Fay wray starring (17 Ergebnisse)

Vintage reference photograph from a re-release of the 1930 film, showing Fay Wray and Gary Cooper. Annotations in manuscript ink and pencil on the verso. Based on O. Henry's 1909 story "A Double-dyed Deceiver." A bandit kills a gambler in self-defense and goes on the lam. As he runs he is aided by a lawyer, who demands the bandit's help in a money swindling scheme. 8 x 10 inches. Near Fine.…

Vintage publicity photograph from the 1957 film, showing actress Fay Wray. Printed mimeo snipe affixed to the verso. Based on Cid Ricketts Sumner's 1948 novel "Tammy Out of Time," about a kindhearted 17-year-old from the Mississippi swamps who falls in love with a sophisticated pilot. The first film of four in the "Tammy" series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Very Good plus, slightly wavy along the bottom edge.…

Vintage studio still photograph from the 1962 film, here advertised under working title, "The Firebrand." Based on the 1945 play by Edwin Justus Mayer. A duke and duchess both have their eyes on other people, but do not want the other to know. 8 x 10 inches. Very Good plus, with one small tear to the top left corner and a small chip missing from the top right corner.…

Zustand: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Vintage publicity photograph from the 1944 film, showing actress Louise Allbritton behind a camera. Printed mimeo snipe affixed to the verso. A teenage orphan from New England receives an inheritance for education, but instead uses it to travel to New York to pursue the object of her obsession, an Army surgeon. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.…

Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film, with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray, a fashion store model falsely accused of stealing jewelry, and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine.…

Reference photograph from the 1928 silent film, struck circa 1950s, showing director and actor Erich von Stroheim in a tender moment with Fay Wray. Manuscript ink and pencil annotations to the verso noting the film's title and the names of the photograph subjects. From the archive of film historian and author Joel Finler. Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers, having gone nearly $1 million over budget, with an edited running time of over four hours. After a disastrous preview, Paramount decided to release two films from the footage, as was Stroheim's original intent, with the second part, entitled "The Honeymoon," now lost. The film follows Prince Nicki, an impoverished aristocrat, who is in love with a beautiful but poor innkeeper's daughter, but is forced to marry the daughter of a wealthy factory owner. 5 x 7 inches. Near Fine. National Film Registy. Scorsese, A Personal Journey through American Movies.…

Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. Nominated for an Academy Award. 8 x 10 inches. Very Good plus condition, with a handful of pinhole tears and a short closed tear at the extremities.…

Vintage pressbook for the 1933 pre-Code film. A lawyer embarks on a promising career, while her husband's football career begins to fade, causing discord and resentment between the two. When he is wrongly accused of murdering another woman, she comes to his defense. 12 x 17.75 inches. 12 pages, side-stapled. Very Good plus, moderately rubbed. …

Vintage wardrobe test photograph of actress Fay Wray from the 1933 film. Mimeo snipe on the verso. A steel mill worker turned scheming Wall Street financier retreats to the countryside with his wife after losing a substantial sum of money. 8 x 10 inches. Near Fine.

Vintage reference photograph from the 1928 film, struck circa 1950 from the original negative, showing actors Erich von Stroheim and Fay Wray. With a stamp specific to the film's French release on the verso, along with a few manuscript ink annotations. From the archive of film historian and author Joel Finler. Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers, having gone nearly $1 million over budget, with an edited running time of over four hours. After a disastrous preview, Paramount decided to release two films from the footage, as was Stroheim's original intent, with the second part, entitled "The Honeymoon," now lost. The film follows Prince Nicki, an impoverished aristocrat, who is in love with the beautiful innkeeper's daughter Mitzi (Fay Wray), but is forced to marry Cecilia, the daughter of a wealthy factory owner (Zasu Pitts). 5 x 7 inches. Near Fine. National Film Registy. Scorsese, A Personal Journey through American Movies.…

Five vintage reference photographs from the 1930 German film. Four with printed mimeo snipes affixed to the verso. Sequel to Erich von Stroheim's classic 1928 film "The Wedding March," about an impoverished aristocrat who falls in love with an innkeeper's daughter. Currently considered lost. 4.5 x 3.5 inches. Near Fine.…

Vintage portrait photograph of Erich von Stroheim from 1926, released as a publicity still for the 1928 film. Newspaper clipping of photograph with two "DEC 19 1934" stamps affixed to verso, and an "Erich von Stroheim" stamp, and "Erich von Stroheim, Goldwyn director" printed on verso. Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers, having gone nearly $1 million over budget, with an edited running time of over four hours. After a disastrous preview, Paramount decided to release two films from the footage, as was Stroheim's original intent, with the second part, entitled "The Honeymoon," now lost. Prince Nicki, an impoverished aristocrat, is in love with the beautiful innkeeper's daughter Mitzi, but is forced to marry Cecilia, the daughter of a wealthy factory owner. 8 x 10 inches. Very Good plus with two small chips, one on top left corner and one on center right margin. National Film Registy. Scorsese, A Personal Journey through American Movies.…

Vintage reference photograph of actress Fay Wray spotting something large and tentacled outside a boat window, with a camera crew to the far left capturing the shot. Mimeo snipe to the verso. A wealthy woman funds a marine biology expedition, but trouble arises when her crew declares their intentions to search for lost gold bullion in the wreckage of a German World War I U-boat instead. 8 x 10 inches. Very Good plus, with brief wear to the corners.…

Vintage reference photograph from the 1928 silent film, showing director and actor William Wellman in costume. Mimeo snipe on the verso. A World War I film about four young men who join the Lafayette Escadrille, a group of volunteer pilots known as the titular "legion of the condemned." Now considered a lost film. 7.5 x 9.75 inches. Near Fine.…

Vintage reference photograph from the set of the 1933 film. A rare glimpse behind the scenes of a film that was a triumph of design, practical effects, and cinematography. The crew and the natives of Skull Island prepare for one of the film's most memorable scenes: Ann Darrow (Fay Wray) being brought to the altar of Kong, while Cooper, cinematographers and crew capture the shot on rolling mounts and platforms in the foreground. A few year later the "great wall" in this image, a truly cost-effective prop, would come crashing down in flames during the burning of Atlanta in "Gone with the Wind." Set on Skull Island and in New York City. 10 x 8 inches. Near Fine. National Film Registry. Ebert II. Godard, Histoire(s) du cinema. McPadden, Heavy Metal Movies.…

Vintage Austrian film program for the 1933 US film. Cinema paper relating to "King Kong" is rare, this being the only example we have offered. Text in German. Issue No. 637 of "Illustrierter Film-Kurier," one of the oldest European film magazines, which ran weekly from 1929 to 1956. Like its German counterpart, "Film-Kurier," each issue focused on a single film and used a gravure process to reproduce images from the film, making for striking images and design. 6 x 9 inches. Six pages, saddle stapled. Near Fine with light toning to the wrapper edges. National Film Registry. Ebert II. Godard, Histoire(s) du cinema.…