edmund hartmann (16 Ergebnisse)

4°, 108 S. m. 27 Abb. u. 31 Tab., Klammerheftung - Bodenschutz;14.

Softcover. Zustand: Good. [iv], 40, [4] pp., 12mo, string-tied card wrapper. Good copy, wrapper a little chipped, more heavily at the wrapper hinge, with some of the usual age-toning; contents generally fine. The later string binding replaced old staples (bits of rust residue on central fold).

Vintage studio still photograph, linen-backed, from the 1943 comedy film, showing actors Adolphe Menjou and Martha Scott. When the mother of a soon-to-be bride claims she has been swindled by one of her daughter's former suitors, the groom's fathera small-time con manschemes to set the situation right. 10 x 8 inches (25 x 20cm). Very Good, with a small dampstain to the left edge and light, offset toning.

Vintage reference photograph of actress Pola Negri from the 1943 comedy film. When the mother of a soon-to-be bride claims she has been swindled by one of her daughter's former suitors, the groom's fathera small-time con manschemes to set the situation right. 8 x 10 inches. About Very Good, with light edgewear, a chip to one corner margin, and a small tear to the bottom right corner with accompanying creasing.

Vintage color British front-of-house card from the UK release of the 1954 US film. Bob Hope stars as a tailor who disguises himself as Casanova in order to romance an attractive widow, played by Joan Fontaine. A story set in Italy. 8 x 10 inches. Near Fine.

Hardcover, Ohne Schutzumschlag. Zustand: Gut. OLeinen,kleine 8 ,mit rotem Buchschnitt,112 Seiten,20 S. Werbung für weitere Bücher+weiterer Seiten ohne Seitenzahl mit Empfelungen.gutes sauberes exemplar.Inhalt: 1. der >Lehrer al Erzeiher des Volkes.2.Berufstreue.3. Berufsfreudigkeit.4Pflege des Standesgefühls.5Liebevolle und gerechte Behandlung der Schüler.6Schulzucht.7.Interesse u. Aufmerksamkeit d,Schüler.8.Berücksichtigung der Individualität.9. Vermeidung der Überbürdung d. Schüler.10.Gesundheitspflege i.d. Schule.13.Schulaufsichtsbeamte.14.Hemmnisse i. Beruf des Lehrers.teilw.von mir gekürzt.Rarität! Buch, Zustand: Gut Sprache: Deutsch.

Two vintage publicity photographs from the 1944 film, one showing actor Leo Carrillo, the other showing actors Ole Olsen and Chic Johnson. Printed mimeo snipes affixed to the versos. A pair of zany nightclub owners agree to help their new next-door neighbors exorcise the tap-dancing ghosts living in their house. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Set in New York City. 8 x 10 inches. One Very Good plus, the other Very Good, with a chip at the bottom right corner.

Two vintage black-and-white keybook photographs from the 1938. Mimeo snipes affixed to the versos. Based on Latimer's Bill Crane and Doc Williams characters, from his books "Headed for a Hearse," "The Lady in the Morgue," "Murder in the Madhouse," "The Dead Don't Care," and "Red Gardenias." The last of three Bill Crane films, the first two being "The Westland Case" (1937) and "The Lady in the Morgue" (1938). Here, Bill Crane (Foster) visits a country estate where the occupants have been receiving threatening letters from someone called "The Eye." 8 x 10 inches. Very Good plus, waviness and faint tape residue on the rectos.

365 S. Mit 19 Tafeln und 227 Abbildungen im Text. Originalleinen (Hardcover). Die Kunstdenkmäler der Rheinprovinz 9,1. Tadellos ! Sprache: de.

fester Einband. Nachdruck der Ausgabe von 1910. 365 S., mit Abbildungen, Opbd., Gr. 8°, 25,3 x 18,5 x 3 cm, mit Widmung für den Vorbesitzer, Kanten und Ecken leicht bestoßen und berieben, Einband leicht fleckig, Buchschnitt altersbedingt leicht gebräunt / leicht fleckig, Kellergeruch, sonst sehr ordentlich - sauber, fest und vollständig. Aufgrund der EPR-Regelung kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien. Im Auftrage des Provinzalverbandes der Rheinprovinz. Sprache: DeutschU 1138 gr.

Vintage publicity photograph from the 1945 film, showing actor Andy Devine posing humorously in a tunic and sandals. Printed mimeo snipe affixed to the verso. A young woman becomes queen of the kingdom of Khemis after her father is killed in a slave revolt, but soon thereafter becomes captured and enslaved. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.

Vintage publicity photograph from the 1944 film, showing actress Ramsay Ames. A successful entry in Universal's Technicolor fantasy adventures (alongside "Arabian Nights" in 1942 and "White Savage" in 1943), loosely based on the classic Arabian Nights tales, with a fitting score by Edward Ward to match director Arthur Lubin's directorial flair. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine. Weaver, Universal Horrors.

Düsseldorf, L. Schwann, 1910. VII,365 pp. 227 ills & 19 plts. Softcover, damaged. (Die Kunstdenkmäler der Rheinprovinz, Band 9,I).

Archive of three scripts and one post-production script for the 1942 film. First is a First Draft script, under the working title "'Sherlock Holmes' (#2)," by screenwriters Edward T. Lowe and Scott Darling, dated March 24, 1942. Ribbon copy typescript on onionskin, with annotations in manuscript pencil on several pages, inquiries about plotline, question marks, as well as dates, and name of screenwriter Darling. Bound in, preceding script, are: A two-page, carbon typescript, breakdown of the story in 21 points, with annotation of "1st rough draft" and "One 3/24/42," in manuscript pencil, in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points, dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2," broken into nine points, dated 4-6-42, and a three-page ribbon copy typescript synopsis, dated 3/24/42. Second is a Third Draft script, under the working title "'Sherlock Holmes' (#2)," crediting screenwriter Scott Darling on front wrapper, and Edward T. Love and Scott Darling on title page, dated April 22, 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin, with several annotations in red or graphite manuscript pencil, question marks, an asterisk, underlines, and screenwriter S. Darling's name and date "4-27-42." Third is a Draft script, under the working title "Sherlock Holmes Fights Back," with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann," and screenwriters Scott Darling and Edward T. Lowe, dated May 22, 1942. Carbon typescript, with mimeograph duplication revision pages. Bound in, preceding script, is a page describing concept for "The Miss Bently School for Girls," with photograph affixed, illustrating concept. Annotations in red and graphite manuscript pencil throughout, noting dialogue, locations, shots, characters, as well as strikes and dates. Lastly, a Post-production Dialogue and Contitnuity script, dated August 6, 1942, with single annotation in manuscript ink on front wrapper. Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men," by Sir Arthur Conan Doyle. The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" (1942), directed by John Rawlins, and followed by "Sherlock Holmes in Washington" (1943), also directed by Roy William Neill (who would go on to direct all subsequent Holmes films at Universal). Watson and Holmes, transplanted from their usual Victorian setting, now in England in the midst of WWII, have to protect Swiss scientist Dr. Franz Tobel and his invention, an advanced bomb site, from falling into the hands Nazi Germany, as well as Holmes' arch-nemesis, Professor Moriarty (Lionel Atwill). The first Holmes film to feature Inspector Lestrade (Dennis Hoey) of Scotland Yard. March 24, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, dated March 24, 1942, with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page, dated 3/24/42, noted as 1st draft screenplay, with credits for screenwriters Lowe and Darling. 103 leaves, with last page of text numbered 96. Ribbon copy typescript on onionskin, rectos only. Pages Near Fine, wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper, bound with three gold brads. April 22, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, noted as THIRD DRAFT on the front wrapper, dated April 22, 1942, with credits for screenwriter Scott Darling. Title page integral with first page, with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves, with last page of text numbered 110. Ribbon copy typescript, rectos. Pages Near FIne, wrapper Very Good with closed tears and chipping at extremities, bound with three gold brads. May 22, 1942 script, "Sherlock Holmes Fights Back": Gray titled wrappers, with credits for screenwriter Edmund L. Hartmann. Title page present, dated May 22, 1942, with credits for Additional Chages by screenwriter Edmund L. Hartmann, screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves, with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities, bound with three gold brads. script: Titled self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper,dated August 6, 1942, with credits for director Neill. 109 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.

Buch. Zustand: Neu. Neuware -Frontmatter -- I. Der Zahlenraum von 1 bis 10 -- II. Der Zahlenraum von 10 bis 20 -- III. Der Zahlenraum von 1 bis 100 -- Front Matter 2 -- I. Der Zahlenraum von 1 bis 1000 -- II. Der höhere Zahlenraum -- Front Matter 3 -- Das Rechnen mit mehrfach benannten Zahlen -- Die Bruchrechnung -- Das große Einmaleins -- Front Matter 4 -- Das bürgerliche Rechnen -- Die Raumlehre -- Front Matter 5 -- 1. Die vier Grundrechnungsarten mit ganzen Zahlen -- 2. Das Rechnen mit Bruchzahlen -- 3. Einfacher Dreisatz. - Geometrische Berechnungen -- 4. Allgemeine Prozentrechnung -- 5. Vielsatzrechnung -- 6. Teilungs und Gesellschaftsrechnung -- 7. Mischungsrechnung -- 8. Terminrechnung -- 9. Rechnungen über Wertpapiere -- 10. Einfache Zinsrechnungen zur Wiederholung -- 11. Berechnung der Zinsen nach Zinszahlen, Konto-Korrent -- 12. Zinseszinsrechnung -- 13. Diskont und Wechselrechnung -- 14. Vermischte Ausgaben ans Haus und Landwirtschaft, Handel und Gewerbe. -- 15. Kostenberechnung -- 16. Die gewerbliche Buchführung -- 17. Arbeiterversicherung -- Deutsche Maße und Gewichte -- Ausländische Münzen -- Front Matter 6 -- Erstes Heft -- I. Der Zahlenraum von 1 bis 10 -- II. Der Zahlenraum von 10 vis 20 -- III. Der Zahlenraum von 1 bis 100 -- Zweites Heft -- I. Der Zahlenraum von 1 bis 1000 -- II. Der höhere Zahlenraum -- Drittes Heft -- Das Rechnen mit mehrfach benannten Zahlen -- Die Bruchrechnung -- Viertes Heft -- Das bürgerliche Rechnen -- Raumlehre -- Heft für Fortbildungsschulen -- Deutsche Maße und Gewichte -- Ausländische MünzeuWalter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin 388 pp. Deutsch.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Frontmatter -- I. Der Zahlenraum von 1 bis 10 -- II. Der Zahlenraum von 10 bis 20 -- III. Der Zahlenraum von 1 bis 100 -- Front Matter 2 -- I. Der Zahlenraum von 1 bis 1000 -- II. Der höhere Zahlenraum -- Front Matter 3 -- Das Rechnen mit mehrfach benannten Zahlen -- Die Bruchrechnung -- Das große Einmaleins -- Front Matter 4 -- Das bürgerliche Rechnen -- Die Raumlehre -- Front Matter 5 -- 1. Die vier Grundrechnungsarten mit ganzen Zahlen -- 2. Das Rechnen mit Bruchzahlen -- 3. Einfacher Dreisatz. - Geometrische Berechnungen -- 4. Allgemeine Prozentrechnung -- 5. Vielsatzrechnung -- 6. Teilungs und Gesellschaftsrechnung -- 7. Mischungsrechnung -- 8. Terminrechnung -- 9. Rechnungen über Wertpapiere -- 10. Einfache Zinsrechnungen zur Wiederholung -- 11. Berechnung der Zinsen nach Zinszahlen, Konto-Korrent -- 12. Zinseszinsrechnung -- 13. Diskont und Wechselrechnung -- 14. Vermischte Ausgaben ans Haus und Landwirtschaft, Handel und Gewerbe. -- 15. Kostenberechnung -- 16. Die gewerbliche Buchführung -- 17. Arbeiterversicherung -- Deutsche Maße und Gewichte -- Ausländische Münzen -- Front Matter 6 -- Erstes Heft -- I. Der Zahlenraum von 1 bis 10 -- II. Der Zahlenraum von 10 vis 20 -- III. Der Zahlenraum von 1 bis 100 -- Zweites Heft -- I. Der Zahlenraum von 1 bis 1000 -- II. Der höhere Zahlenraum -- Drittes Heft -- Das Rechnen mit mehrfach benannten Zahlen -- Die Bruchrechnung -- Viertes Heft -- Das bürgerliche Rechnen -- Raumlehre -- Heft für Fortbildungsschulen -- Deutsche Maße und Gewichte -- Ausländische Münzeu.