Ernest schoedsack (10 Ergebnisse)

"Editions Montparnasse collection , 2005. 1 volume format DVD très bon Date de publication : 2 novembre 2005.

Hardcover. Zustand: Fair. No Jacket. Foreward by William Beebe. Weakness to inside front hinge and few pages loose, previous owner's writing on fep/. Ernest Beaumont Schoedsack (illustrator).

Faltblatt. Zustand: Gut. 4 S., 18*26 cm . Papierbedingt leicht vergilbt, handschriftl. "60" über "Nr. 587" auf Titelblatt, sonst sehr sauber. Sprache: Deutsch Gewicht in Gramm: 550.

Faltblatt. Zustand: Gut. 4 S., 18*26 cm . Papierbedingt leicht vergilbt, sonst sehr sauber. Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Zustand: Very Good. Hardcover. 8vo. G. P. Putnam's Sons, New York, 1925. 362 pgs. Frontispiece. Illustrated with sixty-four illustrations from photographs by Ernest Beaumont Schoedsack. Bound in blue cloth boards with gilt titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. Based on the silent documentary film, released the same year. A landmark enthographic documentary, Cooper and photographer Ernest Schoedsack accompanied the Bakhtiari, a tribe of 50,000 nomads on their hazardous annual journey to bring their herds to pasture. The two collaborated on a number of silent documentaries before jointly writing, producing, and directing "King Kong" in 1933. With the immediate success of "King Kong," Cooper became a Vice President of RKO Pictures. He went on to produce many notable films, as well as the first Cinerama presentation. In 1952 he was awarded a special Academy Award for lifetime achievement EB; 9.1 X 6.6 X 1.1 inches; 362 pages.…

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Good. Re-release). 8 pp. Horizontal crease, gentle toning and soil, some creasing and wear.On March 5, 1956, King Kong began a week-long run in the living rooms of New York when RKO's original 1933 movie was broadcast to the city by WOR-TV Channel 9 as a feature of its "Million Dollar Movies" series, famous for showing the same movie 16 times in a single week, twice every weekday evening and adding a third, matinee showing on the weekends.It was the first time Kong had appeared on the small screen and he was an instant hit. WOR transformed this early success to create a classic annual series for Thanksgiving Week, showing King Kong movies on Thanksgiving Day followed by Godzilla movies on Friday. King Kong and Godzilla were natural movie stars, and remain so to this day. Witness Warner Bros.' upcoming release of Godzilla Vs. Kong opening on March 25th in theatres and on HBO Max streaming. In the early days of TV, movie studios were reluctant to support the hot new medium of TV by licensing them the rights to air their films.In time, Hollywood came to see TV for its potential as a new source of revenue from licensing. What's more, the popularity Kong enjoyed during his TV run prompted RKO to re-release the original film to theatres later that year. TV's rise in the mid-century increased consumer appetites for entertainment across all channels, expanding the opportunity for content creators and distributors. This chapter in movie history resonates with changes underway today, which are forcing studios to adapt to the rise of streaming as it brings premium, original movies directly into the homes of consumers.…

Vintage reference photograph from the 1949 film, showing the titular gorilla facing off against a man on a rearing horse. Printed mimeo snipe and RKO Radio Pictures stamp on the verso. From the archive of film historian and author Joel Finler. A stop-motion monster fantasy film created in the wake of the massive success of Radio Pictures' "King Kong" (1933), even using the same director-screenwriter-producer team. A young woman heads to Hollywood with her pet gorilla named Joseph, hoping to make enough money to save her ranch home in Africa. When a seedy nightclub entrepreneur proposes the gorilla be used as part of his nightclub's entertainment, it seems like an easy way to make money-but Joe is miserable, as he is mistreated and unhappy in America. Received an Academy Award in 1950 for Best Special Effects. Set in Hollywood. 10 x 8 inches. About Very Good plus, with short closed tears at the edges and creases at the corners.…

Vintage reference photograph from the set of the 1933 film. A rare glimpse behind the scenes of a film that was a triumph of design, practical effects, and cinematography. The crew and the natives of Skull Island prepare for one of the film's most memorable scenes: Ann Darrow (Fay Wray) being brought to the altar of Kong, while Cooper, cinematographers and crew capture the shot on rolling mounts and platforms in the foreground. A few year later the "great wall" in this image, a truly cost-effective prop, would come crashing down in flames during the burning of Atlanta in "Gone with the Wind." Set on Skull Island and in New York City. 10 x 8 inches. Near Fine. National Film Registry. Ebert II. Godard, Histoire(s) du cinema. McPadden, Heavy Metal Movies.…

Vintage Austrian film program for the 1933 US film. Cinema paper relating to "King Kong" is rare, this being the only example we have offered. Text in German. Issue No. 637 of "Illustrierter Film-Kurier," one of the oldest European film magazines, which ran weekly from 1929 to 1956. Like its German counterpart, "Film-Kurier," each issue focused on a single film and used a gravure process to reproduce images from the film, making for striking images and design. 6 x 9 inches. Six pages, saddle stapled. Near Fine with light toning to the wrapper edges. National Film Registry. Ebert II. Godard, Histoire(s) du cinema.…