Evan calder williams (14 Ergebnisse)

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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hideous Gnosis: Black Metal Theory Symposium I
Masciandaro, Nicola; Shakespeare, Steven; Butler, Erik; Hunt-Hendrix, Hunter; Russo, Joseph; Noys, Benjamin; Williams, Evan Calder; Scott, Niall; Stosuy, Brandon; Stephanou, Aspasia
Sprache: Englisch
Verlag: CreateSpace Independent Publishing Platform, 2010
- Softcover
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Zustand: Very Good. Zustand des Schutzumschlags: 46910687. 1776952103. 4/23/2026 1:48:23 PM.

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- Softcover
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Paperback. Zustand: Brand New. 244 pages. 7.75x4.75x0.75 inches. In Stock.

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Zustand: New. From cinemas, televisions and DVDs to phone screens, life streams and youtube clips - how has our relationship with the moving image changed in the digital age? This book tells an expansive story of how moving images have changed in the last three decades and how they changed us along with them, rewiring the ways w…e watch, fight, and navigate an unsteady world. Giving equal ground to costly blockbusters and shaky footage, the author leads us from computer-generated 'shards' of particles and debris to the broken phone screen on which we watch those digital storms, looking for unexpected histories lived in the interval between. Num Pages: 300 pages. . . 2017. Paperback. . . . . Books ship from the US and Ireland.

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Hideous Gnosis: Black Metal Theory Symposium I
Masciandaro, Nicola; Shakespeare, Steven; Butler, Erik; Hunt-Hendrix, Hunter; Russo, Joseph; Noys, Benjamin; Williams, Evan Calder; Scott, Niall; Stosuy, Brandon; Stephanou, Aspasia
Sprache: Englisch
Verlag: CreateSpace Independent Publishing Platform, 2010
- Softcover
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Paperback. Zustand: Brand New. 192 pages. 8.25x5.25 inches. In Stock.

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Paperback. Zustand: Brand New. reprint edition. 252 pages. 8.50x5.50x1.00 inches. In Stock.

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- Erstausgabe
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Softcover. Zustand: Sehr gut. 1. Auflage. Z : 14 x 23 cm, 144 pages, 19 b/w illustrations - For Jacques Rancière, politics is not primarily the exercise of or struggle for power, but the institution of a certain type of space and time, a mode of visibility and intelligibility that creates a tear in the consensual fabric of a giv…en form of collective life. Art institutes just such a space and time, in which the fundamental polarities of experienceactivity and passivity, form and matter, appearance and realityare suspended and transformed. The essays collected in this volume, based on a symposium held at Art Center College of Design (Pasadena), consider the knot formed in Rancière's work between aesthetics, politics, and education. From his earliest work ("The Lesson of Althusser," 1974) to his magisterial book on the pedagogical theory of Joseph Jacotot ("The Ignorant Schoolmaster," 1981), the theme of education has been at the center of Rancière's concerns; his apparently recent turn to aesthetics, after the 1995 publication of "The Disagreement," should in turn be understood as a continuation of his studies of the aesthetic experiments conducted during the post-work nights of 19th-century proletarians ("The Nights of Labor," 1981).

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- Softcover
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Taschenbuch. Zustand: Neu. Neuware - From the repurposed rubble of salvagepunk to undead hordes banging on shopping mall doors, from empty waste zones to teeming plagued cities, Combined and Uneven Apocalypse grapples with the apocalyptic fantasies of our collapsing era. Moving through the films, political tendencies, and recurr…ent crises of late capitalism, Evan Calder Williams paints a black toned portrait of the dream and nightmare images of a global order gone very, very wrong. Situating itself in the defaulting financial markets of the present, Combined and Uneven Apocalypse glances back toward a messy history of zombies, car wrecks, tidal waves, extinction, trash heaps, labour, pandemics, wolves, cannibalism, and general nastiness that populate the underside of our cultural imagination. Every age may dream the end of the world to follow, but these scattered nightmare figures are a skewed refraction of the normal hell of capitalism. The apocalypse isn't something that will happen one day: it's just the slow unveiling of the catastrophe we've been living through for centuries. Against any fantasies of progress, return, or reconciliation, Williams launches a loathing critique of the bleak present and offers a graveside smile for our necessary battles to come.

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Taschenbuch. Zustand: Neu. Neuware - On the forms of sabotage, insubordination, and invisible activity that evade the terrain of politics. What gets stranded outside the borders of the political Inhuman Resources develops an account of sabotage, insubordination, and the invisible activities that undermine the ideas of accountabi…lity and identi?cation on which representative politics rely. Drawing from histories of labor, disability, infrastructure, writing, and war, Williams offers genealogies of the tropes of paralysis and sabotage, which leave behind notions of public citizenship to reveal an 'inhuman' agency that hinges on the unexpected friction between humans, materials, machinery, and other non-human life. Yet to detect this and move away from fantasies of clarity and visibility, we need to take cues from political and artistic practices that evade such legibility, and are attuned to what happens off-screen and without recognition. Spanning an ambitious range of subjects--from prison architecture to digital animation, legal history to self-help books, and electrical blackouts to silkworms saturated with toxic dye--Inhuman Resources gathers materials for thinking differently about insurgent activity. This is a theory that does not privilege exodus, pride, or autonomy but instead takes shape inside the very processes, architectures, appearances, and systems it seeks to ruin.