eickemeyer rudolf eickemeyer (21 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Kartoniert / Broschiert. Zustand: New.

Zustand: New. Deming, E W (illustrator). KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Letters From the Southwest | Rudolf Eickemeyer | Taschenbuch | 124 S. | Englisch | 2017 | hansebooks | EAN 9783337005207 | Verantwortliche Person für die EU: Hansebooks GmbH, Trakehner Weg 52, 22844 Norderstedt, gb[at]hansebooks[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Deming, E W (illustrator). Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Buch. Zustand: Neu. Neuware.

Zustand: Very good +. First Edition. Catalog of contest-winning photographs, "Being a Collection of the Photographs Which Received Awards in the Three Thousand Dollar Quarter Century Photographic Competition Which Closed October First Nineteen Hundred Three" Competition judged by Rudolf Eickemeyer, Jr., C. Yarnall Abbott, and William F. James. With texts by Alfred Stieglitz, Edward Steichen, Myra Wiggins, Jos. N. Pearce, Curtis Bell, Nellie Coutant, and Louis Fleckenstein, all of whom are represented among the featured photographers. Photo credits identify photographer and title as as well as the particular Bausch & Lomb lens used. Wraps. 4to. Black textured paper wraps with original photo (by Harry Contant) mounted to front cover. Hand-sewn binding. Wear and a few small tears to outer edges. Light foxing throughout. Pages toned. Very good plus.

Zustand: Very good +. First Edition. Catalog of contest-winning photographs, "Being a Collection of the Photographs Which Received Awards in the Three Thousand Dollar Quarter Century Photographic Competition Which Closed October First Nineteen Hundred Three" Competition judged by Rudolf Eickemeyer, Jr., C. Yarnall Abbott, and William F. James. With texts by Alfred Stieglitz, Edward Steichen, Myra Wiggins, Jos. N. Pearce, Curtis Bell, Nellie Coutant, and Louis Fleckenstein, all of whom are represented among the featured photographers. Photo credits identify photographer and title as as well as the particular Bausch & Lomb lens used. Wraps. 4to. Black textured paper wraps with original photo (by Harry Contant) mounted to front cover. Hand-sewn binding. Wear and a few small tears to outer edges. Light foxing throughout. Pages toned. Very good plus.

Hardcover. Zustand: Very Good. Preface by Joel Chandler Harris, photos by Rudolf Eickemeyer. 14.25 x 9.75", brown cloth backed boards with inset photo on front cover, unpaginated, covers quite worn, extremities bumped and chipping, contents toned with scattered finger soiling else a nice copy of this SCARCE and important photo essay, showing southern African Americans at the turn of the century. FIRST EDITION (NAP), FIRST STATE (with the "R" having short tails).

Hardcover. Zustand: Near Fine. Large quarto. Ribbon-tied black cloth boards titled in gilt on the front board. Two book labels of Eickemeyer on the front pastedown. Covers a bit worn, the ties appear to be replaced, very good; internally about fine. Contains 55 gelatin silver prints (although the quality of the images is so fine that they could be mistaken for platinum prints), each is 5½" x 3½", 13 of them have been captioned in ink by Eickemeyer. Eickemeyer's own album of his trip to California, with a handwritten note "Unfinished" on front pastedown. Perhaps Eickemeyer planned a second album (as the "I" on the front board might indicate), but it is unclear if he ever finished it; we could find no record of a second volume. A beautifully composed album which offers a personal glimpse into the famous photographer's methodology. According to a label on the inside, the Smithsonian obtained all of Eickemeyer's best-known photographs in 1929 (presumably displaying them, as evidenced here), this album was created after his February trip to the far West. The album, created by Eickemeyer in his last years, begins with a few images of Washington, DC including a captioned view of the installation of Eickemeyer's photography at the Smithsonian, followed by a handful of views of New Orleans. Although the album is titled *Our Trip to California*, the rest of the album is devoted almost solely to striking views, mostly landscapes, of the Canyonlands area including shots of the stark Arizona desert, the Grand Canyon, and various images of the pueblo-dwelling Native Americans. We can speculate that if indeed the second album was ever created (Eickemeyer died in 1932), the presumed Volume II would have housed the California images from the trip. Eickemeyer, born in Yonkers, New York, was an American pictorialist photographer, a member of the New York Camera Club, and along with Alfred Stieglitz, one of the first two Americans admitted to "The Brotherhood of the Linked Ring," an English group devoted to photography as a fine art. His photographs appeared in *Camera Work*, and he won numerous international medals for his work. A superb personal album by a famous photographer, featuring striking views of the Canyonlands. Unique.

(23,5 x 19,5 cm). 48 S. Mit 2 gefalteten Kupfertafeln und 5 gefalteten Tabellen. Pappband der Zeit. Einzige Ausgabe dieser seltenen, von der Königlichen Societät der Wissenschaften zu Göttingen gekrönten Preisschrift. - Eickemeyer (1753-1825) studierte in Göttingen Mathematik und wurde Ingenieuroffizier in Mainz. Er beschäftigte sich besonders mit Wasser- und Kriegsbaukunst. In vorliegendem Werk beschreibt er in 88 Punkten den Bau von Heerstraßen in Sandgebieten. - Vorsatz mit handschriftlichem Besitzvermerk. Vereinzelt gering braunfleckig. Einband etwas angeschmutzt und Rücken restauriert, sonst gut erhalten. - Engelmann, Bibl. mech.-techn. 86.

Unbound. Zustand: Near Fine. Vintage gelatin silver sepia-toned photograph. Measuring 5 by 3 3/4 inches. The image depicts Ruth McEnery Stuart, seated at a table, with one arm resting on an open book. The image is marked by Campbell Studios, Waldorf Astoria, possibly photographed by Rudolf Eickemeyer, Jr. who took photographs for Campbell Studios from 1909 until 1915, in their studio in the Waldorf Astoria Hotel (for more information, please see the online exhibition "Broadway Photographs: Art Photography & the American Stage 1900-1930"). Faint crease and small chip at upper right corner barely affecting the image, else very good, with sharp focus. Ruth McEnery Stuart, a southern writer, was born in Marksville, Louisiana. She is perhaps best remembered for her dialect writing, and "sympathetic treatment of Negro folkways" ['Notable American Women,' Vol. III, p. 407]. Captioned on verso in an unknown hand: "Mrs. Ruth McEnery Stuart, author of 'Daddy Do Funny.".