dr robert s paul (9 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Zustand: New. Num Pages: 378 pages, illustrations. BIC Classification: HRCV4. Category: (G) General (US: Trade). Dimension: 208 x 140 x 25. Weight in Grams: 386. . 2006. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 102 pages. 10.00x8.00x0.24 inches. In Stock.

Zustand: New. Editor(s): Atkinson, Paul, Dr (Cardiff University); Dingwall, Professor Robert (University of Nottingham UK University of Nottingham United Kingdom); Murcott, Professor Anne (School of Oriental and African Studies Food Studies Centre, UK SOAS, University of London, UK SOAS, University of London, UK SOAS, University of London, UK SOAS, University of London, UK SOAS, University of London, UK SOAS, University of London, UK). BIC Classification: VFD. Category: (G) General (US: Trade). . . 2017. Paperback / so. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. No Jacket. 232, xxv pp. ; illustrated, 19 photographic plates, 3 in color ; 21 cm. ; John Horace McFarland (1859-1948) was an American master printer and horticulturist. Throughout his career, he advocated for civic beautification, and he became a leader in the conservation movement of the early twentieth century. These early experiences instilled the passion for horticultural beauty and the business expertise that distinguished him personally and professionally. He eventually purchased his father's press. Combining the skills learned from these early experiences, he established a successful printing company of his own. He founded the J. Horace McFarland Company/Mount Pleasant Press, specializing in seed catalogs and nursery trade publications. Over the course of his lifetime, McFarland wrote and lectured extensively on horticulture, printing methods, and civic improvement. McFarland was a prominent member of the American Rose Society. Contents : Why do you like roses? / B Y Morisson -- Favorite moss roses / Jesse A Currey -- Tea roses for southern climates / George C Thomas, Jr -- The land of enchantment / Edmund M Mills -- Interesting boys and girls in roses / J Horace McFarland -- A beginner's experiences / Dwight L Armstrong -- East and West beginnings and experiences / John F Mahneke -- Own-root roses again / G A Stevens -- Buying roses from traveling agents -- Why we stopped selling roses in Sping / George H Petereson -- Rose understocks at Arlington Farm / Guy E Yerkes -- Rose-breeding in theory and practice -- Chromosomes and their relation to rose problems / Kathleen B Blackburn -- Mendelian principles and rose hybridization / J H Nicolas -- Artificial fertilization / J Pernet-Ducher -- Parents and offspring / Capt. George C THomas, Jr -- Handling seeds and seedlings / Allan C Fraser -- Roses and their hybridization in Spain / Pedro Dot -- Hybridization from a woman's viewpoint / Rena E Wilbur -- A poor start makes poor roses / W L Bredero -- The Northeast corner, a double symposium -- Roses in New England -- Roses in Maine / Dr. George T Elliot -- New Hampshire roses / Dr. Joseph Boylston -- Green Mountain roses / Edna V Highley -- Roses in Vermont / R R Campbell -- Practical methods / Mrs. A H Parker -- Along the New England seaboard / John Barrow -- Rhode Island roses / R Marion Hatton -- Roses and heresies in Connecticut / Alexander Cummings, Jr -- Roses in New York and Ontario -- Simplified rose culture on Long Island / Mrs Tracy H Lewis -- Planting and feeding roses / A Schierenberg -- Roses in Central New York / Dr. G Griffin Lewis -- Amateur rose-growing in Rochester / Paul Seel, Elsie Seel - A home rose-garden in Ithaca / E A White -- A Buffalo backyard rose-garden / Oscar S Witte -- Roswe varieties in Ontario / Paul B Sanders -- Thomas, Pemberton, and Lambert roses / Whitman Cross -- Color standardization for roses / H S Tillotson -- Considering new varieties / Capt. George C Thomas, Jr -- Patience for the new roses / G F Middleton -- The proof ofthe pudding, again -- A gentleman discusses blondes / Geoffrey G Whitney -- Roses in China / M Leslie Hancock -- Five years of rose progress in Australia / H H Hazlewood -- Roses at a naval base / G Prideaux -- Brown canker of the rose / Anna E Jenkins -- As the retail florist sees roses / Max Schling -- The cut-rose situation in New York / E L D Seymour, Frank H Traendly -- Conversation with a rose beginner -- A rose school in Texas -- The favored roses of America / Robert Pyle -- Royal doings in Tacoma / James A Hays -- What about the new European roses? -- Two new van Fleet hybrids -- New roses of the world -- Roses registered -- Rose notes. ; green patterned cloth ; with return card for ARS laid-in ; slight edge wear, else VG. Book.

Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .