Daniel e wang (78 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Paperback. Zustand: Brand New. illustrated edition. 264 pages. 8.75x6.25x1.00 inches. In Stock.

weicher Einband. 256 S., ca. 100 Abb. Farb. od. s/w und ca. 170 Zeichnungen und Pläne Quer 4° Br. *neuwertig* Rising with its golden roof from the self-inflicted ashes of World War II, right at the center of the remains of Hitler's megalomaniac World Capital Germania, the new concert hall for the Berlin Philharmonic Orchestra has become the symbol of another Germany; a newly democratized nation that sought to reshape itself with the help of cultural experiences. Today, the Philharmonie is the nucleus of Berlin's Kulturforum with five museums, two concert venues and the state library, West Berlin's response during the Cold War to the Museum Island on the east of Berlin. Hans Scharoun's design for the Philharmonie is without precedent. It became the paradigm for numerous concert halls all over the world, but none has ever come close to the Philharmonie's conceptual, compositional, constructional, social and synesthetic experiential integrity. Scharoun (1893-1972) had pursued all his life to project a symbol for new democracy in Germany. Ever since the revolutionary air swept German society after World War I, Scharoun and a number of his friends were dreaming of the new gleaming glass dome on top of a cultural building that would become the alternative to the cathedral. More than four decades later, the purpose-built concert hall for one of the world's most respected orchestras, opened its doors to an avid audience. The Philharmonie's unconventional forms, mostly non-orthogonal planes with a few curves notably as part of the roof and the ceiling met with incredulity and outright rejection. When the designs were published, vociferous commentators were sure that it could not be built. Its apparent irregularity was thought by some to be costly and unnecessary. Yet on completion, the spatial magic and the constructional logic won over most critics. Nevertheless, there are some who remain hostile to the design, considering it to be irrational and overly expressive. With the possibility of publishing the drawings from the Scharoun Archive at the Academy of the Arts, Berlin, anyone with a slightest ability to read drawings will be able to trace the direct approach to the detailing and construction of the Philharmonie's spatially complex, yet highly logical composition. Sprache: Englisch.…

Zustand: New. pp. 172 Illus.

Zustand: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Berlin 1956-1963. Edited by Wilfried Wang and Daniel E. Sylvester. Essays by Eva-Maria Barkhofen, Mack Scogin, Wilfried Wang and Daniel E. Sylvester. Durch zahlreiche bislang unveröffentlichte Archivmaterialien (vor allem Zeichnungen), historische und aktuelle Fotografien und vier englischsprachige Essays dokumentiert der Band dieses Beispiel der architektonischen Nachkriegsmoderne. Hans Scharoun's design for the Philharmonie is without precedent. It became the paradigm for numerous concert halls all over the world, but none has ever come close to the Philharmonie's conceptual, compositional, constructional, social and synesthetic experiential integrity. The Archive of the Academy of the Arts, Berlin, the Center for American Architecture and Design together with the O?Neil Ford Chair in Architecture at the University of Texas at Austin document this outstanding example of contemporary architecture. This volume includes four essays and the reproduction of extensive hitherto unpublished archival material, and concludes with a comprehensive selection of photographs. 256 Seiten mit 100 Farb- und etwa 170 s/w-Abb., Querformat 22 cm x 30 cm, broschiert (O'NFM_5 - The O'Neil Ford Monograph Series; Vol. 5/Wasmuth Verlag 2013). Früher EUR 39,80. Gewicht: 1030 g - Softcover/Taschenbuch.…

Zustand: New.

Zustand: New.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Neu. Neuware - Rising with its golden roof from the self-inflicted ashes of World War II, right at the center of the remains of Hitler's megalomaniac World Capital Germania, the new concert hall for the Berlin Philharmonic Orchestra has become the symbol of another Germany; a newly democratized nation that sought to reshape itself with the help of cultural experiences. Today, the Philharmonie is the nucleus of Berlin's Kulturforum with five museums, two concert venues and the state library, West Berlin's response during the Cold War to the Museum Island on the east of Berlin. Hans Scharoun's design for the Philharmonie is without precedent. It became the paradigm for numerous concert halls all over the world, but none has ever come close to the Philharmonie's conceptual, compositional, constructional, social and synesthetic experiential integrity. Scharoun (1893-1972) had pursued all his life to project a symbol for new democracy in Germany. Ever since the revolutionary air swept German society after World War I, Scharoun and a number of his friends were dreaming of the new gleaming glass dome on top of a cultural building that would become the alternative to the cathedral. More than four decades later, the purpose-built concert hall for one of the world's most respected orchestras, opened its doors to an avid audience. The Philharmonie's unconventional forms, mostly non-orthogonal planes with a few curves notably as part of the roof and the ceiling met with incredulity and outright rejection. When the designs were published, vociferous commentators were sure that it could not be built. Its apparent irregularity was thought by some to be costly and unnecessary. Yet on completion, the spatial magic and the constructional logic won over most critics. Nevertheless, there are some who remain hostile to the design, considering it to be irrational and overly expressive. With the possibility of publishing the drawings from the Scharoun Archive at the Academy of the Arts, Berlin, anyone with a slightest ability to read drawings will be able to trace the direct approach to the detailing and construction of the Philharmonie's spatially complex, yet highly logical composition. With this fifth O'Neil Ford Monograph, the Archive of the Academy of the Arts, Berlin, the Center for American Architecture and Design together with the O'Neil Ford Chair in Architecture at the University of Texas at Austin document another outstanding example of contemporary architecture. This fifth volume includes three essays and the reproduction of extensive hitherto unpublished archival material, and concludes with a comprehensive selection of photographs.…

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. Rising with its golden roof from the self-inflicted ashes of World War II, right at the center of the remains of Hitler s megalomaniac World Capital Germania, the new concert hall for the Berlin Philharmonic Orchestra has become the symbol of another German.