Donald booth (27 Ergebnisse)

Broschiert. Zustand: Gut. 458 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 590. …

Broschiert. Zustand: Gut. 458 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Es wurde mit dem Werk gearbeitet, daher trägt das Buch viele Markierungen/Notizen. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 595.…

Soft cover. Zustand: Good. 1st Edition. Stapled colour edition. Ex library copy with usual stamps and stickers. Some handling wear and marks. Clean inside.

Softcover. Zustand: New.

First Edition. First edition. Softcover. 62 pages. Features an essay by Mark Haworth-Booth in Italian. Includes numerous black and white images by British photographer McCullin. A near fine copy in photo-illustrated wrappers with some very minor wear.

Hardcover. Zustand: Fine. No Jacket. New York: Heritage Press (1961). Hardcover. First edition thus in Fine condition. Prior owner's bookplate on front pastedown. An otherwise clean, tight copy. Comes with original slipcover in Near Fine condition with some shelfware. Shipped in well-padded box. Smoke-free shop. …

First Edition. First edition. Hardcover. 62 pages. Text in Italian with an essay by Mark Haworth-Booth. Includes numerous black and white images by British photographer McCullin. A clean near fine copy in photo-illustrated boards. No dust jacket as issued.

Hardcover. Zustand: Fine. 1st Edition. 46 Pages Illus. Review Copy With Review Sheet Included.

48 pp.; 29.6 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April/May 1988. Artists include John Alexander, Lorenzo Bonechi, Peter Booth, Steven Campbell, Sandro Chia, Giuseppe Gallo, Jim Gingerich, Judy Glantzman, Red Grooms, Jin Sub Han, Hans D'Hollosy, Peter Howson, Maria De La Paz Jaramillo, Earl Linderman, Jorg Madlener, Wade Miller, Hugh O'Donnell, Mimmo Paladino, Jim Peters, Miguel Rasero, Huck Snyder,Many Volz, Adrian Wiszniewski, and Joan Worth. Contents include Collector's Commentary by Susan Kasen and Robert D. Summer, a text by Donald Kuspit, and artists' biographies. Cover features image by Jim Gingerich, "Honey There Is More," 1986. Very Good. Light rubbing of covers. Contents clean and unmarked. Includes folded photocopy of "Instant collection, timeless appeal," a review of the exhibition by Steven Litt published by The News and Observer, Raleigh, NC, April 17, 1988.…

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Thus. New York: Heritage Press, 1961. First thus. 8vo. Cloth binding, 121 pp. Illustrated in color by T.M. Cleland. Two-color, two-page title page. Sandglass pamphlet included. Fine in fine slipcase. Cleland, T. M. (illustrator).

. Author's inscription on ffep. Previous owner's blind stamp on ffep and line of notes on bfep. Otherwise pristine 100 pp.

Softcover. Zustand: Near Fine. Magazine. Octavo. 92pp. Printed wrappers. Rubbing with small marks on the front wrapper, near fine. This issue features Thom Gunn, D.M. Thomas, Peter Scupham, Gavin Bantock, Patience Tuckwell, John Cotton, Roy MacGregor-Hastie, David H.W. Grubb, and Adam Fox. Additional contributors include David Lambourne, George Herbert, Stefane Mallarme, Stefan Themerson, Paula Claire,Christopher Hampton, May Ivimy, Brenda La Rosa, Brian Peters, G.W. Ashby, Martin Booth, Donald Ward, Odette Tchernine, John Smith, Ronald Bottrall, Paul Lester, James Bernardin, Walter Bennett, Vashti Tyrrell, and Robert Garioch. …

Softcover. Zustand: Very Good. Sheet music. Quarto. Single bifolium with a single sheet insert making six pages. Light edgewear, and rubbing to the exterior, still a very good and complete copy. For voice and piano. Plate number, 6650 4. The back cover features a sample of "Love Sends a Little Gift of Roses" by Leslie Cooke and John Openshaw. *Rose Briar* was a comedy musical produced by Florenz Ziegfeld Jr. and starred Billie Burke. *OCLC* locates four holdings.…

First Edition. Very good cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Cloth endbands slightly rubbed; endpapers gently browned as with age. Remains well-preserved overall; internally strong and clean. Series; Studies in communication ; 2. Physical description; viii, 145 pages ; 23 cm. Notes; Includes bibliographical references. Preface by A.H. Smith. At head of title: The Communication Research Centre, University College London. Subjects; Translating and interpreting. Language and languages. 1 Kg.…

Zustand: Gut. Formateinband: Paperback / kartoniert XX, 458 S. 1st edition; Außen etwas gealtert, Rücken geblichen, Kopfschnitt etwas fleckig; sonst in gutem Zustand. Sprache: Englisch Gewicht in Gramm: 700 [Stichwörter: ].

Tapa blanda. Zustand: Muy bien. Primera edición. Louis Auchincloss; James Clayton; Josiah Lee Auspitz; John D. Mac Donald; Stanley Booth; Robert L. Green; Barry Rosenberg; Asa Baber; Craig Vetter; Margaret of Navarre; Richard MathesonM Max Gunther; Robert Carola; Alphinse Normandia. MUY BUEN ejemplar. 242pp.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Gift inscription. Dustwrapper is protected.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Taschenbuch. Zustand: Sehr gut. Stg. 210 S. Sehr schönes, innen wie außen sauberes Exemplar. Gelesene Ausgabe in hervorragendem Zustand. Seiten sind intakt und weisen weder Notizen noch Unterstreichungen auf. Der Buchrücken zeigt keinerlei Knicke oder andere Gebrauchsspuren. 757195 Sprache: Englisch Gewicht in Gramm: 969.…

SOFTCOVER. Zustand: Fine. 1st Edition. Large Quarto size (4to). in stiff glossy card covers, 64pp, brief text in French, mainly captioned photos . [CONDITION: An almost AS NEW copy (name on fly-leaf, minute nick to top edge of front cover, tiny specks of rub to cover corner tips) ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

315 S mit Abbildungen, 315 pp. with figures, Die Originalausgabe (the original edition)! Sprache: Englisch Gewicht in Gramm: 580 8°, Original-Leinen mit Original-Schutzumschlag, sehr gutes und innen sauberes Exemplar, (hard cover, very good copy).

Zustand: Good. Light bumps/wear at edges/corners. Some marks, scratches and minor crease lines to cover. Foxing/fading at text blocks. Fading at page edges. Pages good and legible.

56 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. Messer; "Which is in Fact What Happened," Thomas M. Messer in an interview with Barbara Reise; "The Limits of Collecting," by Sir Norman Reid; "Three Early African Sculptures;" "Supplement: New and Recent Art Books" "Reviews," by Marth Haworth-Booth, Jonathan Benthall, Alan Bowness, Timothy Clark, Richard Cork, Peter Gidal, Andrew Higgens, Timothy Hilton, and Frank Whitford. Cover: Sketch for "Zing" 1970 by Bridget Riley. Very Good. Light rubbing and bumping of cover edges. 8 cm. vertical creasing to verso with 6 cm. of pencil writing on verso edge. Contents clean and unmarked.…

First Edition. First edition. Number 2 from an edition of 75 of which only 55 were for sale. A suite of 15 broadsides that each measure 9" wide by 14" high and are all printed in two colors on Rives paper. Includes broadsides by: Philip, John Ciardi, Donald Davie, Anthony Hecht, James Merrill, W.S. Merwin, Howard Moss, Howard Nemerov, Karl Shapiro, Louis Simpson, W.D. Snodgrass, Radcliffe Squires, William Stafford, Mark Strand, and John Updike. All of the broadsides are in fine condition and are housed in a fine chemise with marbled paper covered boards with a cloth spine. Each broadside is signed. A lovely set. Signed. …

Booth, Andrew Donald and Booth, Ian J. PET revisited, a 40 year overview. Offprint from Physics in Canada 40 (March 1984). Unbound, stapled. Inscribed on p. 57: "With the compliments of IJB." 57-60pp. Text diagrams. 280 x 217 mm. Provenance: From Andrew D. Booth. Written jointly with Booth's son. The Booths used a Commodore PET computer, a machine with a MOSTEC 6502 microprocessor and 32 KB memory, to re-evaluate the data in the senior Booth's 1944 doctoral thesis on the crystal structure of pentaerythryol tetranitrate. "The results . . . show clearly the revolution which the electronic digital computer has produced in the calculation of crystal structures" (p. 60). Origins of Cyberspace 501. . …

First edition, by the programmers of the first assembly language. The Booths were members of the Birkbeck computer group and associates of John von Neumann. They examine the construction of automatic calculators and their historical context, before suggesting possible future applications, including a discussion of machine learning. Automatic Digital Calculators follows the Booths' 1947 work, Coding for A.R.C., which proposed an assembly code which could be converted into an executable machine code by an "assembler" utility programme. Between 1947 and 1953 they built three machines utilizing this language: the Automatic Relay Calculator, Simple Electronic Computer, and All-purpose Electric (X) Computer. Andrew (1918-2009) is additionally known for his development of "Booth's multiplication algorithm", an important element of computer architecture. Kathleen (1922-2022) is notable for her research on neural networks which led to programmes which successfully simulate how animals recognize patterns. Tomash & Williams B204. Octavo. Half-tone frontispiece, 3 plates, diagrams within text. Original green cloth, spine and front cover lettered in gilt. With dust jacket. Spine ends and corners gently bumped, lettering a little faded; jacket unclipped, spine browned, a few chips: a very good copy in like jacket.…

First edition, first impression, of this informative work by the programmers of the first assembly language. The Booths were members of the Birkbeck computer group and associates of John von Neumann. This work examines the construction of automatic calculators and their historical context, before suggesting possible future applications, including a discussion of machine learning. Automatic Digital Calculators follows the Booths' groundbreaking 1947 work, Coding for A.R.C., which proposed an assembly code which could be converted into an executable machine code by an "assembler" utility programme. Between 1947 and 1953 they built three machines utilizing this language: the Automatic Relay Calculator, Simple Electronic Computer, and All-purpose Electric (X) Computer. Andrew (1918-2009) is additionally known for his development of "Booth's multiplication algorithm", an important element of computer architecture. Kathleen (1922-2022) is notable for her research on neural networks which led to programmes which successfully simulate how animals recognize patterns. Tomash & Williams B204. Octavo. Half-tone frontispiece, 3 plates, diagrams within text. Original green cloth, spine and front cover lettered in gilt, publisher's device in gilt to front cover. With dust jacket. Spine ends bruised, cloth clean, gilt bright, foxing to edges and contents; jacket unclipped, spine lightly toned, a handful of nicks to extremities including spine ends, short closed tear at head of front joint: a near-fine copy in near-fine jacket.…