ethelbert white (17 Ergebnisse)

Zustand: New. pp. 24.

Softcover. Zustand: Very Good. 1939. A high-quality lithograph produced in 1939 by 'The Artist' magazine. Clean and unmarked across the image surface and generally very presentable, neatly trimmed to prevent edge wear. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre Size: 200 x 200 mm. 1. Item Type: Book. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Britain/UK; 1930s; Inventory No: 38633.

Paperback. Zustand: Very Good. VG: in very good condition without dust jacket. Cover toned. Pages lightly browned. Inner hinges cracked. 180mm x 110mm (7" x 4"). 278pp. A series designed so as to display wood-engraving. Only ten were issued, all in May 1938. Robert Gibbings was the Series Editor. First Penguin Illustrated Classics Edition.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. White, Ethelbert (illustrator). First Edition. Limited first edition, printed on hand-made paper and numbered (351 of 475). Translated by Richard Aldington, with introductory essay on Goldoni by Arthur Symons. Hardcover without jacket; very few marks on boards, with sunned front upper edge. Cloth spine is tanned with bumped ends; edges worn and scuffed; leading corners bent, worn and fraying, with cover loss. Page block rough and discoloured. Aside from the rare and minor age-related stain on pages within, all pages are clean and sound, with text and woodcut illustrations clear throughout. TS. Used.

Gebunden. Zustand: New.

Card covers, stapled spine. Zustand: Good. 12 x 15cm 8pp good card-covered exhibition catalogue, covers complete though detached from the contents. With biographical notes regarding each artist, together with a list of works.

Hardcover. Zustand: Very Good. Ethelbert White (illustrator). Limited Edition. Tan cloth covers are mostly clean, with leather label and gilt title on spine. Boards show some edgewear. Corners are bumped. See photos. Spine has gilt text on leather label, a little scuffed, and darkened with softened ends. See photos. Binding is strong. End papers/ pastedowns show little to no sign of age or wear; have an owner's inscription on ffep. Frontispiece is present. Illustrations are bright and clear, with scattered foxing in margins. See photos. Interior exhibits scattered light to moderate foxing, generally at margins. See photos. Inside pages are free of writing and intentional marks. Text block edges have deckle fore and foot edges, gilt along head, with some foxing.** PS2026.0415** 146 pages. 7.5 x 10 inches** First edition thus, with wood engraving illustrations. Signed limited edition. Publisher's original tan cloth with gilt titles on leather label to the spine. Top edge gilt. Printed on pure-rag paper. Illustrated with 36 woodcuts by Ethelbert White. Limited edition of 225 copies, this being copy number 214 and signed by Ethelbert White on the limitation page. Binding is firm and square, contents have scattered foxing throughout. Condition is overall Very Good.** John Richard Jefferies (1848-1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart, first published in 1883. Jefferies's success in conveying his awareness of nature and people within it, both in his fiction and in essays, has drawn admirers through the years.** The wood engravings that illustrate the Duckworth edition of 1923 are by the English artist Ethelbert White (1891-1972). An accomplished painter, White began engraving only in 1920. The wood engravings, in modern style, that he made for The Story of My Heart are considered a milestone in the medium.** First edition thus. Limited edition of 225 copies, of which this is #214. Signed and inscribed by artist on limitation page.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010452"**. Signed by Illustrator(s).

Single Issue Magazine. Zustand: Good. Weight, Carel; Wu Ject-Keyy,k D.; White, Ethelbert; Cox, David (illustrator). First Edition. xiv, 24 pages. Features: The Contemplation of the Mediocre; Some Notes on Portrait Painting; Reader's Picture of the Month; Colours; From East to West; Points of Interest for the Amateur; Perspective for the Painter; Let Us Paint in Water Colours; Of Material Interest; The Creative Outlook; Four colour plates by - Carel Weight, D. Wu Ject-Key, Ethelbert White, and David Cox. Unmarked with average wear. A sound copy.

Card covers, stapled spine. Zustand: Near fine in wraps. First Edition. 1.Ethelbert White 1891-1972 A Memorial Exhibition 3rd-21st December, 1979, The Fine Art Society, New Bond Street. 2. Ethelbert White Paintings and Works on Paper from a Private Collection, Henry Moore-Gwyn British Art, Masons Yard, London 30 May-12 June, 2018 plus a Private View Card for the 29th May, 2018.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

First edition with these illustrations. Signed limited edition. Publisher's original tan cloth with gilt titles on leather label to the spine. Top edge gilt. Printed on pure-rag paper. Illustrated with 36 woodcuts by Ethelbert White. A very good copy, the binding square and firm with some wear to the edges and chipping to the upper left of the spine label. The cloth is a little toned. The contents, with a previous owner's name to the font endpaper, a small stain to the upper edge of the front endpaper are spotted throughout. Limited edition of 225 copies, this being copy number 68 and signed by Ethelbert White in blue ink on the limitation page. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Hardcover. Zustand: Near fine. Illustrated by Ethelbert White (illustrator). Limited edition. Thin 8vo. (60)pp. Cloth spine, gilt. Patterned paper over boards. Finely printed letterpress on handmade paper. Woodcut cover and decorations by Ethelbert White. One of 400 numbered copies from a totla edition of 475, this is number 455. A near fine copy. "The letters included in this volume were written by Oscar Wilde to his friend Robert Ross during the summer of 1897. Wilde was released on Wednesday, May 19th, after completing his sentence of two years imprisonment, and on that day he crossed with a friend to Dieppe where he was met by Robert Ross to whom he at once handed the manuscript of his prison letter no known as 'De Profundis'. .

Cloth. Zustand: Very Good Indeed. Ethelbert White (illustrator). The first illustrated edition of the autobiography of Richard Jefferies, in the publisher's original cloth. In the publisher's original cloth binding.Originally published in 1883, this new edition features illustrations by Ethelbert White, comprised of thirty-six designs on wood.John Richard Jefferies was an English nature writer, known for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction, as well as this autobiography. In the publisher's original cloth. Externally, smart. Light shelf wear to the extremities. Slight fraying of cloth to spine tail. The odd mark to the rear board. Internally, firmly bound. Pages clean and bright with light spotting to first and last few leaves. Very Good Indeed. book.

First edition. Quarto. pp 20, [4]. Wrappers with dustwrapper. Illustrated with two tipped-in photographs and five engravings. Introduction by Peyton Skipwith. Checklist of engravings.One of 200 copies with two matted and mounted wood engravings from the original blocks, ''A Corner of the Forest'' and ''Forest Pool''. Housed in yellow cloth drop-back box with wood engraving on front and title label on backstrip.Fine.

Softcover. Zustand: Near Fine. First edition. Decorated by Ethelbert White. Large octavo. 13pp. Stiff pictorial wrappers printed in orange and green with design by White, Pictorial covers are lightly foxed, with few early, small soil marks, else a near fine copy, with the text, and illustrations, very fresh and clean. Limited to 46 numbered copies, printed on Japanese vellum. A review by Beaumont of the Russian Ballet production of *L'Oiseau de Feu (The Firebird)*. Illustrated with five hand-colored pochoir illustrations by Ethelbert White consisting of frontispiece and vignettes. Ethelbert White studied at St. John's Wood School of Art, and worked as a landscape painter, poster artist and wood engraver.

Colour reproduction, with hatched border, Fine Art Trade Guild stamp, "KXL".

ONE OF 200 SETS with pulls of two wood engravings, 'Forest Pool' and 'A Corner of the Forest' printed on Rivoli paper, text in Van Dijck set at The Rocket Press, printed on Zerkall mould-made paper, title-page and headings printed in red, 2 tipped in reproductions of photographs, 6 wood-engravings, including the front cover dustjacket engraving by White, mounted engravings: each 30 x 24.5cm, book: pp. 24, 4to, original plain white card, untrimmed, dustjacket, together with the prints in a yellow buckram, patterned-paper lined clamshell box with a printed label on the back and a wood-engraved print laid onto the front cover, near fine. Two beautifully printed woodland wood engravings from a founding member of the English Wood Engraving Society, who was often to be found in the summers of the early 1920s, travelling around Surrey and Sussex with his wife in their horse-drawn gypsy caravan.