Swedish/English Handwritten text: Maria Jonsson Document and typography: Johan Lindberg.

Hardcover. Zustand: New. A collection with some of Kurt Bergengren's texts on Swedish photography and photographers. Kurt Bergengren (1920-85) was a well-reputed journalist, writer and critic at the Swedish newspaper Aftonbladet. His texts were also published in other forums. The first collection of Bergengren's texts on photography, with focus on international photography, was published 1988 by Alfabeta Fotografera är nödvändigt, edited by Gösta Flemming and designed by Olle Eksell. Includes an afterword by Karl Vennberg and an interview with Kurt Bergengren by Gösta Flemming. App. 105 illustrations Selection, editing and foreword: Gösta Flemming Design: Olle Eksell Hard cover 145 x 210 mm 296 pages.

Hardcover. Zustand: New. 62 b/w images Layout and design: Ronny Rønning Editor: Gösta Flemming Hard cover 220 x 275 mm 120 pages English Using Dante's Inferno as a loose narrative set in the contemporary world, the book is as a personal journey expressed through images that reveal a sense of unreality a kind of veiled dreamscape but at the same time reminiscent of the underlying unease of living in a world unable to deal with major crises threatening a fragile human existence. As such, the book is also a personal response to the current covid pandemic. The word "interregnum" describes a period with lack of clear leadership in a country, organisation or social order. Failed states will often be in an interregnum. Ronny Rønning explores a visual language that can represent the anxieties of living in a world seemingly out of control. The images has a reference to reality, but also contains something more ambivalent an empty, dark, and foreboding landscape, as after the catastrophe, with only remnants of human life. As part of finding a visual language for the book, Ronny Rønning has experimented with the photo medium. He has used an analogue camera, black & white film and flash. During development the film has been exposed to light in an attempt to find a visual expression appropriate for the book's topic.

Hardcover. Zustand: New. He Called Me a Sparrow is a long-term project where Hannamari Shakya turns her gaze inwards and looks at what she's been nesting inside. Soon she realised that the traumas that she had were only partly hers and partly her parents. How to describe the indescribable and how to visualise the invisible? The book is a visual study of something that cannot be seen. When something cannot be seen, it usually cannot be recognised. When it cannot be identified, it cannot be validated. Although He Called Me A Sparrow is an index of agony and struggle, at the same time it is a remembrance of love, affection and forgiveness. 68 colour and b/w images Text by Hannamari Shakya Design: SYB Editor: Gösta Flemming English language consultant: Maria Morris Hard cover 170 x 240 mm 116 pages 12 gatefold spreads English.

Hardcover. Zustand: New. 86 color and b/w images Text and images by Katinka Goldberg Drawings and paintings: Stickan Lundgren Design: Jan Rosseel Editing: Jan Rosseel, Katinka Goldberg Editor: Gösta Flemming Language consultant: Marie Lundquist Translation to English: Richard Casebow, Victoria de Leon Born, Maria Morris Hard cover 220 x 310 mm 152 pages Swedish/English Bristningar (Rupture) is the middle part of Katinka Goldberg's trilogy of works, in which she is 'exploring the tension between closeness and distance', trying, no less, to locate herself both within herself and within the world. The trilogy began with her book Surfacing (2011) which examined the relationship between herself and her mother, in a complex and highly poetic way. In Bristningar, she is making collages, which, like Hans Bellmer's, deconstruct and reassemble the body, but do so with a very different aim, a healing rather than a destructive or pathological purpose. And also a process of add and subtracting, or rather, of adding in order to subtract. 'I am trying to answer the question; how much can you take away of yourself without disappearing? How close can you get before the closeness becomes a distance?' Her intentions are both formal and psychological. On one level, she is pushing at the medium's boundaries, pushing beyond the imperative of the camera and provoking a clash between photography, sculpture, and painting. On another, she is exploring different aspects of her psyche, using the same kind of allusive approach, but very different formal means to those deployed in her previous book. In Surfacing, it seemed to be a matter of trying to make peace with what seemed to be an obviously close and sometimes difficult relationship, a letting go perhaps. Bristningar seems more of a reaching toward, not to her mother but to herself. By making fragmented collages from the human body Goldberg would seem to be fashioning a visual metaphor, no less, for the process of psychoanalysis, tearing the soul apart, examining the pieces and the data, then reconstructing a more complete whole. In these fragmented and highly abstract collages, Goldberg is utilizing 'the amputated and then reconstructed body as a way to visualize a fragmented identity that has been mended. Forming a reconstruction of oneself to be seen. Seeing as a way of belonging'.".

Soft cover. Zustand: New. The Norwegian Journal of Photography was established in 2010 as an arena for photographers working in the broad documentary genre between traditional press photography and art photography. It offers an environment to support and develop their ideas into full scale bodies of work, providing encouragement and constructive criticism. Our goal is to reflect and communicate the ever more prominent position of Norwegian photography on the international arena, as well as to improve the documentary photography milieu in Norway. 207 color and b/w images Foreword: Thomas Borberg English language consultant: Linda Sivesind Editing and layout: Rune Eraker, Gösta Flemming (publishing editor), Laara Matsen and Espen Rasmussen in co-operation with the photographers Design: Gösta Flemming Final art: Johan Lindberg Published in co-operation with NJP/Fritt Ord.

Hardcover. Zustand: New. 38 colour photograms Editing and design: Gösta Flemming Text: Linda Bergman Translation to English: Maria Morris Hard cover 215 x 320 mm 80 pages Swedish/English.