F bartolozzi (22 Ergebnisse)

Single Sheet Engraving. Zustand: Very Good. No Jacket. First Edition. ADELAIDE AND FONROSE AFTER THE PAINTING BY WILLIAM HAMILTON, ENGRAVED BY R. MARCUARD, A PUPIL OF BARTOLOZZI, IN 1785 FINE ENGRAVING , DISPATCHED MOUNTED AND READY TO FRAME, EXCELLENT CONDITION, IMPRESSIVE VIEW . William HAMILTON (illustrator).…

Zustand: New. In English.

Cloth. Zustand: Very Good. First edition. A collection of colour plates, depicting stipple-engravings and mezzotint-engravings of famous works by Angelica Kauffman, Sir Joshua Reynolds, George Romney and more. The first edition of this work in the publisher's original cloth binding.Previous owner's ink inscription to the front free end paper.Illustrated with forty tipped-in colour plates. Collated, complete.A lovely collection of plates depicting stipple-engravings and mezzotint-engravings of works from artists such as Angelica Kauffman, George Romney, George Morland and Joshua Reynolds, by engravers F. Bartolozzi, L. Schiavonetti, P. W. Tomkins, G. Vendramini and others. Malcolm Charles Salaman (1855-1940), who was an author, journalist and critic, compiled the work and wrote the introduction. This work was edited by Charles Holme. In the publisher's original cloth binding. Externally, generally smart, though faded with shelf wear. Gilt remains bright. Internally, firmly bound. Pages are bright and clean. Very Good. F. Bartolozzi; L. Schiavonetti; P. W. Tomkins; G. Vendramini; et al. (illustrator). book.…

1960 Sección Femenina, Madrid Publica la FET y la JONS. Autoras: Sofía Morales, Carmen Villasante e Isabel Cajide. Il. a dos col. 137 p. 24x17 cm. Enc. cartoné con lomo de tela Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Zustand: gut. Rechnung mit MwSt - Versand aus Deutschland pages.

Taschenbuch. Zustand: Neu. Multislice-CT of the Abdomen | Christoph Johannes Zech (u. a.) | Taschenbuch | Medical Radiology | xiv | Englisch | 2016 | Springer | EAN 9783662506967 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Zustand: New. Summarizes the most important imaging findings obtained in a range of diseases using multislice CT of the abdomenHighlights key differential diagnostic featuresWritten and edited by internationally acknowledged experts in the field.

Hardcover. Zustand: Brand New. 2012 edition. 379 pages. 10.47x7.87x0.63 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book provides a lucid summary of modern multislice CT imaging of the abdomen, with a focus on the essential imaging findings. After a concise technical introduction, the most important abdominal diseases are described and illustrated with high-quality images. Sections are devoted to the liver and biliary system, the pancreas and spleen, the kidneys and urogenital system, and the bowel and peritoneal cavity. Throughout, key differential diagnostic features are highlighted. The editorial team is composed of internationally renowned radiologists from Europe and the United States, and all chapters have been written by recognized experts in the topic under consideration. Multislice CT of the Abdomen will serve as an excellent reference for radiologists participating in further professional training and will prove an ideal source of information for all who wish to deepen their personal knowledge of the subject.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Mid to late 1800s. Complete. Victorian reissue of the Duke of Malboroughs Gemmarum Antiquarum Delectus. Original blue cloth enveloped folio measuring approx. 37x28 cm. Blind borders on boards and gilt lettering on front board. Some general wear including a few areas of light fraying and general grubbiness and warping of cloth. Pencil scribble on reverse of front board. Title page has a little grubbiness as do a few plates, otherwise very good. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2550grams, ISBN.…

Leather. Zustand: Very Good. A superb illustrated folio edition of the best known poetical work of James Thomson. A folio edition of 'The Seasons', the best known poem by James Thomson.Illustrated with a frontispiece, six plates, and fifteen engraved vignettes and head and tail pieces, and an engraved dedication leaf. This edition is illustrated F. Bartolozzi and P. W. Tomkins, after W. Hamilton.Half-title is present.List of subscribers to the front.Collated, complete.'The Seasons' is a long blank verse poem, and reflects on the landscape of the countryside, a series of four poems, each focussing on one season of the year. For the poem, Thomson borrowed Milton's Latin influence vocabulary and inverted word order.This was an immensely popular and influential work when it was published, inspiring the likes of Thomas Gainsborough and J. M. W. Turner.The work wasn't just influential in the literary world, but also in the legal world; there were disputes over the publishing rights for the poem, and it led to two important legal decisions, Millar v. Taylor and Donaldson v. Beckett, both landmarks in the history of copywritings. In a modern quarter morocco binding with marbled paper to the boards. Externally, fine. Front free endpaper is edge worn with handling marks. Internally, firmly bound. Pages are bright and generally clean with scattered spots. Small tidemark to the head of the frontispiece and plates. Spots are heavier to the plates. Title page has been repaired. Very Good. F. Bartolozzi; P. W. Tomkins; W. Hamilton (illustrator). book.…

Zustand: Good. Folio (536 x 365 mm. 20.75 x 14.5 inches). Later half morocco with 8 raised bands over decorative paper-covered boards; in fine condition. 23 leaves. [i-xii], [1]33 [34]p. I=LXI engraved plates incl. the frontispiece by Bartolozzi.Engraved frontispiece and 60 engraved plates on 54 sheets, some double-page and/or folding, printed list of subscribers; small area of dampstaining in the right margins of the text and less so in the plates; and light foxing throughout; a few plates cropped to the plate mark sometimes affecting captions or plate numbers, scattered marginal tears and repairs.First edition. An elaborate description of a rare private residence of the Imperial period, Diocletian, -- Emperor of Rome,-- 245-313.The Fowler Architectural Collectin, no. [2]:" The plates .are of interest not only as fine examples of architectural engraving but as showing the source of some of the motives of the Adam style." OCLC Numbers 228757007; 456750309.…

BARTOLOZZI, F., [artist]. HAMILTON, W. T. , [illustrator]. The Seasons. Illustrated with Engravings by F. Bartolozzi and P. W. Tomkins.from Original Pictures painted for the Work by W. Hamilton, R.A. London: P.W. Tomkins, 1797. A magnificent edition, imperial folio (18 1/2 x 14 5/8 inches; 470 x 372 mm). [2], [5, list of subscribers], [1, contents], [2], [1]-236 pp. An engraved frontispiece and dedication leaf, five full-page engravings, ten head-and-tail pieces and five vignettes. Extra-illustrated with four later engraved full-page plates each with a vignette of a cherub, attributed to Tomkins, but from a later date. Beautifully bound by Riviere and Son in full dark red levant morocco. Boards ruled in gilt tooling. Spine elaborately stamped and lettered in gilt. Gilt dentelles. All edges gilt. Marbled endpapers. Previous owner's bookplate on front pastedown. Some restoration to the outer hinges. Overall a beautiful copy. HBS 65343. $3,500. BARTOLOZZI, F.; HAMILTON, W. T. (illustrator).…

Original copper engraving (44 x 60 cm, overall sheet 55 x 68 cm). Tissue guard to verso. Very light foxing to outer margins, not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).…

Print. Zustand: A nice contemporary copy. Separately issued stipple engraved portrait of Cook from a painting by John Webber. The painting was done in Capetown, South Africa in October-November 1776, on Cook's third and final voyage. Cook looks intently towards the artist Webber. His hair is dark; in other portraits, he wears a white wig. The effect of the small central oval portrait on folio paper emphasizes Cook's intent gaze and his mastery as a captain. How he mis-stepped in Hawaii, where he was eventually murdered, has puzzled many, some suggesting illness overcoming his skill, level headedness & experience. 'Painted at the Cape of Good Hope by J. Webber" beneath left side of the image, and "F. Bartolozzi R.A. sculp" beneath the right edge. "Published as the Act directs, June 4th, 1784, by J. Webber, No. 312, Oxford Street." Nan Kivell NK1381; Beddie 3596; Joppien and Smith 3.451A; Libraries Australia ID 7678311. 10.5 x 16.5" impression with wide margins, light foxing on left side. …

Print. Zustand: Very good condition. First printing. The separately published image by Webber of one of the iconic images of the 18th century. Cook, already a successful navigator, was immortalized after his death at the hands of Hawaiian natives at Karakakoa Bay. Cook had spent two months on the Big Island in 1779 and was well received, the natives believing he was a god. When he was forced to return due to a damaged mast, he was viewed as a mortal who had already sorely stretched the supplies of the Hawaiians. It is also thought that his handling of the natives was uncharacteristically brusque, leading to conjecture that this consummate traveler's judgment was somehow impaired. The extended title- "To the Right Honourable the Lords Commissioners for executing the Office of Lord High Admiral of Great Britain & c. This Plate representing The Death of Captain Cook is humbly inscribed. By their Lordship's most obedient and devoted Servant, John Webber". Copper engraving, published as the Act Directs 1st Jan. 1784, by J. Webber, No. 312, Oxford Street, and W. Byrne, No. 19, Titchfield Street, London. 22 3/4 x 18 1/4" image size. A very crisp impression on laid, watermarked paper. With the impression mark. A very nice bright clean copy of an important separately published engraving. Some cracking of edges outside the impression mark restored and the print is laid on archival paper. Signed.…

The separately published image by Webber that is infrequently found bound in the Atlas of the third voyage. One of the iconic images of the 18th century. Cook, already a successful navigator, was immortalized after his death at the hands of Hawaiian natives at Karakakoa Bay. Cook had spent two months on the Big Island in 1779 and was well received, the natives believing he was a God. When he was forced to return due to a damaged mast, he was viewed as a mortal who had already sorely stretched the supplies of the Hawaiians. It is also thought that his handling of the natives was uncharacteristically brusque, leading to conjecture that this consummate traveler's judgment was somehow impaired. Copper engraving, Published as the Act Directs 1st July 1785. 14 7/8 x 11" image size, trimmed within impression mark, small margins. Top right corner damaged, not affecting image. A very nice copy of an important separately published engraving that is occasionally included in the atlas to accompany Cook's last voyage. National Library of Australia PIC Drawer 1329 #S1091; Joppien and Smith, 3.305A.…

Print. Zustand: Very good condition. First printing. The separately published image by Webber of one of the iconic images of the 18th century. Cook, already a successful navigator, was immortalized after his death at the hands of Hawaiian natives at Karakakoa Bay. Cook had spent two months on the Big Island in 1779 and was well received, the natives believing he was a god. When he was forced to return due to a damaged mast, he was viewed as a mortal who had already sorely stretched the supplies of the Hawaiians. It is also thought that his handling of the natives was uncharacteristically brusque, leading to conjecture that this consummate traveler's judgment was somehow impaired. Copper engraving, published as the Act Directs 1st Jan. 1784, by J. Webber, No. 312, Oxford Street, and W. Byrne, No. 19, Titchfield Street, London. 22 3/4 x 18 1/4" image size. A very crisp impression on laid, watermarked paper. Without the impression mark, with an archival border added to aid in framing. A very nice copy of an important separately published engraving.…

OKupferstich. ca. 29,5 x 41 cm. Francesco Bartolozzi (geboren 1728 oder 1727 in Florenz; gestorben 1813 in Lissabon) war ein italienischer Kupferstecher, Zeichner und Verleger. Hds. Notiz a. unterem Blattrand, leicht fleckig, Rücks. m. Kleberesten u. Tintenflecken a. Rand.

Original engraving as published 1777. 340 x 205 mm.Edmondson was originally apprenticed to a barber, but afterwards became a coach-painter, and being much employed in emblazoning coat-armour on carriages was led to the study of heraldry and genealogy.

'MRS. HARDING AND SON.'A seated lady reading a book, with her son at her side. The caption is a quote from the famous poem "The Seasons" by James Thomson.Made by F. Bartolozzi after Gosway.Medium: Delicately handcoloured stipple engraving. on wove (wove (vellin)) paper.Sheet size: 27 x 36.8 cm (10.63 x 14.49 inch). Image size: 18.4 x 26 cm. (7.24 x 10.24 inch).MRS HARDING-SON-THOMSON-READING | DPO-PCO-1-07BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Francesco Bartolozzi (1725-1815) was an Italian engraver, who spend most his time in London. He was born (and received his first training) in Florence. There he was trained by Hugford and Ferretti, before moving to Venice. There he came under the influence of the work of Joseph Wagner. After a short stay in Rome, he left for London in 1764. Although he is not the inventor of crayon style engraving, he is credited with popularising the engraving method. Richard Cosway (1742-1821) was a leading English portrait painter of the Regency era. Condition: good, given age. Ligt soiling. Several small tears and paper loss in the margins, backed. Paper separation in top plate edge, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Gosway (illustrator).…

A fine copy of this celebrated engraving. Here with good margins, measuring 480 by 610mm. London, 1. Jany., Along with Oregon's admission to the Union in 1859 and Alexander Graham Bell's application for a patent for the telephone in 1876, Valentine's Day occasionally coincided with major historical events. None more so in the eighteenth century than the death of Captain James Cook on the beach at Kealakekua Bay, Hawaii in 1779.    The pre-eminent explorer of his age, Cook's legacy has suffered for being the figurehead of colonisation and the complications which ensued for New World nations and their indigenous populations. Indeed, the circumstances of his death involved Cook trying to facilitate the return of a stolen cutter by taking the Hawaiian King, Terreeoboo or Kalani'opu'u, on board HMS Resolution and holding him there until the boat was returned. Local Hawaiians got word of this and quickly assembled on the beach before the King went onboard. In the ensuing struggle between them and the British sailors, Cook was killed.   As such, one of the many subversive twists on the popular Valentine's Day song goes: Roses are red violets are blue. Hawaiians killed Cook because he tried to kidnap Kalani'opu'u.   This is particularly fine copy of Webber's depiction of the event, which is his most ambitious effort at history painting. Although crammed with figures, the eye is drawn directly to Cook, who is symbolically dressed in white, and in contrast to the greater part of the image, which is dark and indistinct, the warriors and seamen around him are highlighted in his reflected light.   This issue has the full caption with the Webber's dedication to the " Lord Commissioners for executing the Office of Lord High Admiral."   Joppien & Smith III, 3.305A.…