George bricker screenwriter (4 Ergebnisse)

Post-production Continuity and dialogue script for the 1946 film. Phyllis Allenby (Lockhart) has an ancient curse on her family, cast by a pack of wolves. After a series of local murders, she is convinced she and her werewolf curse are to blame, for she finds her belongings muddied, torn, and streaked with blood almost every morning. A greedy aunt eventually confesses to framing Phyllis (in attempt to retain the Allenby's family fortune), and suddenly dies by falling down a flight of stairs and onto a knife. With all the right elements of atmosphere, eerie stringed instrumentation as the score, and impeccable effects, the film was not well received. Stands unique in the werewolf pantheon, with a woman as the accursed, and no werewolf actually seen. White titled wrappers, dated MARCH 25, 1946, production No. 1484, with credits for director Yarbrough, actors Don Porter and Lloyd Corrigan, and actresses June Lockhart, Sara Haden, and Jan Wiley. 83 leaves, mimeograph duplication. Pages Very Good plus or better, with a few tiny chips, short creases and small closed tears at the extremities, and some offsetting to the wrappers, bound with two gold brads. Wrappers now encapsulated in mylar. Weaver, Universal Horrors.…

Vintage publicity studio still photograph from the 1946 film, showing actor Rondo Hatton. A struggling sculptor tricks a psychopath in his debt into murdering his critics. Hatton would pass away on February 2, 1946, just 20 days before the film's release, due to complications from his acromegaly. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Very Good plus, with a small chip at the bottom right corner. …

Draft script for the 1945 film. Copy belonging to studio secretary Marion Pecht, with her name in manuscript pencil at the top right corner of the front wrapper. The sixth and final Inner Sanctum installment, featuring spiritualists, a haunted house, and a murder by suffocation, in what was seemingly a last gasp from the studio's film series. Sadly, the film's failure superseded its potential, even with all the right elements of a chilling melodrama. Chaney,Jr. plays attorney Wayne Fletcher, who is engaged in an affair with his secretary, Donna (Joyce), who is tied to a rich family. He arrives home after a late night at the office to discover his wife has been murdered, a death by asphyxiation, with Wayne as the suspect. With the help psychic Julian Julian (Bromberg), the police investigate the murder. The psychic's motives are questionable, but he says he can contact Wayne's dead wife. At a seance to reach Vivian's spirit, the reluctant Wayne hears what he thinks is her voice but discovers Julian Julian in the shadows and accuses him of conspiracy. After several sleepless nights haunted by the voice of his lost wife, Wayne finally "gives in" to her spirit and attempts to kill Donna with a pillow, but is overpowered by police and leaps from a window to his death, per his wife's instructions. Gray card titled wrappers, lacking rear wrapper, rubber-stamped production No. 7285, dated February 19 1945, with credits for screenwriter Bricker and story writer Babcock. 106 leaves, mimeograph duplication. Pages Near Fine, wrapper Good, lacking rear wrapper, bound with two gold brads. Weaver, Universal Horrors.…

Draft script for the 1953 film. With a single manuscript pencil notation reading "1952" to the top left corner of the front wrapper. In Tangier, an American spy posing as a black marketeer is on a mission to stop three atomic scientists who plan to pool their government secrets and make a profitable deal with the Communists. A late-career project from prolific director Lew Landers, best known for his low-budget western and adventure films at RKO and Columbia. Blue titled wrappers, noted as production No. 203. Title page integral with the distribution page, with receipt intact, rubber-stamped copy No. 46, with story and screenwriting credits to George Bricker. 115 leaves, with last page of text numbered 110. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 9/13/52. Pages Near Fine, wrapper Very Good plus, with some creasing and light fading, bound with two gold brads.…