Fingerit marcos (18 Ergebnisse)

28 p 24 cm Encuadernación editorial en rústica. Estado de conservación: Bien.

166 páginas. 8vo., sin tapas. Hojas oscurecidas.

Hardcover. Zustand: Sehr gut. 1st ed. 60, (4) p. Later bound in modern giltedlettered and blindstamped half-cloth, with decorated paper over boards by Sol Rebora. Includes the original wrappers. Wrapper design and 8 illustrations, all by ADOLFO TRAVASCIO. (Global Avantgarde Argentina, 15, Futurisms in the World p. 30 ff; Libros Argentinos p.392; Diagramming Modernity p. 122). Sprache: Spanisch Gewicht in Gramm: 220.…

Couverture souple. Zustand: Très bon. La Plata, M.F. [Marcos Fingerit], 1943. In-32 agrafé, non paginé. Édition originale de la traduction de Marcos Fingerit, tirée à 220 exemplaires, le nôtre sur Antique (non justifié). Envoi autographe signé de Marcos Fingerit à [Guy Lévis-Mano]. Couverture rose très légèrement fanée.…

Couverture souple. Zustand: Très bon. La Plata, Cuadernos del Rabdomante, 1937. Plaquette in-8, en feuilles sous chemise imprimée, non paginée. Édition due à Marcos Fingerit, exemplaire numéroté sur Montgolfier, tirage de tête non annoncé. Envoi autographe signé de Marcos Fingerit à Guy Lévis-Mano. Petites déchirures à la chemise. …

Encuadernación de tapa dura. Zustand: Bien. M.F., La Plata, 1963. Rústica editorial (ejemplar en rama), 15x11 cm., 30 pp. aprox. (sin numerar). Buen estado de conservación. Tirada de 400 ejemplares. Dedicatoria manuscrita del autor al también poeta Jacinto Luis Guereña.

Encuadernación de tapa blanda. Zustand: Muy bien. In-12. #1 1938. Ivan Goll. Wrappers. In 1936 he appeared in La Plata Fábula, a magazine of letters and art that achieved continental renown. Its director, the poet Marcos Fingerit, begins with her his remarkable work as a diffuser of typographic art, under his seal the Dowsing Notebooks, the Fable Messages and the delicate Flying Fish Notebooks, poetry plaquettes that today constitute a curiosity were disseminated bibliographic. Washington Pereyra T3,p201. B1. Provenzano p134. F1. …

Encuadernación de tapa blanda. Zustand: Muy bien. 1ª Edición. In-4. (16)p. Wrappers. VG+ copy. Copy 43/96 in Hammermill paper. Inscribed by the author to Lionello Fiumi Italian poet and director of Dante magazine. W17. Dedicatoria autógrafa del autor.

Encuadernación de tapa dura. Zustand: Muy bien. In-8. #1 1941 - #2 1941. (Complete set). Bound in half blue calf marbled boards. Only 160 copies. #1 Marcos Fingerit - La Nave Coronada, #2 Elena Duncan Las Vivas Llagas. Provenzano p133. Washington Pereyra T4,p285. C4.

Encuadernación de tapa blanda. Zustand: Muy bien. Folio. #1 Jul 1941 - #2 Aug 1941. (lacks #2). Wrappers. Movement. Literary-artistic-scientific, it was a monthly newspaper of only two issues -July and August 1941- directed by Arturo Cambours Ocampo and Marcos Fingerit, two of the great promoters of the universe of literary publications of the 1930s and 1940s. In its pages many of the authors published by Ediciones Hipocampo, the careful and prestigious publishing label of La Palta that was in charge of its own directors, were disseminated. These include Rainer María Rilke, Jean Giono, Macedonio Fernández, Lisardo Zía and Cambours Ocampo and Fingerit themselves. The latter was the creator of innumerable collections in which the typographic art and the excellence of the materials used in the making of the books stand out, added to the quality of the published authors. The list of collaborators is completed by Ramón Gómez de la Serna, Raúl Taborda, Honorio Siccardi, Leónidas Barletta, Alberto Sartoris, Juan Rodolfo Wilcock, Julio Marsagot, Ataúlfo Pérez Aznar, Marcelo Menasché, León Mirlas, Ezequiel Martínez Estrada, Ernesto Sábato, Ángel Mazzei, Julio César Avanza, Alejandro Denis-Krause, José Guillermo Corti, Elena Duncan, Fidel Alsina Fuertes and Héctor Lafleur. Washington Pereyra T4.p379. Provenzano 177. CodMK.…

Encuadernación de tapa blanda. Zustand: Muy bueno. In-4. #1 Sep-Oct 1936 - #15 May-Jun 1939. 6 issues #1, 4, 5, 8, 11, 14. Wrappers. Fábula appeared in La Plata between 1936 and 1939, publishing a total of fifteen numbers under the direction of writer Marcos Fingerit (1904-1979). Born in Rosario but active in La Plata's cultural circles, Fingerit championed various poetry imprints throughout his life such as Cuadernos del Pez Volador, Cuadernos del Rabdomante, and Recados de Fábula and participated in numerous literary publications including Hipocampo, Unicornio, Teseo, Movimiento, Delta, Delfín, Imagen, and Cultura, often alongside his wife, Elena Duncan. In their classic study Las revistas literarias argentinas, Lafleur, Provenzano, and Alonso praise Fingerit for his "notable work as a disseminator of typographic art," stating that Fábula "achieved continental renown." The vast trajectory of Fingerit has been studied by Guillermo Korn and Darío Pulfer, who note that the magazine followed the artisanal model of a homonymous Mexican publication directed by Miguel Nicolás Lira. The Argentine Fábula emerged in the uncertain post-avant-garde period which Arturo Cambours Ocampo proposed calling the "newest generation" (novísima generación) without much success yet it featured authors and texts that anticipated the aesthetic modalities of the so-called Generation of '40. The publication years coincided with the Spanish Civil War (with the sixth issue, not present here, being a vast homage to Federico García Lorca). Fábula featured the collaboration of numerous foreign authors from both sides of the Atlantic, including Xavier Abril, Martín Adán, Camilo José Cela, Ramón Gómez de la Serna, José Lezama Lima, Alfonso Reyes, and Alberto Sartoris, among others. Regarding Argentine contributors, the magazine boasted signatures such as Juan Filloy, Lysandro Z. D. Galtier, Carlos Mastronardi, Enrique Molina, and Adolfo Bioy Casares, who published part of his early production here works he would later repudiate. The magazine also published poetry translations, particularly from French, and featured distinct illustrations outside the text by local and international artists such as Silvina Ocampo, Emilio Pettoruti, Federico García Lorca, Norah Borges, and Hemilce M. Saforcada. Note on Rarity: This set is particularly notable for including Issue No. 8, a number often cited as missing or "unfindable" in major archives and institutional collections. D3.…

Encuadernación de tapa blanda. Zustand: Muy bien. In-4. #1 Oct 1950 - #31 Nov 1960. (Lacks #16). Wrappers. First magazine of Theology in iberoamerica. Collaborators : Julio Meinville, Juan Pearson, Ernesto Segura, Adolfo Tortolo, Manuel Marengo, Eduardo Pironio, Among others. Enrique Rau, figure of the Catholic intellectual field. He was born on August 13, 1899 in Cnel. Suárez, and was part of the generation of the Catholic renaissance of the 30s. Concerned about the social issue, he was an advisor to the Catholic Workers Youth (JOC) and then part of the liturgical movement with Monsignor Antonio Di Pasquo in the 50s , where he promoted the use of the Castilian language at Mass. During that decade he was director of the Theology Magazine of the Seminary of La Plata. Appointed auxiliary bishop of Buenos Aires in 1951, he was appointed to the diocese of Resistencia in 1954 and then to that of Mar del Plata in 1957. Rare missing from all bibliographies the first teological magazine in Latin America. D2.…

Encuadernación de tapa dura. Zustand: Muy bien. In-8º. Cuaderno #1 1937 - Cuaderno #4 1938 (Complete set). Published by the poet Marcos Fingerit; #1: Elena Duncan: Para las criaturas sin ojos; #2: Esther de Cáceres: Cruz y Extasis de la pasión; #3: José A. Hernández : Legislación del alma; #4: Olivares Figueroa: Espiga pueril. These editions are considered bibliographic treasures due to the low circulation, Bound in half brown calf marbled boards. Provenzano 134. Washington Pereyra T3,p303. Rodolfo Castagna (illustrator). …

Encuadernación de tapa dura. Zustand: Muy bien. Folio, #1 June 1944 - #2 September 1944. (Complete set), (#2 duplicated in two in different kind of paper). Bound in half red calf. In Delfin collaborated Elena Duncan, Jules Supervielle, Miguel Angel Virasoro, Héctor René Lafleur, Marcos Fingerit, Fryda Schultz of Mantovani, Macedonio Fernández. Versions of texts of Empedocles of Agrigento, Raimundo Lulio, Prudencio, and William Blake extolled the originality of these deliveries.The excellence of the paper, its exquisite typographic taste and the impeccable layout that have always distinguished the achievements of Ae, Delfin is one more example of his talent and makes this magazine a curious piece for bibliophiles. Provenzano 221. …

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. La Plata. MF. 1965. Primera edición de 400 ejemplares fuera de comercio en papel Witcel Ledger azuré. Ejemplar sin cortar. Buen estado.

Sin Encuadernar. Zustand: Muy bien. In-8. 11 pages. The original maquette with corrections of this "Magical tale" by Pu Songling translated from the French edition of Luois Laloy by Marcos Fingerit and published in a few copies.

Encuadernación de tapa blanda. Zustand: Muy bien. In-8. 22p. Wrappers. 7 pages with 14 handwritten poems signed and dated in 1920 and three more handwritten pages with different calligraphy signed and dated 1942. Firmado por el autor.

Sin Encuadernar. Zustand: Muy bien. More than 100 pages in different sizes with the working manuscripts of studies by Marcos Fingerit on Rainer Maria Rilke, These studies were then published in magazines that he directed, as in Cuadernos del Cenit in 1940: RILKE, Rainer Maria: Poems of poverty and death. With a liminal essay by Carlos Astrada and translation of Fingerit, also in the Journal of the National University of Colombia Number 6, p. 167-171, 1946 Approaches to Rilke: The Sentiment of the Dramatic & Number 7, p. 69-81, 1946. Approaches to Rilke: The Feeling of Childhood. Fingerit also translated Rilke on many occasions, Rilke seduced him throughout his life and published translations of his work in books as very deep studies of his in magazines, these handwritten notes speak of that obsession of Fingeit by Rilke and it is clear his erudiccion.…