dluhosch eric (20 Ergebnisse)

Zustand: Used - Very Good. 1999. Hardcover. Cloth, d.j., in an acetate cover. Some shelf-wear. Else bright, clean copy. Very Good.

Zustand: Used - Like New. Cloth, dj. Fine.

First edition and first printing. Hardcover. 418 pages. A collection of essays about Czech artist Karel Teige. Edited by Eric Dluhosch and Rostislav Svacha. Includes numerous black and white illustrations. A fine copy in a fine dust jacket. A very fresh copy.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1900grams, ISBN:9780262041706.

Paperback. Zustand: Very Good-. Card covers are lightly shelf-marked, corners bumped, light wear to edges, previous seller's sticker on rear; binding is tight; pages are unmarked with black and white plates, previous seller's tick mark on verso of front cover, heavy off-setting on verso of front cover. Newspaper article about Catherine Cooke laid in. ; 5.4 x 0.6 x 8 inches; 239 pages.

Hardcover. Zustand: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 2nd class tracked post within 12 hours of receipt of order.

Large sq. 4to, cloth, dj, illustrated, 420 p. In fine condition. K13.

Hardcover. Zustand: Near Fine. 1st Edition. Title - Karel Teige - Enfant terrible of the Czech Modernist Avant-Garde / Author - Eric Dluhosch - Rostislav Svacha / Publisher - Mit press / Year - 1999 / Language - English / Binding - Hardcover + dust jacket / Size - 25 x 26,5 cm / Pages - 418 / ISBN - 0262041707.

Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover-Großformat. Zustand: Gut. 418 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Originalschutzumschlag vorhanden.In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 1810.

8vo. pp 239. Red illustrated dust jacket. Publisher's black cloth lettered in red at spine. Black and white illustrations throughout. First UK edition.ISBN: 0853312672 Near fine, some very faint discolouring along page edge, very slight tilt at top of spine. In near fine dust jacket, glossy with very little sign of age.

like new. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Cambridge, Massachusetts., MIT Press, 1999. 4to. Hardcover with DJ. First Edition. 4to. Black and red cloth over boards with red lettering on spine; photo-pictorial dust jacket; pp. xxvi, 420, with nearly 200 illustrations. . Fine condition Dust jacket likewise fine, and in mylar. A leading figure of the European avant-garde of the 1920s and one of the leading typographers of his time. First Edition. 4to. Black and red cloth over boards with red lettering on spine; photo-pictorial dust jacket; pp. xxvi, 420, with nearly 200 illustrations. A leading figure of the European avant-garde of the 1920s and one of the finest typographers of his time.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This is a Review Copy with MIT Press Review Copy card and press release laid in. Illustrated in black & white. 10" high X 9" wide, 420 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Presumed First Edition, First printing. The format is approximately 9.75 inches by 10.25 inches. xxvi, 420 pages. The dust jacket is in a plastic sleeve. Illustrations (some in color). Notes. Introduction by Kenneth Frampton. Appendix: Chronological Overview--Dates, Events, Manifestos, and Books Rumjana Daceva (Trans. by Eric Dluhosch). Postscript: My Uncle, Karel Teige by Milos Aulicky (Trans. by Eric Dluhosch). Selected Bibliography. Sources. Index. Czech Pronunciation. Karel Teige (13 December 1900 1 October 1951) was a Czech modernist avant-garde artist, writer, critic and one of the most important figures of the 1920s and 1930s movement. He was a member of the Dev tsil movement in the 1920s and worked as an editor and graphic designer for Dev tsil's monthly magazine ReD (Revue Dev tsilu). One of his major works on architecture theory is The Minimum Dwelling. Although not an architect, Teige was an articulate and knowledgeable architecture critic, an active participant in CIAM, and friends with Hannes Meyer, the second director of the Bauhaus. He gave guest lectures at the Bauhaus in Dessau. Teige and Meyer both believed in a scientific, functionalist approach to architecture. In 1929 he famously criticized Le Corbusier's Mundaneum project (planned for Geneva but never built) on the grounds that Corbusier had departed from rational functionalism, and was on his way to becoming a mere stylist. Teige believed that 'the only aim and scope of modern architecture is the scientific solution of exact tasks of rational construction. "Tiege was at one and the same time both an agent provocateur and seismograph, at once provoking action and debate and yet simultaneously reacting with the utmost sensitivity to the shifting political spectrum of his time." -- from the introduction by Kenneth Frampton. Karel Teige (1900--1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances. When the Communists took over Czechoslovakia in 1948, Teige was first hailed as a progressive, then denounced for not toeing the party line -- even though he was never a card-carrying member of the Communist Party. He died a broken man, forbidden to speak out or to publish. Since the recovery of his work after the "velvet revolution" of 1989, his legacy has been revived not only in Prague, but also in Western Europe and the United States. Teige firmly believed in an ars una, free of the artificial separation of one branch of the arts from the other. The concept of ars una is reflected in the essays of this book, which provide intellectual riches without overly compartmentalized attempts at "academic" criticism. Because the only significant writing by Teige to appear so far in English is his well-known argument with Le Corbusier, the "Mundaneum Affair," four essays by Teige have been included. Contributors:Polana Bregantová, Lenka Bydzovská, Rumjana Daceva, Eric Dluhosch, Vojtech Lahoda, Miroslav Petrícek, Jr., Klaus Spechtenhauser, Karel Srp, Rostislav Svácha, Daniel Weiss. Published with the assistance of the Getty Grant Program. The Congrès Internationaux d'Architecture Moderne (CIAM), or International Congresses of Modern Architecture, was an organization founded in 1928 and disbanded in 1959, responsible for a series of events and congresses arranged across Europe by the most prominent architects of the time, with the objective of spreading the principles of the Modern Movement focusing in all the main domains of architecture (such as landscape, urbanism, industrial design, and many others). The organization was hugely influential. It was not only engaged in formalizing the ar.

Illustrated softcover, 116 pages, 30.5 x 23 cm, english text. *Fine condition. Issue dedicated to Karel Teige (1900-1951) Czech graphic artist, photographer, and typographer - was the major figure of the Czech avant-garde movement Devetsil. 0 g.

Soft cover. Zustand: Very Good. 1st Edition. 4° - 116pp - Color & B/w reproductions. Issue dedicated to Karel Teige (1900-1951) Czech graphic artist, photographer, and typographer - was the major figure of the Czech avant-garde movement Devetsil. First edition, text in Italian, English, French and German language. Original (pink) boards. In Very good condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Sm.8° - 239pp - B/w reproductions. Russia: An Architecture for World Revolution by El Lissitzky (1890-1941) Soviet artist, designer, photographer, teacher, typographer and architect. First edition in English. Original binding and dust-jacket. In Very good condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 4°Ob. - 420pp - Color & B/w reproductions. Karel Teige (1900-1951) Czech modernist avant-garde artist, writer, critic and one of the most important figures of the 1920s and 1930s movement. He was a member of the Devětsil movement in the 1920s and also worked as an editor and graphic designer for Devětsil's monthly magazine ReD. One of his major works on architecture theory is The Minimum Dwelling. First edition, text in English. Original binding and dust-jacket. In Very good condition.

Cambridge, MIT Press, 1999. 4°. 418 Seiten. Mit zahlreichen s/w Abbildungen. With Chronological Overview, Selected Bibliography, Index. OLeinen mit illustr. OUmschlag. Karel Teige (1900-1951), a leading figure of the European avant-garde of the 1920s and 1930s, participated in every important artistic argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural developments and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances. When the Communists took over Czechoslovakia in 1948, Teige was first hailed as a progressive, then denounced for not toeing the party-line - even though he was never a card-carrying member of the Communist Party. He died a broken man, forbidden to speak out or to publish. Since the recovery of his work after the "velvet revolution" of 1989, his legacy has been revived not only in Prague but also in Western Europe and the United States. - Kleiner Filzstiftstrich am unteren Schnitt, sonst tadellos. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

orig.cloth. 8pp photoplates. (illustrator). 29x21cm, xxvi,420,(8)pp "This text brings together a collection of essays on Karel Teige, the most influential figure of the Czech avant-garde of the 1920s and 1930s. Teige (1900-1951) participated in every important argument and controversy of those years. He edited influential avant-garde journals on Czech and international cultural affairs and wrote essays on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, typefaces and participated in theatrical performances. In 1948, when the communists took over Czechoslovakia, Teige was held as a progressive and died a broken man, forbidden to speak out or to publish" - Publisher's description. Some rubbing. VG. In a soiled & rubbed dustwrapper., dustwrapper.