Duveen joseph (12 Ergebnisse)

Tapa dura. Memorias de Duveen, Rey de los anticuarios. Fotografía a color. Láminas numerada a bolígrafo. Buen estado Memorias de Duveen, Rey de los anticuarios. Fotografía a color. Láminas numerada a bolígrafo. Buen estado 96 pp.+[10 h.] 20x14 Láminas numerada a bolígrafo. Buen estado. Fotografías a color (illustrator).…

First Edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Slight damage to the boards. Minor browning to the pages. Remains quite well-preserved overall. Physical description: viii, 165 pages: illustrations, plates (some color); 29 cm. Subjects: Art Great Britain. Painting, British. Art, British. 20th century. Art, Modern 20th century Great Britain. Sculpture, British. Genre: Illustrated. Fiction. 1 Kg. …

Hardcover. Zustand: Very good. No Jacket. Colou and black and white illus.; 165pp. folio orig. cloth, spine faded, a few marks on front cover.

Hardcover. Zustand: Good. With an Introduction by Sir Martin Conway, MP. 8 illustrations in colour (tissue over frontis) plus many in Photogravure. The pages are clean and bright; some foxing to endpapers. Bound in dark blue cloth. Spine is sunned. Minimal edgewear.

unknown_binding. Zustand: Good. Zustand des Schutzumschlags: very torn. 1953 edition. No dustjacket.

Couverture rigide. Zustand: bon. RO60073350: 1930. In-4. Relié. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 165 pages. Reproduction en couleur en frontispice. Illustré de nombreuses reproductions en noir et blanc et en couleur, dans et hors texte. Couverture fortement défraîchie et tachée. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.…

322 S. Mit Illustrationen v. S. Steinberg. Original-Leinenband Joseph Joel Duveen (1869- 1939) war ein britischer Kunsthändler in London und New York. - Einband etwas fleckig. Gewicht (Gramm): 458.

1st edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: viii, 165 pages: illustrations (part color), color frontispiece; 30 cm. Notes: "Studio" special autumn number. Subjects: Painting, British. Art, British.Art, British 20th century. Painting Great Britain. Art Great Britain. Painting, British 20th century. Art, Modern 20th century Great Britain. Genre: Fiction. Illustrated. 1 Kg. …

4to, 165pp; blue cloth. Special autumn number of the periodical Creative Art devoted entirely to this richly illustrated essay by the venerable art dealer. Slight shelf-rubbing; fine in a moderately toned dust jacket, split at front hinge and with some wear and shallow chipping.

Special Autumn Number of The Studio for 1930. pp. viii, 165. Dark blue cloth with gilt title on spine. Pale grey dust jacket with silhouette in dark blue of a Greek warrior with helmet. Title and author printed in red on upper cover. Title printed in red on the spine. Lower cover of dust jacket has an illustrated advertisement for Winsor and Newton. Top edge gilt. This comprehensive survey of British art from 1900 to 1930 by one of the most celebrated art dealers of the early twentieth is well illustrated throughout with a combination of colour and photogravure reproductions. It is in excellent condition. Fine.…

29,5x22 cm. Ca. 90 n.n. S. mit 34 Lichtdrucktafeln. Originalleinwand mit Deckel- und Rückentitel. Originalausgabe. - Mit handschriftlicher Widmung Von Joseph Duveen an Georg Swarzenski auf dem Vorsatz: "To Director G. Swarzenski Städl Institut Frankfurt with kindet regards, London 1926." - Joseph Duveen (1869-1939), der berühmteste englische Kunsthändler seiner Zeit, war persönlicher Berater des Eisenbahnunternehmers (1850-1927) und stellte für ihn die vorliegende Sammlung Englischer klassischer Malerei mit Werken von George Romne, John Hoppner, Joshua Reynolds, Thomas Lawrence u.a. zusammen. Der Widmungsempfängr Georg Swarzenski (1876-1957) leitete bis zu seiner Emigration 1938 das Städel Institut. - Schönes Dokument zur Kunstgeschichte des 20. Jahrhunderts. - Einband etwas angestaubt. Sprache: englisch.…

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970. The present item reveals that the painting was acquired from the recipient Fisher [probably the auctioneer George Fisher] by the London art dealer Agnew, by whom it was sold to Kann. Nor has Murray's ownership of the painting hitherto been noted, and it seems that Bonacossi acquired it (as he did several other works) at the sale of Murray's collection in 1923. 4pp., 12mo. Bifolium. In fair condition, on aged and creased paper. After explaining that he has sent the letter in expectation that Fisher has returned from a foreign trip, Murray continues: 'I have a little piece of news that will interest you. Two days ago I re-purchased (this time definitely for myself) your Bellini "Crucifixion". I have been very sorry ever since Agnew [London art dealer] sold it to that ignoble Jew (German) Kann [the banker Rodolphe Kann] that I was unable to purchase it then. | The subsequent history is curious. When the Kann coll[ection] passed into the hands of Duveen [in 1907] it remained unsold, partly no doubt owing to the subject & partly to its being unsigned. It requires happily for me an intelligent art lover to appreciate its beauty. Duveen presented it to Dr. Bode [Wilhelm von Bode] in recognition of his help in selling the greater part of the coll[ectio]n. | For some reason (monetary perhaps) he Bode did not present it to the Berlin Mus[eu]m. but placed it in the hands of his crony Volpi [Count Elia Volpi], here for sale. Volpi included it in an auction he had here some time back but not getting the sum hoped for bought it in. It has remained in his hands since.' Murray had 'long ceased to visit' Volpi, but after writing to him was 'well received. I promptly seized the occasion to re-possess myself of the long coveted treasure together with a very fine bust of a cardinal ascribed to Bernini. So both now decorate my picture gallery since yesterday.' He concludes by giving his plans for returning to London, and in the hope that 'Mrs Fisher is better'.…