Dwight v babcock (28 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Soft cover. Zustand: Good. No Jacket. Reprint. An early Avon reprint from the early 50s - Avon 332. Light wear to the edges. Glue on the spine has dried and started to split at the title page. A good copy.

Zustand: Acceptable. Avon 1943 Binding: Mass Market Paperback paperback.

Zustand: New. In English.

hft. Zustand: Very Good.

Zustand: Acceptable. Avon Books 1945.

hft. Zustand: Very Good.

Zustand: Fair. Acceptable condition. (Detectives, Mystery) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

24x18. 96 pgs. Texto a doble columna. Ilustraciones. Falto del lomo. Ejemplar algo mareado. (P2271).

Hardcover. Zustand: Good. 1st Edition. 1st edition, hardback, 236pp, owner's name on endpaper, pages browned, text otherwise sound, blue boards, edges rubbed, Good / no dustwrapper.

Zustand: Fine. Très bon état. Sans date. Fine.

Zustand: Bueno. Ed. Molino. Barcelona 1950. Serie Amarilla nº 262. Rustica. 24x17. 104 pp. Ilustrado.

Couverture souple. Zustand: bon. R160039570: 1980. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos abîmé, Intérieur frais. 221 pages. . . . Classification Dewey : 843.0872-Le roman policier.

Ilstr. Trad. G. López Hipkiss. 24x17. 104p. PEDIDO MINIMO, 6.00 EUROS. ENVIO GRATUITO HASTA 1 KILO A LA PENINSULA SIN NUMERO DE SEGUIMIENTO. PARA OTRAS FORMAS DE ENVIO, LEA CONDICIONES. (PAYPAL +1,80 HASTA 50, RESTO +5.95%). EN ALMACEN. LITERATURA POLICIACA LIBRO EN ESPAÑOL.

United Authors Limited. 1947. First edition. Hardback. No DW. Blue cloth gilt, top of spine faded. Pages browned. Front panel of wrapper loosely inserted. Generally clean and sound.

Hardcover. 8vo. pp 320. Original publisher's peach cloth, lettered yellow on spine. From the Donald Rudd collection of detective fiction. Somewhat used with rubbing, marks and general wear to cloth - otherwise very good minus copy with clean text.

Zustand: Good. First UK edition hard back binding in publisher's original navy blue cloth covers, gilt title and author lettering to the spine. 8vo. 7½'' x 5¼''. Contains 256 printed pages of text. Rubs to the softened spine ends, gutters and corners, cheap paper browning and in Good condition, no dust wrapper. Member of the P.B.F.A. MODERN FIRST EDITIONS.…

Couverture souple. Zustand: bon. R160036238: 1952. In-12. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 220 pages. . . . Classification Dewey : 843.0872-Le roman policier.

Couverture souple. Zustand: bon. R160172869: 1952. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 220 Pages - Piqûres de vers sans conséquence pour la lecture - Une petite étiquette agrafé sur la page de garde - Coiffe en pied abîmée. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne. …

Post-production Continuity and dialogue script for the 1946 film. Phyllis Allenby (Lockhart) has an ancient curse on her family, cast by a pack of wolves. After a series of local murders, she is convinced she and her werewolf curse are to blame, for she finds her belongings muddied, torn, and streaked with blood almost every morning. A greedy aunt eventually confesses to framing Phyllis (in attempt to retain the Allenby's family fortune), and suddenly dies by falling down a flight of stairs and onto a knife. With all the right elements of atmosphere, eerie stringed instrumentation as the score, and impeccable effects, the film was not well received. Stands unique in the werewolf pantheon, with a woman as the accursed, and no werewolf actually seen. White titled wrappers, dated MARCH 25, 1946, production No. 1484, with credits for director Yarbrough, actors Don Porter and Lloyd Corrigan, and actresses June Lockhart, Sara Haden, and Jan Wiley. 83 leaves, mimeograph duplication. Pages Very Good plus or better, with a few tiny chips, short creases and small closed tears at the extremities, and some offsetting to the wrappers, bound with two gold brads. Wrappers now encapsulated in mylar. Weaver, Universal Horrors.…

Post-production Continuity and Dialogue script for the 1945 film. A sheltered young girl lives with her uncle, a pawnbroker by day and (unbeknownst to her) the leader of a criminal ring by night. When she begins to uncover his transgressions, and realizes she is now under threat of becoming his next victim, she seeks out the help of a local beat cop in bringing him down. White titled self wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, production No. 1422, dated AUGUST 8, 1945, with credits for director Charles David, actors Gloria Jean, John Qualen, Bill Goodwin, and other cast members. Title page integral with the front wrapper, as issued. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with light foxing, bound with two gold brads at the top edge.…

Vintage publicity photograph from the 1945 film serial, showing actors Jan Wiley and Dennis Moore. Annotations in manuscript pencil on the verso. A group of Nazi spies kidnap a professor in order to acquire his creation: a machine capable of extracting gold from sea water. An FBI agent and a lady reporter seek to rescue the professor and unmask the leader of the Nazis, known only as "Master Key." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Slight wear on the bottom edge, else about Near Fine.…

Vintage publicity photograph of Rondo Hatton from the 1945 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Rondo Hatton was a journalist and actor who found a film career due to his unique facial features, a result of acromegaly from exposure to poison gas in World War I. Headlining horror films for Universal Studios in the early 1940s, he died early in his film career in 1946 at the age of 51, and has since become a cult icon. The third and last film in the Paula Dupree trilogy, preceded by "Captive Wild Woman" (1943) and "Jungle Woman" (1944). Paula Dupree, the Ape Woman, is brought back to life by a mad scientist and his disfigured assistant. 10 x 8 inches. A faint emulsion irregularity to the bottom left, else Near Fine. Weaver and Brunas, Universal Horros 1931-1946.…

Draft script for the 1945 film. Copy belonging to studio secretary Marion Pecht, with her name in manuscript pencil at the top right corner of the front wrapper. The sixth and final Inner Sanctum installment, featuring spiritualists, a haunted house, and a murder by suffocation, in what was seemingly a last gasp from the studio's film series. Sadly, the film's failure superseded its potential, even with all the right elements of a chilling melodrama. Chaney,Jr. plays attorney Wayne Fletcher, who is engaged in an affair with his secretary, Donna (Joyce), who is tied to a rich family. He arrives home after a late night at the office to discover his wife has been murdered, a death by asphyxiation, with Wayne as the suspect. With the help psychic Julian Julian (Bromberg), the police investigate the murder. The psychic's motives are questionable, but he says he can contact Wayne's dead wife. At a seance to reach Vivian's spirit, the reluctant Wayne hears what he thinks is her voice but discovers Julian Julian in the shadows and accuses him of conspiracy. After several sleepless nights haunted by the voice of his lost wife, Wayne finally "gives in" to her spirit and attempts to kill Donna with a pillow, but is overpowered by police and leaps from a window to his death, per his wife's instructions. Gray card titled wrappers, lacking rear wrapper, rubber-stamped production No. 7285, dated February 19 1945, with credits for screenwriter Bricker and story writer Babcock. 106 leaves, mimeograph duplication. Pages Near Fine, wrapper Good, lacking rear wrapper, bound with two gold brads. Weaver, Universal Horrors.…

First UK edition (published the same year in the US as A Homicide for Hannah), first printing. Review copy with the publisher's review slip loosely laid in. Original peach cloth with yellow titles to the spine. In the dustwrapper. A very good copy, the binding square and firm, the cloth with a stain that runs the length of the spine, fading to the spine, and a little softening at the board edges. The contents, with stains to the top and bottom of the textblock edges and toning to the textblock edges and margins, are otherwise clean. Complete with the original lightly rubbed and creased dustwrapper which has a large stain along the spine and rear panel corresponding to the stain on the binding, and a few small nicks to the extremities. Not price clipped (8/6 net to the front flap). Scarce in the dustwrapper. Babcock started his career writing pulp shorts and thrillers before joining Universal Pictures in 1943 as a screenwriter, where he worked on horror films such as The Mummy's Curse and House of Dracula. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers.…

8vo, pp. 320. Original pale orange boards, lettered in yellow to spine. Printed dust jacket. Corners just a little bumped, but a near fine copy in a near fine dust jacket with some light wear to head of spine. First UK edition of the author's first book. Published the same year in the US with the title A Homicide for Hannah. One of only three novels by Dwight V. Babcock [1909-1979] who spent most of his professional life in the world of pulp fiction, before graduating to screenwriter at Universal. A near fine copy of a scarce book in any condition. HUBIN, p. 18.…